Slow Wine tastings coming up in SF and PDX, Taste of Italy here in HTX: come out and taste with me!

Happy Valentine’s Day, everyone!

Above, from right: Slow Wine Oregon senior editor Michael Alberty with Annedria and Andrew Beckham of the Beckham Estate Vineyard in the Chehalem Mountains of Oregon wine country. The Beckham winery, producer of some of the most compelling wines I’ve tasted from the Pacific northwest, appears in the debut edition of the Slow Wine Guide to the Wines of California and Oregon.

On Monday, March 4 and Tuesday, March 5, I’ll be joining Slow Wine editor-in-chief Giancarlo Gariglio as we present the second edition of Slow Wine California and the inaugural edition of Slow Wine Oregon in San Francisco and Portland.

I won’t be following the entire tour but tastings will also be held that week in Denver, New York, and Boston.

Click here for tour information.

Please come out and taste with me and my fellow editors! There will be plenty of amazing American wines to taste not to mention the Italian and Slovenian estates that will joining the tour as well (click the link above for info on the wineries that will be pouring at each event).

A true labor amoris, the Slow Wine experience has been a real eye-opener for me: I realize now how wrong I have been in the past about California viticulture (really wrong) and I also now have a richer sense of Oregon’s greatness.

Back at the home office in Bra (Piedmont), Italy, my colleagues are in the process of publishing the entire U.S. guide online on the Slow Wine blog (click here to view, no paywall). And you’ll also find posts there on our field editors.

Before I head off to the west coast, I’ll also be presenting some really great tastings here in Houston, including “How to Pair Texas BBQ with Italian Wine,” at the Taste of Italy food and wine trade fair and festival on Monday, February 25. Now in its fifth year, it’s an event that I help to produce together with the Italy-America Chamber of Commerce Texas (one of my most beloved clients, rated the number one chamber in NAFTA, no joke!).

The seminars, which will also feature Master Sommelier June Rodil and top American wine writer Bruce Schoenfeld, are nearly all full. If you haven’t already signed up, please shoot me a PM and I’ll see what I can do to get you in.

We are also looking for volunteers in exchange for a comped spot at the BBQ tasting and seminar.

Hit me up, people! I hope to get to taste with soon and I’ll also be at the upcoming Gambero Rosso tastings in Chicago and New York if you happen to be around.

Sorry for the too-much-info post and thanks for the support! I hope to get to taste with you this month and next! That’s Oregon editor and wine writer extraordinaire Michael Alberty below, left, and Slow Wine editor-in-chief and super taster Giancarlo Gariglio tasting with me in Oregon in late spring of last year.

Good food I ate in Italy over the last couple of weeks…

On my way home from a whirlwind research trip to Italy. Barely had time to catch my breath let alone get in a good meal. But here were some of the highlights of what we ate. Wish me luck, wish me speed! I need it. See you on the other side…

Piadina with prosciutto, brie, lettuces, olive oil-cured roasted peppers, and salsa rosa (chez Arcari, Franciacorta).

Tuna tramezzino (Piccolo Bar, Crocetta del Montello).

Pizza with bufalo mozzarella and datterini tomato sauce (iDon, Padua).

Puccia with prosciutto, fontina, lettuces, insalata russa (La Puccia, Lecce).

Cavatelli with mussels (iSensi [Cantele], Guagnano).

Orecchiette with meatballs (iSensi [Cantele], Guagnano).
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Is a massive wine scandal fermenting in Italy? Let’s get the facts straight, people, please!

Above: A Carabinieri NAS officer inspects salmon. NAS is an acronym for Nuclei Antisofisticazioni e Sanità or Anti-Adulteration and Health [Safety] Squad (image via the Carabinieri Facebook).

On Saturday, a high-profile English-language pop culture website published a factually challenged post on a “sting operation” in Italy that has — according to the cheapjack author — ensnared “cheap grapes in fancy” and “prestigious wines.”

The story she referred to was first posted online by the Pordenone (Friuli) edition of Il Gazzettino on Wednesday afternoon of last week (she doesn’t credit the masthead).

