Scenes from California summer 09

Posting hastily from LAX today…

Last night Jayne and Jon surprised me with this killer bottle of 1970 Château Grand Pontet last night at Jaynes to thank me for all the work I put into the San Diego Natural Wine Summit. I am no fan of tasting notes but I swear it tasted like Salt Lick bbq sauce! It was all tar and minerality, delicious.

Night before last David Schachter opened some fantastic 2000 Chablis Les Clos by René et Vincent Dauvvisat. It paired stunningly with mozzarella di bufala from Campania and tomatoes plucked from his tomato garden. Damn, I LOVE that wine.

On my way to San Diego yesterday, I stopped by the Squirrel Colony at the Las Flores View Point at Camp Pendleton and snapped this picture of another gorgeous day in squirrel paradise.

Heading to Sacramento today to catch up with Darrell Corti… Stay tuned…

Nothing like a little Nazi ass kickin’

tarantino

If you grew up like I did, going to Hebrew school three times a week in La Jolla (twice during the week after school and then on Saturday for synagogue services) and the mandatory two hours of Holocaust studies per week (along with Hebrew language and bar mitzvah prep) and the countless field trips to the Holocaust museum in Los Angeles, then you have probably suffered from the same Holocaust anxiety that I did as a young kid.

So when Tracie B and I were deciding how to celebrate the one-year anniversary of our first date, she took the reins and said, “after the week my man’s had, I think he could use him a little Nazi ass-kickin'” and treated me to a screening of Tarantino’s new film Inglourious Basterds, about a group of Jew commandos sent behind enemy lines to kill Nazis toward the end of the second world war.

I’ve read a lot of disappointed reviewers who say the movie is not “violent enough” and lacks the thriller elements of his other films. And they might be right.

But a closer look at the film reveals that it is not a roman d’aventure (story of adventures) but rather an aventure de romans (adventure of stories): the film is a seamlessly woven fabric of allusions to nearly all the great war movie genres and beyond, with the Spaghetti Western as the frame that holds all the elements together. The conceit of the “cinema that kills” was entirely brilliant.

Tracie B pointed that in my endorsement of the film I am contradicting my credo that there can be no good Holocaust movie with a happy ending. But I counter saying the story is a fantasy and is exaggerated caricatures underline its basis as an oneiric and purely filmic tale. But I don’t want to ruin the dénounement

I do wonder if the e in Tarantino’s basterds is akin to Derrida’s a in differance. Does anyone know the derivation?

Ironically, on this day, one year from our first date, when I boarded a plane and came to visit her for the first time in Austin, I said goodbye to Tracie B today: I’m at the airport headed to California for business and to catch up with a few friends.

I promise: more wine tomorrow (and probably some good stuff, considering where I’m heading) but thank you for indulging me today in a little Nazi ass kickin’… It’ll do a body good every once in a while.

ZinFANdel is the new Beaujolais? Julia is the new Julia

julia

Tracie B and I went on a date last night to the movies, to see Julia and Julia. Our favorite movie house is Austin’s Alamo Drafthouse, where you can have dinner (bar food and pizza) and drink during the movie. But the coolest thing about Alamo is that as people are filing into the theater, before the previews, they show all these really cool vintage clips that are somehow related to or inspired by the film — often with great comic effect.

Yesterday’s pre-show reel included a number of 1960s commercials for instant foods (like Quaker instant grits, useful for “southerners traveling in the north,” or Cool Whip, “instantly frozen to preserve freshness”) and vintage Julia Child.

In one of the vintage Julia clips, she discusses how to throw a wine tasting party and talks about a flight of roughly ten wines. She calls Beaujolais a “hardy” wine and it seems to be her go-to wine. And when she gets to Zinfandel she pronounces it zin-FAN-del, with the penultimate syllable as the tonic syllable. Zinfandel, she says, is the American equivalent of Beaujolais. She also discusses Burgundian and Californian “Pinot Chardonnay” and she tells the viewer that Cabernet Sauvignon is the most noble of wines.

pinot

We’ve come an awful long way since the late 1960s, haven’t we? The labels of the wines are covered but on a number of them, you can see a strip label that looks like that old Oakie Bob Chadderdon. Is that possible?

I wouldn’t exactly call Julia and Julia a bildungsroman but I won’t conceal that we enjoyed it immensely. Meryl Streep is great, as always. And the tableaux from Paris and the discussion and descriptions of food were super fun.

But the funniest part — at least to me and Tracie B — was the discussion of blogging and its novelty in post-9/11 New York. After all, we both know the difference that blogging can make and the wondrous new paths it can take you on.

