Above: an image captured in Milan in 1943. Note the Duomo in the background. Image via Wikipedia.
By April 19, 1945, the occupying Nazi forces had begun to leave Milan. A few days later, the city was liberated by Italian partisans and by April 27, the U.S. 1st Armored Division had entered the city.
My dissertation advisor Luigi, who was born in Milan in 1940, used to love to tell the story of one of his earliest memories. It was an icy cold day in 1945, as he remembers it, when he watched a bare-chested German solider sitting atop his tank as it left the city. Luigi, who was five years old at the time, had survived both the Allied bombing of Milan and the Nazi occupation. In his mind, the soldier’s machoism was an expression of his unfettered defiance and pride as German forces retreated in the face of the American advance.
On this April 25, Italian Liberation Day, a national holiday that commemorates the Italian partisans’ victory over the Nazi occupation and the Fascist regime, it’s hard not to think of our sisters and brothers in Ukraine.
From 1945 when Milan was liberated, another two decades would pass before Italy rebuilt its economy. Luigi’s father had been killed in 1943 by the Nazis in Greece in what is known today as the Cephalonia Massacre. Think of what young Luigi and his single-mother faced in terms of rebuilding their lives. He would ultimately become a migrant after winning a scholarship to study in the U.S. in the 1950s.
In 1945, when the first wave of Neorealist films began to be released, viewers saw for the first time the severe personal and emotional toll of war victims and refugees. The most iconic of those is arguably “Rome, Open City,” where director Roberto Rossellini blended quasi-realtime war footage and person-on-the-street actors who had no professional experience (Fellini was one of the screenwriters).
While Americans were accustomed to seeing state-sanctioned war footage, this new media form reshaped the way movie goers understood the local human toll in a war that hadn’t been fought on their continent.
As we watch the nonstop coverage from Ukraine via mainstream and social media, many commentators have noted that there has never been a European war where news consumers have such unmitigated access to what is happening on the ground. Thanks to media’s immediacy today, the human toll and the resulting desperation are streamed daily into our homes and on to our phones. In many ways, our perceptions of the war find a parallel in what movie goers must have experienced when they saw films like “Rome, open city” (1945) and “Bicycle Thieves” (1948) for the first time.
Today, on this Italian Liberation Day 2022, more than 75 years after WWII ended in Europe, we must never allow ourselves to become immune to the suffering of the Ukrainian people at the hand of Putin — our generation’s Hitler. If Italy’s path to recovery gives us any indication of what the Ukrainians will face even after the conflict draws to an end, we must remember that it will take decades for life there to return to normal.
G-d bless our sisters and brothers in Ukraine. Please consider giving to Unicef’s Ukraine child refugee fund. This link takes you straight to the donation page. Thank you and happy Liberation Day.
Buona festa della liberazione. Let’s pray that one day we will all be free.
This year as we prepare to celebrate the Passover, our family knows how fortunate we are to enjoy good health and security. With everything going on in the world today, we take time each and every day to tell each other that we love each other and to let each other know that we support one another.
Georgia and Lila Jane have both been doing well in school. And we all enjoy their music.
Georgia plays violin and piano and is in advanced choir at school. Lila Jane plays cello and piano and is in beginning choir.
Tracie’s work is going really well (poo poo poo!). And now that the wine business is back in full swing, my work is also going well.
We are much closer to our financial goals than we could have ever imagined in 2022. The light is appearing at the end of the tunnel, which is great.
Tracie has done an amazing job and there’s not a day that goes by that I don’t remind her that she makes our lives whole.
Since the late 1980s, Italian cuisine in the U.S. has been shaped by a tension between traditional- and creative-leaning forces.
Making my way over to Cotogna from my hotel in San Francisco the other night, I couldn’t help but remember a chilly winter evening in the late 80s when I stopped a man on the street and asked him if he knew the way to a certain “trattoria,” a name for pseudo-Italian restaurants that had become popular in the second half of the decade.
The carrot sformato (first photo) blew me away with its ethereal texture and subtle dance of bold but elegant flavors. Sformato — properly called a savory custard in English — is all about the texture. It should be firm but light, rich but buoyant. I know already from my Instagram that people agree with me: this dish was nothing short of show-stopping. I loved it.
Above: Nebbiolo currently on deck at our house.
In 1969, the Houston-based art collectors and civil rights activists
Given the history of racist violence in southeast Texas, where Tracie was born and where we have lived for the last nine years, it was devastating to learn that White Supremacists planned to build a neo-Confederate memorial along Interstate 10 in Orange, Texas where Tracie grew up and where we spend a lot of time with our children.
The City of Orange tried unsuccessfully to block the construction of the memorial, which lies on private property owned by the Sons. But they did manage to limit the height of the flagpoles so they can’t be seen from the freeway. It sits on MLK Dr., one of the town’s major arteries. For the people who have to drive by it every day, it is a reminder of the racist violence that has plagued the city since Reconstruction and beyond.
Merry Christmas and happy new year from the Parzen family!
Both girls are doing well, getting good grades at school and playing piano (both) and violin (Georgia) and cello (Lila Jane). Both girls are also in their school’s choir program.
They both made the cut for the “performers” orchestra at their school this year.
One holiday season highlight was their performance at the mayor’s tree lighting festival. It was their first taste of playing on a big stage, with lights and cameras etc. And the entire event was produced as a holiday show by the local ABC affiliate. It was amazing to watch the girls watch themselves on TV! They loved it! As did their parents.
The biggest news of our year was that Tracie went back to work full time for the first time since Georgia was born in 2011. In early 2021, she obtained her realtor license and by April she had already landed at an old line Houston firm.
My work picked up again early this year and it’s actually turning out to be a good year for me work-wise.
As we’ve spent more time at home over the past 12 months, the girls have become more interested in the recording arts. And they sing on a couple of tracks on our new album, “Falling in Love Again.”
Many of our friends will remember the story of the first time Tracie brought me home to Orange, Texas to meet her extended family. It was Thanksgiving 2008. 