“Early this morning,” wrote the author of the Gazzettino post, “in a dozen provinces (Pordenone, Udine, Treviso, Venice, Padua in the northeast, but also Reggio Emilia, Modena, Ravenna, Florence, Livorno, Naples, Bari and Foggia), Carabinieri from the Udine [Friuli] offices of NAS [Italy’s anti-adulteration and health safety force] and technicians from [Italy’s] anti-counterfeiting inspectorate searched roughly 50 wineries, distilleries, farming businesses, homes, and shipping companies. The searches were conducted on behalf of the Pordenone district attorney.”

Evidently, the search focused on the Cantina di Rauscedo cooperative (not to be confused with the famous Rauscedo grape vine nursery, which shares the place name Rauscedo — the largest hamlet in Pordenone province — with the bottler).

Nearly all 10 of the “roughly 10” persons under investigation, writes the author of the Gazzettino report, reside in Pordenone province.

(Translation mine. Because of the copyright, I don’t want to translate the entire article. Read it here in Italian.)

A query on WineSearcher.com reveals that the highest-price wine available from Cantina di Rauscedo clocks in at a hefty $12 or so (retail).

The winery also produces bag-in-box wine (what Americans know as “box wine”).

It appears that the wines are not available in the U.S.

So far, that’s what we can ascertain. We won’t know more until (notoriously tight-lipped) Italian officials reveal more information about the investigation.

Is a massive wine scandal fermenting in Italy? Let’s get the facts straight, people… please!

I’ll continue to follow the story and will post about it as it develops.

happy anniversary, Tracie P… I don’t who, what, or how I would be if you weren’t the love of my life…

Nine years ago today Tracie and I were wed.

Nine years gone, we are still broke and struggling but we have each other and our girls.

And that’s all we need.

Happy anniversary, Tracie P… I don’t who, what, or how I would be if you weren’t the love of my life… I love you yesterday, today, and forever…

Here are some songs I’ve written for her over the years.

The photo above is one of my favorites, taken on a chilly night in New York City in the greenroom at the Mercury Lounge where my band played to a packed house later in the evening. Bollinger was in our plastic cups. It was February 2009 not long after we had begun dating.


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Does Missy Robbins’ Misi represent a turning point for Italian cuisine in the U.S.? (Let’s hope so…)

When our party was seated the other night in Misi’s impossibly crowded dining room in Williamsburg, another impossibly popular Italian restaurant came to mind — one that had its heyday 20 years earlier.

Back in 1998, a culinary shot was heard around the world when then Times food critic Ruth Reichl mentioned something about goose-liver ravioli and veal calf’s head in a now watershed review of the then brand new Washington Sq. enoteca with a bisyllabic name.

The chef who built his culinary legacy on that venue has now been sent out to pasture in a field of well-deserved obscurity and obsolescence. And we should hardly waste our breath to mention his name here.

But that restaurant, which still churns on, marked a turning point in the Italian food and wine renaissance in New York and — ergo — in the world.

Extreme (as in extreme sports) was the signature of said restaurant when it first opened. Its dishes were purposely meant to challenge and flout passé attitudes about Italian cuisine. The food was good and at times brilliant. But the ambition of the ambitious food is what I remember mostly from those early years (a later visit included “tagliatelle with jalapeño pesto”).

Like that restaurant in its own time, Misi is the hardest-reservation-to-crack restaurant of the moment. And like that restaurant of twenty years ago, Misi is marked by the electric energy that you feel from the moment you enter: it’s hard to put your finger on it, but when a restaurant has that special something (that extra gear in the motor, as the Italians say), you can just feel it. And man, our party of four could taste it that night.

Misi’s cuisine is much more reflective of how people in Italy actually eat today in restaurants and at home. Mostly vegetarian friendly appetizers and pasta. That’s (nearly) it. The night we were there there was only one second course, a fiorentina, the night’s special.

It struck me how Chef Missy Robbins’ cooking is more authentically Italian than nearly any place else I’ve eaten in the U.S. over the last few years.

And that’s the key to her success, I believe: Chef Missy manages to wow you and your palate without ambition, without challenging you to like it. And at the same time, her food was never workaday. It tasted like genuine and wholesome passion, not high-minded concept, was driving the menu and dishes.