It was a year ago tomorrow that I first got on a plane in San Diego and came to Austin to meet the wonderful, intriguing, and gorgeous lady whom I met through a comment on my blog.

Savary Chablis and Tracie B’s enchilada casserole. Who knew? (also, Gramsci, Gaja, Israel Merlot in Italy, and natty wine in SF)

Above: Tracie B’s enchilada casserole may not be pretty but it’s shot to the top of my list of favorite things she cooks with meteoric celerity. And what better with the spicy and rich flavors of tomatillo sauce, cotija cheese, fresh peppers, corn, and cilantro, roast chicken, and corn tortilla than steely, mineral-driven (and affordable) Chablis? Who knew?

Seems we weren’t the only ones drinking Savary Chablis last night: a series of backs-and-forth on Facebook with Anthony on whether or not my silverface Princeton is a 69 or 71 was interrupted around dinner time because Savary 07 Chablis and Tracie B’s enchilada casserole were calling in my case, Savary Chablis Vieilles Vignes (I believe the 06) after his show last night (wherever he is!).

It’s Saturday and I’m working today (because I have a tight deadline on a hefty translation: a folio edition of twentieth-century Italian photography, pretty cool stuff actually). But before getting to work this morning, I did indulge in some Antonio Gramsci and his notion of cultural hegemony. I’d been thinking about Gramsci over the last week and how wine, in his era, was considered a luxury product in the eyes of the agrarian class (Italy was still in the early phases of its industrialization) and an important trading commodity by the landlords. How far the western world has come in such a short period of time! With the rise of globalization (unthinkable in Gramsci’s time when protectionism reigned) and the seemingly boundless exchange of wine today, Tracie B and I can enjoy an excellent and affordable (at our price point) Chablis that has traveled seemingly effortlessly across that misunderstanding otherwise known as the Atlantic Ocean. And we enjoyed it — no less! — with Mexican cooking spiced up by peppers grown in the farmland that stretches between Dallas and Austin in Texas (we still had some peppers left over from my stopped at the sorghum syrup and stuffed armadillo store).

My hankering for Gramsci was whetted in part by the soul searching that followed the wild exchanges this week but it was garnished by the news — which I read at Franco’s blog — that Angelo Gaja is importing Israeli Cabernet and Merlot to Italy. It seems that like the historic stockfish vendors of the Roman ghetto, Gaja saw an opportunity in bringing modern-style international grape varieties from the promised land and selling them to the “Israelite” communities (as they are called there) in Italy. Does Italy really need another international-style Merlot? From Israel?

Gramsci, where art thou?

In other news…

Above: I bet this guy knows his Gramsci. Guilhaume Gerard, one of the owners of Terroir in SF, pours great wine and writes a great blog with an emphasis on you know what.

I read at McDuff’s excellent blog that there is a now a site with information about the natural wine week event going on in San Francisco next week, hosted by different venues, including one of my favorite natural wine destinations, Terroir, with a symposium led by the inimitable Guilhaume (whose natural wine credentials, by all accounts, are impeccable and who has an amazing palate and writing style).

Just a guy in a band who likes wine…

From the “ain’t this living?” department…

It’s been a helluva week but it’s coming to an end.

I wish that everyone could feel what it’s like to play a solo on my Carruthers custom Johnny Rivers Tele (sunburst finish with mint green pick guard and Seymour Duncan ’52 reissues) through my Fender 1971 Silverface Princeton at the Broken Spoke and see Tracie B sitting in the audience and smiling.

It’ll wash all the troubles of the world away like a Texas rainstorm.

Played my first Austin gig last night and it was a blast. Took Tracie B for ceviche, tacos al pastor, and cold Bohemias after.

At the end of the day, I’m just a guy who plays in a rock country band and likes wine.

Have a good weekend ya’ll and thanks for reading.

The N word

From the “so to speak department” otherwise known as the “department of semiotics and semantics”…

It’s not a bad word.

Nor is it a racially charged or in any way nocive or noxious word.

It’s a nice, normal nomination that we use nomenclaturally.

It’s no nomen novum, nomen nudum, nomen dubitum, nor a nomen oblitum. No, it’s a word that most folks use nearly every day in one way or another.

It has become the subject of gnostically nuclear debate in the notoriety of Saignée’s recent series 31 Days of N… OOPS! SAWWY! I almost said it.

This morning, two of my blogging colleagues, both of whom I respect immensely, posted on its meaning and its contextualization with regard to enological epistemology here and here. In diametrically opposed stance (however unaware of each other’s posts), they contemporaneously espoused two radically different points of view. I won’t dare SAY the WORD but I do recommend both posts to you.

