Tag Archives: David Rosoff

Carlo Ferrini and me (so many great wines & so little time)

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Love him or hate him, legendary and often controversial Tuscan enologist Carlo Ferrini and I sat next to each other on the Sparkling Wine panel at the Viva Vino conference yesterday in Los Angeles.

We had a chance to speak for a few minutes before the panel and he was exceedingly forthright in his answers when asked about Montalcino, his association with Casanova di Neri, and what he considers his legacy and contribution to the history of Italian wine over the last few decades.

I don’t have time to post notes from our conversation today but will offer the following nugget.

When I asked how he feels about the fact that so many in Italy and beyond associate him with Merlot (many in the industry call him “Mr. Merlot,” using the English title mockingly), he said, quite frankly, “I don’t understand why people say that of me, when, in fact, it’s Cabernet [Sauvignon] that I like so much.”

I have to say that I admired his friendliness, style, and earnestness and I plan to visit with him this fall when Tracie P, Georgia P, and I head to Tuscany.

In other news…

It was a blast to connect with the newly formed consortium of Oslavia (Collio, Friuli) producers who visited Los Angeles for the conference and trade events (after stopping for two days in Vegas where they partied their asses off).

That’s Max Stefanelli of Terroni (kneeling, left) and his wife Francesca behind him with six of the seven producers from the village (can you guess the single producer who didn’t come? I’m buying a glass of wine tonight at Sotto for anyone who can!).

Here are the wines they poured for me and a handful of industry folks who attended a late night dinner and tasting at Terroni.

In other other news…

I connected yesterday with Lou (who needs no introduction here) and my new BFF Taylor Parsons, wine director at Osteria Mozza and Tuesday night I had dinner with Anthony and David at Mozza, where the conversation spanned an arc of Mel Brooks Hitler humor, the art of mixing (records), Anthony’s father’s incredible musical legacy (“he’s conducting better than ever at 93,” he said), burrata, anchovies, and Verdicchio.

So many great wine and so little time… So much more to tell but I have another slamming day and evening ahead of me here in Los Angeles.

If you happen to be in town, please come and see me at Sotto where I’ll be pouring wine on the floor from 6 until 9 or so…

Sérgio Mendes favorite wine last night (with Sérgio!)

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From the “I shit you not” department…

It was while Brother Anthony (as he has been duly dubbed by Comrade Howard) and I were doing a little wine bar hopping last night in LA that we bumped into bossa nova, jazz, and funk giants Sérgio Mendes and Gracinha Leporace. We literally saw Sérgio from the street through the window of Osteria Mozza (where we had just left the bar) and he insisted that we come back in and taste his wines (brother Anthony recently recorded with Sérgio, who was having dinner with Gracinha and their agent).

What’s it like to drink Chapoutier 2004 Ermitage [sic] De L’Orée with Sérgio? Unbelievably crunchy and salty and utterly delicious. Sérgio and his entourage were super cool and friendly and fun to hang out with (and he was geeked to see brother Anthony and had high praise for him). I love the white wines of Chapoutier and rarely get to drink them. It was such a thrill to taste such an amazing bottling with Sérgio! Thanks again, Sérgio!

But the wine I can’t stop thinking about this foggy morning in LA (there’s a fog upon LA…) is the 2009 Langhe Bianco by Cavallotto, made from Pinot Nero. Not much of this wine is produced, said my fav LA sommelier and GM at Mozza David Rosoff.

I’ve had some great Langhe Bianco this year, notably from Vajra, Cogno, and Ettore Germano, but this wine simply floored me with its structure and nuance.

In keeping with our tradition of Holocaust humor (one of my all-time favorite posts here at Do Bianchi), I greeted David with a heil myself! I love David and one my new year’s resolutions for 2011 is to spend more time tasting with him. This guy deserves a medal for what he’s doing with Italian wine: his list is the top all-Italian carta dei vini, hands down, in the City of Angels.

Next we headed over to see more Jews at my favorite wine bar in the world, Lou on Vine. Lou is a true rebbe of natural wine and is another one of those folks I just wish Tracie P and I got to see more often.

The squid (above) at the Monday night supper was brilliant.

The rabbit was divine.

I just love everything about Lou on Vine.

How do you like my LA stories? It’s been a long time since I’ve posted in the “de urbe angelorum” category!

