According to a report published the Italian national daily La Repubblica, the European Union has recognized “Vermouth di Torino” as an official EU designation.
The announcement of the new designation came last week as the recently formed Consorzio del Vermouth di Torino (the consortium of Vermouth di Torino producers) was holding a festival in Turin (Torino) celebrating the legacy of aromatized wines there.
While the designation had already been approved by the Italian ministry of agriculture in 2017, it has taken two years for the Italian government’s counterparts in Brussels to take this historic and important step.
With the newly approved EU designation, Vermouth di Torino now joins a growing list of countries that have received or requested protected status for aromatized wines. According to the European Commission, these include Nürnberger Glühwein, Thüringer Glühwein, Samoborski bermet, and Vino Naranja del Condado de Huelva.
It’s remarkable to think about how and how much Americans’ perceptions of wine have changed in the last 20 years or so. A generation ago, wine at the Thanksgiving table was mostly an afterthought, if that, even for the privileged among us.
Today we live in an America where “wine is the new golf.” Knowing, appreciating, and consuming fine wine has become part of our social fabric. Professionals (you know, the lawyers and doctors and such) are expected to possess an ever elusive “wine knowledge,” a loosely defined and always liquid (excuse the pun) canon of winespeak and consumption. And even for those who don’t belong to the managerial class, wine has become more accessible and enjoyable (for all the discussion of natural wine and its epistemological implications, we often overlook the fact that it has made wine palatable to a new generation of ready enthusiasts).
That’s not a bad thing. The wine renaissance that has taken shape over the last two decades has manifested itself with many positive ramifications — in production, representation, and consumption.
The new wave of technically superior wines, paired with the heightened interest in wine writing and wine education, has created a truly golden age for wine lovers. And the moneymakers have taken note and followed suit: from the crusty old big shippers to a newly minted army of small importers and distributors, more good wine is making its way coast-to-coast and across the American south and heartland.
The downside of all of this is that our self-imposed enological expectations and pressures often blind us to wine’s true purpose and role in human experience. After all, wine (at least in my view) serves to enhance nutrition, pleasure, and spiritual enlightenment.
(Spiritual enlightenment, you ask? Anyone familiar with wine’s diegetic — not digestive — role in Judeo-Christian tradition is surely aware of its divine association. And those who know the works of American philosopher William James should also recognize how wine — and thoughtful inebriation — can open the mind, so to speak, to a greater state of consciousness.)
And that brings us to the question at hand: even with open minds, the best and the brightest among us seem to be nonplussed by that Holy Grail of wine pairings, the Thanksgiving Feast.
The diversity of the foods and flavors, the congregation of the wine friendly and the wine adverse, the burden of supplying wine to a large and unwieldy group of people who all have wildly different expectations and desires… All of these elements come together to form a puzzle that has no solution, a riddle of the Sphinx for which not even the smartest and most knowing women and men have an answer.
Sadly, the overwhelming pressures and ideals of the new wine culture have prompted us to overthink the perfect pairing.
Perfect pairings are almost never fully predictable. Yes, you can use tradition and experience as a guide. But they only come together thanks to an unforeseeable combination of factors. Opening a bottle of wine and matching it with food always represents a gamble, a wager, a rolling of the enological dice. A glass of Carricante paired with a chilled seafood salad only makes for a prefect pairing when all the elements are right: the wine, the food, and the mood of the people at the table.
And so this year, I would like to propose the following Thanksgiving Feast wine pairing: if you can’t be with the Pinot Grigio you love, love the Pinot Grigio you’re with.
Don’t fret or fluster over the optimal pairing. Don’t spend too much but make sure there’s plenty to drink. Open your favorites but make sure that they’s something for everyone (include a “Chard,” a “Cab,” and a sparkling Moscato for sure). And most important of all, eat and drink and be merry this holiday season.
That’s the secret to enjoying a great Thanksgiving with family, friends, and all the ones you love.
There’s a rose in a fisted glove
And the eagle flies with the dove.
Happy holidays, yall.
“Venice Floods Because of Highest Tide in 50 Years,” according to a report published two hours ago by the New York Times. “The mayor called for a state of emergency and the closing of all schools after the Italian city was submerged under ‘acqua alta,’ an exceptionally high tide.”
See the live video from national daily La Repubblica embedded below.
Venice and its lagoon are a designated UNESCO heritage site. It’s also a living, breathing city where people go to work and study and parents send their kids to school every day.
It’s heartbreaking to see what’s happening there.
See also coverage on the La Repubblica website (in Italian but the images tell a thousand stories).
Top image via Wikipedia Creative Commons (2008).