I bet her already landmark restaurant is going to be remembered for its wonderfully measured tone and not just for the see-and-be-see scene that has sprung up around her cooking. I loved it, through and through.

Here’s what we ate that night. My recommendation? Run don’t walk!

The must-have whipped ricotta crostini

The broad bean appetizer was classic Tuscan in every way. Very simple and thoroughly delicious.

This was the best salad I’ve eaten in a restaurant in months. And I eat a lot of salad when dining out. I know it may sound silly to be so excited about a salad but this was over-the-top good.

I believe the anolini were a special. I really liked this dish, especially for the texture and rich flavor of the pasta.

Pasta with herbs and breadcrumbs. This dish is SO Italian, the kind of thing that you eat at home or at your favorite restaurant.

Olive oil ice cream, another must-have when dining at Misi.

First-ever Slow Wine Guide to Oregon and second California edition coming online…

Above: wine writer Michael Alberty (left), Oregon editor of the 2019 Slow Wine Guide to the Wines of California and Oregon, and Slow Wine editor-in-chief Giancarlo Gariglio.

Click here for Slow Wine Guide 2019 Tour Dates.

Click here to follow the guide online.

With more than 50 estates added to this year’s California guide and 50 estates appearing in the debut edition of the Oregon guide, the 2019 Slow Wine guide covers more ground than ever before. And the entire guide will be published online this year (free access). My colleagues in Italy have already begun to publish this year’s winery profiles here.

The following is my introduction to the new edition, including notes on our team of editors and contributors.

*****

The Slow Wine Guide to the Wines of California and Oregon 2019 is the fruit of a team of highly talented and dedicated tasters, wine writers, and editors. Without their “boots on the ground” during the summer and fall of 2018, the greatly expanded book simply wouldn’t have been possible. And its spirit is infused by their passion and devotion to their work.

Thanks to their efforts, the number of California wineries in this year’s guide has expanded greatly and is nearly double with respect to last year’s.

And for the first time, we are publishing profiles of 50 Oregon wineries.

From the outset, our editor-in-chief Giancarlo Gariglio never intended the guides, whether for California or Oregon, to be perceived as “exhaustive” or “comprehensive.” In fact, the project will only continue to grow and evolve over the years. And we are really pleased with the results of this year’s survey of the Californian viticultural landscape, with more than 50 new wineries added.

Our Oregon team, guided by the leading expert on Oregon wine today, Michael Alberty, debuts with 50 estates. It’s our hope and goal to expand that number with the 2020 edition as well.

With decades of experience in fine wine writing and solid roots in the Oregon wine community, Michael was the natural choice to lead our Oregon panel of tasters. From the Willamette Valley tour he organized for Giancarlo, to the panel tasting he put together and the team of field contributors he assembled, he’s made the inaugural Oregon guide a unique and benchmark entry in the state’s wine media coverage. His profound knowledge of Oregon wine country is difficult to rival and it was wonderful — and wonderful fun — to watch him dive into the project with his signature verve and gusto. His groovy energy was reflected in the winemakers’ embrace of our undertaking.

Click here to continue reading…

Texas BBQ and Italian wine tasting and seminar, February 25 in Houston

In a time before Frankin Barbecue in Austin and Killen’s Barbecue in Houston, smoked meats were simply part of the everybody-everyday Texas culinary fabric and landscape.

“We don’t go out for bbq,” said Tracie, then my girlfriend, 10 years ago now.

“We eat [family friend] Melvin’s or Uncle Tim’s,” she explained.

When we shared news of our wedding plans, Melvin exclaimed (and this is not a joke, people): “how am I gonna get my smoker to La Jolla?”

Today, 10 years gone, Texas BBQ has conquered the world. Even in faraway Como, Italy, Houston Chronicle BBQ columnist J.C. “Chris” Reid found authentic Texas smoked meats.

On Monday, February 25, Chris will be presenting a tasting and seminar exploring the alchemy of pairing Texas BBQ with Italian wine (a heavenly match imho). The paper’s wine writer Dale Robertson will join him on the dais and I will be moderating the session.