Last night, Tracie B made us a dinner of rotisserie chicken (from Central Market) and iron-skillet roasted potatoes and peppers that we enjoyed with one of our favorite wines of the summer of 2009, our current house white: Luneau-Papin’s 2005 Muscadet Sevre & Maine Clos des Allées, which retails for under $20 in Texas and is imported by one of the prime movers of N wines in this country, Louis-Dressner. We love this wine and I don’t know, nor will I venture to guess whether or not it is a N wine. All I know is that it is great, we can afford it, and we LOVE it. (Love is a great four-letter word, isn’t it?)

The minerality and acidity of the wine was FANTASTIC and was a great match for the spiciness of the peppers that I bought at a road-side rustic gastronomy on my way back to Austin the other day from Dallas, where stuffed armadillos guard over bottles of sorghum syrup. We love the wine so much that we cleaned out our local retailer’s stock and it has become our “go-to” white for the summer of 2009.

Yesterday, as I headed to Tracie B’s after a long day’s work, I snapped this photo of the sunset over Austin. One of the things that has impressed me the most about living in Texas is the beauty of the sky here. The sunsets and dawns are among the most stunning and truly inspirational that I’ve ever seen. When you gaze up at its beauty and its awesome expanse, you can understand why the Texans are such a G-d-fearing nation (and I mean nation in the etymological sense of the word). Like the N word, the word of G-d is not for me but for higher authorities to discuss.

Sometimes when a word is repeated over and over again, it begins to lose its meaning. Children often indulge in what scholars of linguistics call “nonsense-word repetition.” I will not dare repeat the N word but I will leave you today with the epistemological conundrum: could the bird be the word?

A bratty sparkling Barbera for the summer of 09

Above: The inimitable Michael Housewright (right) with his Italian business partner Antonello Losito. Michael’s new wine bar and shop Block 7 in Houston is on the cutting edge of wine sales and marketing and has already proved a success in highly competitive market.

This dude knows what he’s doing. Michael Housewright’s aggressive pricing at the newly opened Block 7 in Houston is like nothing I’ve ever seen. Every bottle on his list can be ordered by the glass (at market price), by the bottle (at a competitive retail price), or by the case (with case discount) in which case you can open a bottle and drink it in the restaurant/wine bar.

Above: 07 Barbera Vivace (i.e., slightly sparkling) by Roagna Igino (not the other Roagna, producer of old-school Nebbiolo) is competing with Bisson Ciliegiolo as my official favorite wine of the summer of 09.

When Tracie B, her childhood friend Talina, and I dined there the other night, Michael turned me on to a vivace (i.e., slightly sparkling) Barbera by Clò di Roagna Igino. The proprietary name birichina means brat in Italian, in other words, someone who is excessively vivace. Served slightly chilled, the acidity and fruit in this wine was awesome with my burger and fries. We also shared a bottle of Produttori del Barbaresco 2005 Barbaresco with another party: the price was too alluring to resist.

In other news…

Budweiser (well actually Shiner Bock) instead of Barbera tomorrow night: I’m playing my first Austin gig tomorrow at the Broken Spoke with this guy. Not exactly the summer of 1969 (more like the summer of 2009) but I’m stoked to break out my Tele at the Spoke.

RN74’s house-made Pimm’s at TexSom

Above: Dallas native D’Lynn Proctor is one of the top sommeliers in the state of Texas.

Yesterday found me and Italian Wine Guy attending seminars at the excellent TexSom conference (held this year in Dallas). In its fifth year, the conference draws some of the country’s best and brightest wine personalities and features seminars and guided tastings with leading celebrity Master Sommeliers. MS Brian Conin led a lively aperitif tasting that included a sip of the house-made Pimm’s produced by RN74 in San Francisco.

Above: Brian served the RN74 Pimm’s mixed with ginger beer yesterday but explained that Prosecco is mixed, together with the ginger beer, in the RN74 “Pimm’s Cup” in San Francisco.

During the spirited (pun intended) exchange from the floor during the question-and-answer period, the ever-affable Bartholomew Broadbent chimed in with an ad hoc lecture on the traditional Pimm’s Cup and its significance in British culture.

A taste of genuine collegiality among wine professionals, some downright fun, and a Pimm’s cup (however experimental) sure can do a body good!

Natural wine with a capital N: 91 Nicolas Joly Coulée de Serrant

Above: What is natural wine? The question of what it is (and what it isn’t) is one of the most hotly debated topics in the world of wine blogging and punditry today. No one would deny, however, that Nicolas Joly’s Coulée de Serrant is natural wine. The 1991 was fantastic the other night.