Earlier this month, I had the immense fortune to attend a seminar with Jean-Marc Roulot of Domaine Roulot, legendary producer of Mersault. The event was part of the 2019 Boulder Burgundy Festival (I’ve been the gathering’s blogger for the last six years).
Everyone in attendance at the standing-room-only tasting was rapt with Jean-Marc’s earnestness and transparency in talking about his wines, including the challenges he’s faced in his 30 years at the winery.
But most impressive was his forthrightness when the sticky subject of premature oxidation — “premox” as it’s known in trade parlance — was raised. After all, many of the attendees were top Burgundy collectors who have been deeply disappointed with the cellaring potential of their investment.
“I have discovered that a large number of bottles of white Burgundies from the ’90s suffer from a phenomenon known as premature oxidation,” wrote leading sommelier and author Raj Parr in a dire “Warning on White Burgundies” in 2007 (Wine Spectator). “Simply put, these wines show various stages of advanced oxidation, and this state is not what would normally be expected given their relatively young age.”
(See also this in-depth essay published by World of Fine Wine in 2014.)
Jean-Marc attributes the trend, he said, to a combination of factors, including, possibly, the scarcity of good cork.
But he believes, he said, that the problem is due to a new wave of consulting enologists in the 1990s who encouraged winemakers to press and vinify the wines too swiftly. The focus was on maintaining the freshness and aromatic character of the wines in a decade when fruit was arriving in the cellar riper than in previous years thanks to climate change (we know now).
After some of his wines suffered from premox, he told the tasters, he decided to reserve roughly 10 percent of his grape must and let it oxidize slightly before vinifying. He’s found, he said, that by letting some of the must gently oxidize, premature oxidation of the wines seems to have been avoided.
In a sense, it’s possible that it was modernity itself to blame. Coming away from the tasting and talk, I couldn’t help but think to myself, it wasn’t broke until they tried to fix it.
Jean-Marc’s wines are extraordinary, although expensive and extremely hard to find in North America. I’d only ever had the opportunity to enjoy them in France, in the occasional overlooked bistro, when my band was touring there. Many consider him one of the greatest producers of white wine in the world today. And many American winemakers try to emulate his style by using what has come to be known as the “Roulot Method” (although he claimed adamantly not to have invented it). What a great experience to get to taste with him! Drink his wines if you can!
Riikka Sukula (above) and I will be pouring the following wines from Scarpa tomorrow night at Vinology in Houston starting at 7 p.m.:
Monferrato Freisa Secco La Selva di Moirano 2006
Nebbiolo d’Alba Bric du Nota 2016
Barbaresco Tettineive 2015
Barolo Tettimora 2013
Barbera d’Asti La Bogliona 2008
Everyone is welcome but please send me a note (email below) so that I can get an exact head count.
This is going to be a super fun tasting. Looking forward to sharing these amazing wines with you!
Last night found me at the 9th annual Boulder Burgundy Festival in Colorado where I’ve worked as the event’s official blogger for the last six years.
Even though it’s not my first rodeo (as we say in Texas), the thrill of getting to taste these spectacular wines, especially the “old and rare” wines at the festival’s kick-off event each year, has never worn off.
The flight for last night’s sold-out tasting of 30+ wines was selected by Master Sommelier Jay Fletcher from the Somm Foundation Cellar. There were wines stretching back to the 1930s and a number of show-stopping wines from the 1970s.
But my personal highlights were the 1985 Mongeard-Mugneret Grands-Échezeaux (above) and the 1996 Michel Bonnefond Ruchottes-Chambertin (below).
The 1993 Domaine René Engel Grands-Échezeaux (above), from a challenging vintage, wasn’t bad either, a truly rare wine in part because the estate no longer exists.
When you taste wines like these, it’s easy to understand why wines from Burgundy are so coveted by collectors. They were all vibrant and teeming of life, with nuanced aromas and flavors that lingered on the palate. The 85 Grands-Échezeaux was especially compelling.
What an incredible tasting!
I am so grateful to my long-time friend Brett Zimmerman for making me part of this gathering and experience. He’s been so generous to me. And I’ve been so glad to get to know many of the collectors who attend the festival each year and share their wines at the event’s marquee tasting, the Paulée Inspired Lunch.
This year’s featured producer is Jean-Marc Roulot and I’m really looking forward to his seminar on Sunday.
It’s all a bit of a dream for me. I spend most of my year tasting and working with Italian wines. But every fall, I take a break to come up here for these remarkable, truly extraordinary tastings.
Italian wine is my signora (and how I make my living). But Burgundy is my mistress.