We’ll also be joined by three of Houston’s leading pit masters, who will be sharing their secrets and their smoked meats with 80 lucky registrants.

This event will sell out quickly, folks, and registration has just opened.

Details follow below. I hope you can join us!

Btw, check out Chris’ thread here. He’s the world’s greatest living expert on Texas BBQ.

*****

CLICK HERE TO REGISTER FOR
“HOW TO PAIR TEXAS BBQ WITH ITALIAN WINE”
(Monday, February 25, 3:30 p.m.)

CLICK HERE TO REGISTER FOR
THE TASTE OF ITALY GRAND TASTING
(Monday, February 25
open to trade and media at 11 a.m.
open to public at 3 p.m.)

The Italy-Texas factor: How to pair Texas BBQ with Italian wine.
seminar and tasting
Monday, February 25

Presented by
Italy-American Chamber of Commerce Texas
and
Taste of Italy
trade fair and food festival
Hilton Post Oak
2001 Post Oak Blvd.
Houston TX 77056

Click for festival information and registration details.

Leading Texas BBQ expert J.C. Reid and veteran Houston wine writer Dale Robertson explore the magic and science of pairing classic Texas smoked meats with Italian grape varieties and wine styles. They will be joined by 3 top Houston pit masters who will share some of their smoking secrets as well as insights into matching their foods with wines from the Old Country.
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Beppe Colla, soft-spoken hero of Piedmont viticulture, is dead at 88.

Anyone who’s ever been to visit the historic Poderi Colla estate in Piedmont’s Langhe Hills will tell you the same story.

As we were tasting the wines with Tino Colla and enjoying a delicious luncheon of classic homemade Piedmont dishes, there was an older man sitting quietly outside the farmhouse. He didn’t utter a word beyond “buongiorno” and so we just assumed he was a retired farm hand or a beloved uncle. Only later did we learn that he was the legendary Beppe Colla…

This week, the world of Italian wine mourns the loss of one of its greatest pioneers, Beppe Colla, who — together with Nebbiolo icons like Bartolo Mascarello and Bruno Giacosa — reshaped the legacy of Piedmont viticulture in the 20th century. Few beyond Langa’s inner circle of cognoscenti were aware of his immense and immeasurable contribution to Barolo and Barbaresco’s rise as two of the world’s greatest appellations. But the soft-spoken hero of Piedmont viticulture left an indelible mark on the world of fine wine — in and beyond Italy.

The following passage appeared in his obituary, published this week by the Italian daily La Stampa (translation mine):

    The Langhe Hills bid adieu to Beppe Colla, a visionary and innovator among grape growers, one of the few winemakers you could call a “patriarch.”
    He was 88 years old and he would have celebrated his 70th vintage this year.
    After finishing his degree at the Umberto I school of Enology, he was asked to become the director of what was the biggest Alba-area winery at the time: Bonardi. He was just 19 years old.
    In 1956 he purchased another historic Alba property, Prunotto, which he sold to the Antinori family in 1990 when he and his brother Tino founded the Poderi Colla winery. Located in Bricco del Drago in San Rocco Seno d’Elvia hamlet, their estate also includes important vineyards in Roncaglie (Barbaresco) and Bussia di Monforte (Barolo).

I highly recommend watching the excellent video in this post by Intravino (with English subtitles).

And be sure not to miss this insuperable 2005 post by my friend and blogger colleague Craig Camp, who writes (ubi major minor cessat):

    For over fifty years Beppe Colla has made wine in the Langhe and has seen the transition of this zone from a region on the edge of disaster to the home of some of the worlds most expensive and sought after wines. From his first vintage in 1948 ( a disastrous vintage) and his just completed 56th vintage in 2004 (which looks to be an excellent vintage) he has seen it all and possesses an encyclopedic knowledge of every aspect of the climate and vineyards of the Langhe zone and has personally experienced every vintage of the modern era of Barolo and Barbaresco. It is this incredible range of experience that he brings to winemaking at Poderi Colla.

My 2016 tasting at Poderi Colla was one of the most inspiring winery visits of my career.