06 Barbaresco: a final (?) clarification from Aldo Vacca, Produttori del Barbaresco

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Above: As my good friend and top sommelier David Rosoff will tell you, “I learned more about Barbaresco talking to Aldo Vacca for 10 minutes” than I have in my whole career.

I wanted to draw your attention to a comment made by winemaker Aldo Vacca, Produttori del Barbaresco, posted the other day here at Do Bianchi. He was commenting in response to Charles Scicolone, who had asked plaintively whether or not Produttori del Barbaresco typically executed different bottlings destined for its domestic and international markets (the thread appeared in a post on the winery’s decision not to bottle its single-vineyard wines for the 2006 vintage).

Here’s what Aldo had to say:

    Just a quick note: we at Produttori Barbaresco never bottle wines specifically for one market or another. We do not look for specific taste for specific market and all that, we just make the wine at the best of our knowledge in one very define style. If we do more than one bottling, we try to have a similar blend in all bottling.

    We do release our new vintage in the Fall in Italy and usually, because of the logistics of the market and because we like to give some more bottle aging when we can, the next January is most export market. So, it is usually the case that the first bottling is mainly sold in Italy while the second bottling (which is also larger in size) goes to export and Italy as well: it is just a matter of timing, not of deciding which market gets what.

    Normally this will not make any difference anyway because the two bottling would be very similar.

    The one thing that happened with the 2006 vintage was the late decision of not bottling the SV. If we had made the decision earlier, as we usually do, all bottlings would have been the same.

In a somewhat unrelated note, yesterday I poured the 2008 Langhe Nebbiolo by Produttori del Barbaresco in a tasting in Austin. Man, it’s light and bright and showing great right now, better than when it first came into the market. A tough vintage in Piedmont but great for entry-level wines like this, where some of the better fruit ended up in the front-line wines.

And in a totally unrelated note, in the light of Aldo’s love of Neil Young, we’re trying to get him out to San Diego on July 8 to sit in with The Grapes.

In other news…

I highly recommend my good friend Thor’s excellent post over at the 32 Days of Natural Wine on the natural wine scene in Paris. I really love his writing and I especially appreciated his hypercorrective neolgism oenopiphany. After all, there are men who know what the word epistemology means without having to look it up in a dictionary and there are others who have to go to Brooks Brothers to find out.

In other other news…

For the wine geeks out there and anyone else who wants to wrap her or his mind around what sulfur, sulfites, and SO2 have to do with wine, I highly recommend this post on the use of sulfur in wine by bonvivant Bruce Neyers, a man who needs no introduction to the oeno-initiated.

Buona lettura e buon weekend, ya’ll!

A couple of posts worth reading…

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David Schachter and I had our weekly powwow at Mozza last night, where we also tasted with general manager David Rosoff (above) — top sommelier and Italian wine guy in Los Angeles in my book. Man, I wish I could get my facial hair to look as good as his. He’s also a rocking drummer.

Today finds me simply too busy to keep posting my Brunello debate series and I promise to pick it up again on Friday.

In the meantime, check out this post by winemaker and wine blogger Craig Camp, who sets the record straight with James “Giacomino” Suckling. The 1997 and 2000 vintages in Piedmont (and Tuscany) are among the most overrated and misunderstood in this country (I mean, come on: is there such thing as a 100-point vintage?). Suckling should be commended, however, for keeping prices of 1999 and 2001 down. And Piedmont 1998? Drinking great right now.

Schachter brought a bottle of Il Cantante white, impossible to find in this country, and I have to say, one of the most impressive Sicilian whites I’ve ever tasted (made from Carricante, Minnella, Grecanico, and Moscato). Don’t let the rockstar label fool you: this is serious stuff.

I also liked Lyle Fass’ report “U.S. to bailout wine retailers.” Note his take on the 2000 Barolo and 2003 Brunello (both warm, atypical vintages).

We also drank a Conterno Cicala 1996 from Schachter’s cellar. I tasted this wine twice on release — once in NYC and later at the winery. I have to say that it did not show as well as I would have expected and the wood still dominated the wine unfortunately. This wine was touted by some — and they know who they are — to be one of the greatest releases of the decade. I’ve always enjoyed Aldo Conterno’s wines but at the end of the day, I think that traditionalism invariably trumps modernism, however muted that modernism may be (call me a passéist). But this post is about others’ rants, not mine! More on the Brunello debate on Friday…