Things have been so crazy lately — between “keeping the world safe for Italian wine” (check out this recent post I translated for VinoWire) and hawking wine in California (hey, Alder, there are wine bloggers who start wine clubs and are proud to attach their names to them!). So crazy that I neglected to post about a very special bottle of wine — 1991 Coulée de Serrant — that Tracie B and I opened to celebrate our anniversary a few weeks ago.

Above: I had packed the bottle in a thermal bag (recycled from my mom’s annual mother’s day gift of gravlax from Barney Greengrass) with an ice pack and stashed it my suitcase and brought it back from La Jolla to Austin. The sturdy wine held up well — not surprisingly.

Where did we find this bottle? In this most unlikely of places: La Jolla’s oldest luxury hotel, located on Prospect, in the heart of downtown, La Valencia (often pronounced lah vah-LEHN-chah by locals), affectionately known as “The Pink Lady” or “La V.” A good friend and fellow wine dude had mentioned that he found the wine on the list, which is otherwise dominated by flights and flights of big, oaky California Cabernet. Tracie B and went in there a few months ago at the end of the night and convinced the current sommelier to sell it to me (I have to say it was a steal for a Joly that old).

Above: At Trio, chef Todd Duplechan prepares shishito peppers the same way that padrón peppers are served in Spain. The pepper is not spicy but tangy and moreish, as the British might say.*

As it turns out, I recently became friends on Facebook with the sommelier who put that wine on the list at La V, Dustin Jones, who now reps for Fourcade and Hecht. “It was definitely a hand sell,” he wrote me, “and a tough one at that, the fact that 6 bottles were put in inventory and they still have it suggests that this is not a wine that sells itself!” One man’s esoterica turned out to be our golden Chenin treasure: Tracie B and I were thrilled to get to taste an older Joly and it didn’t disappoint.

Above: We shared our 91 Coulée de Serrant with sommelier Mark Sayre and chef Todd, who surprised us with this special dessert for the occasion. Mark is without a doubt the top sommelier in Austin and so whenever I have something really special that we want to open away from home, I take it to him. Mark and I are good friends but whenever you BYOB, you should always remember to share a glass with your sommelier.

The wine had bright acidity and nuanced fruit on the nose and in the mouth and it showed a caramel note that Tracie B attributed to the winery’s practice of letting botrytis form on the grapes. (Remember her post on our visit there?) No one would question the “natural wine” street cred of Joly and Joly’s approach to winemaking proves over and over again how natural winemaking can deliver remarkably delicious wines with remarkable aging ability.

Above: We had so much fun that night at Trio and Mark and Todd made such a special dinner for us. Even I feel handsome when I’m standing next to the beautiful Tracie B. Who wouldn’t?

In the wake of the San Diego Natural Wine Summit, a few folks have written me pointing out that not every wine we poured at the event would be considered a “natural wine” by everyone. I’ve even heard from some of the most authoritative voices in the field. I’m beginning to believe that the notion of “Natural Wine” (with a capital N) is more of an ideology and an attitude about living, eating, and drinking than a set code of self-imposed regulations. Recently, I’ve been fortunate enough to have the opportunity to interact with Kermit Lynch, who, when I asked him about this, told me: “Before I find out how the wine is made, I taste it, and if I like it then I ask about the winemaking.”

Can a wine taste “natural” even if some elements of vinification go against natural winemaking dogma?

* Of food or drink: that makes one want to have more (Oxford English Dictionary, online edition).

Bats! Bats! Bats! And awesome 2001 Inferno

From the “this blew my mind” department…

Last night Tracie B and I were the guests of the lovely LeVieux family, whose daughter-in-law Laura and I grew up together in La Jolla. They live in Austin in a high-rise on Lady Bird Lake (which until recently was called Town Lake and isn’t a lake at all but rather a bend in the Colorado River).

I had heard about the famous Austin bats that emerge every night at dusk but I had never seen them. Wow… bats! bats! bats! They put on quite a show last night — even for those at the dinner party who consider themselves veteran bat spectators.

Watch the videos and you’ll see.

Mrs. LeVieux made her excellent Julia Child osso buco and so I brought a bottle of 2001 Balgera Valtellina Superiore Inferno, which sang in the glass. We’re at the peak of summer temperatures here in Austin and so we served it at cellar temperature. Its tannins were masculine yet gentle, its fruit voluptuous, a fantastic more-mineral-than-earthy expression of Nebbiolo.

The osso buco was tender and fell off the bone and the gelatinous marrow paired superbly with the rich but light-in-the-mouth wine.

Thanks for reading and happy Sunday to everyone!