Thanks to generous Italian collectors, I’ve also had the chance to drink some of Beppe Colla’s pre-Antinori Prunotto bottlings stretching back to the 1970s, some of the most compelling expressions of Nebbiolo I’ve ever tasted.

Sit tibi terra levis Iosephe.

Image via Intravino.

The priest the Mafia killed: the story of Padre Pino Puglisi, fictionalized by one of his students in a novel I translated

It was just a year after the world had collectively gasped at the Mafia’s brutal 1992 car bomb killings of magistrates Giovanni Falcone and Paolo Borsellino.

A dark moment in Italian contemporary history, it was a year after Italy’s ruling political class had been implicated in the infamous “Bribesville” scandal.

It was a year after Italians had begun to lose faith in their political system and social fabric. The dream of Italy’s economic miracle, with a “Benetton on every corner in Manhattan” (as one of my professors marveled a few years earlier), was coming to an end.

In 1993, the Mafia did something that seemed to break with its own “code of conduct,” however abominable it were: members of Cosa Nostra killed a priest in Palermo — something unthinkable at the time.

Padre Pino Puglisi (known affectionately as “3P”) had openly defied the Mafia in an economically challenged Palermo neighborhood where it recruited and trafficked kids from the streets: Brancaccio, a proletariat community where youth prospects dwindled in step with Italy’s fading promise of prosperity.

Read the English-language Wikipedia entry on Padre Pino here. And read this wonderful blog devoted to his life and times, with English translation, here.

Today he is remembered as “the priest who smiled at his killers.”

Father Pino ran a community youth outreach program in Brancaccio and he lobbied and spoke out aggressively against the Mafia’s unyielding grip on the neighborhood.

Educator, television personality, and screenwriter Alessandro D’Avenia was one of his theology students. His 2014 novel, Ciò che inferno non è, a fictionalized account of Padre Pino’s story, was a best seller in Italy.

My translation of his book, What Hell Isn’t, has just been published in England by One World.

As wine lovers, we spend so much energy hawing and humming about this natural wine from Sicily or that, but we hardly take time out to examine the immense and often insurmountable difficulties of growing up poor in Sicily’s cities.

I highly recommend it to you. Not because I translated it but because it offers perspective into the human tragedy that plays out in Sicily’s urban streets every day.

Top image: screenshot via the blog Tra il cuore e la mente.

“Recognition: North and South.” Please help us raise just a little more money to post our MLK billboard over the Confederate memorial in Tracie’s hometown

After we posted our GoFundMe to raise an MLK billboard over the newly erected Confederate memorial in Orange, Texas where Tracie grew up, it caused quite an uproar (more than 200 comments, a lot of them negative and abrasive, many of them positive and supportive). We must be doing something right.

We are just a few hundred dollars away from our goal.

Please help us by donating or sharing on social media.

Here’s the link.

And thank you to everyone who has already donated and/or shared. This really means the world to us — literally. It’s the world that we inhabit and it’s the world where we are raising our children.

To quote Dr. King, “there comes a time when silence is betrayal.” That’s the line that will appear with our billboard, which will run starting next week and through most of African American History Month. It seems only fitting. The Sons of Confederate Veterans raised their monument, which includes the “Confederate Flag,” on MLK Dr. in Orange. Our billboard will look down on the memorial from across the road.

You can see the billboard here. It will be the second that we’ve raised.

Here’s a note on the painting above. It resides in the Houston Museum of Fine Arts. It was painted in 1865. The following is a transcription of the label that appears with the work.

*****

Constant Mayer [artist]
American, born France, 1832-1911

“Recognition: North and South”
1865

In “Recognition: North and South,” a wounded Confederate soldier has just discovered the body of his dead Union brother, whom he cradles. The landscape echoes the contrast of life and death represented by the two figures, with a lush, green forest appearing behind the Confederate soldier and a decaying tree stump hovering above the mortally wounded brother.

This powerful painting captures the sorrow of the Civil War (1861-65), one of the darkest chapters in the history of the United States. Neither man in this work wins, an idea that would have resonated with Americans who, around the time this painting was produced, had endured four years of death and destruction and were searching for meaning in the unprecedented carnage.

Image via the Houston Museum of Fine Arts (public domain).