Strangers in the Night: slowdancing with Tracie P

Thinking back to that first email, that first date, that first dance, and that first kiss, it’s hard not to marvel at how two “strangers in the night, two lonely people” managed to find each other — the one in Austin, Texas, the other in San Diego, California — in this world and in this lifetime. Thankfully, we did find each other. And now, on this early Sunday morning, as Tracie P slumbers peacefully and the thrill of what our future holds fills me with so much excitement that I cannot sleep, my heart and mind are filled with joy and wonder.

The night we finished recording the rhythm tracks for the band’s new album week before last, we went to hear our producer and friend David Garza perform at the Continental Club (those are David’s paintings on the walls, btw).

With Tracie P as my muse, my songs had begun to come to life that day, just one of the great miracles borne out of a glance exchanged by two lonely bloggers back in the summer of 2008…

Strangers in the night exchanging glances
Wondering in the night
What were the chances we’d be sharing love
Before the night was through.

Something in your eyes was so inviting,
Something in your smile was so exciting,
Something in my heart,
Told me I must have you.

Strangers in the night, two lonely people
We were strangers in the night
Up to the moment
When we said our first hello.
Little did we know
Love was just a glance away,
A warm embracing dance away and –

Ever since that night we’ve been together.
Lovers at first sight, in love forever.
It turned out so right,
For strangers in the night.

Love was just a glance away,
A warm embracing dance away

Ever since that night we’ve been together.
Lovers at first sight, in love forever.
It turned out so right,
For strangers in the night.

I love you, Tracie P. I love you more than words can say. And I will spend the rest of my days trying to find a way to let you know just how much I love and adore you… “It turned out so right for strangers in the night.”

01 Barbaresco Pora and the best friend of my brother who died

Every five years or so, I get an email from Professor Wilkins (above) and before email, I’d get a letter or a phone call. “I want to know how you’re doing and what’s going on in your life,” he’d say. A million happy questions would follow, with him wanting to know every detail of the vicissitudes of my life, studies, work, etc.

You see Professor Wilkins — David — was the best friend of my eldest brother, ten years my senior, Aaron Louis Parzen, who died in 1972 when he was fifteen in a car accident not long after my family moved to San Diego from Chicago, where he and Aaron both attended middle school at the University of Chicago Laboratory School. Today, David — Professor Wilkins (here’s the Wiki entry devoted to him) — is one of the leading law scholars in the country, with a chair at Harvard, and he moves and works within some of the most rarefied circles of our country (“the first lady was a student of mine,” he told me last night). A celebrity in his field, he was in San Diego last night to give a private lecture to a law firm.

I hadn’t traded messages with David for some time and although I began writing about wine more than 13 years ago, he and I never made the connection to his interest in wine until he stumbled upon my blog. As it turns out, David began collecting wine in the mid-1980s, before the crush of wine culture seethed in the U.S. in the mid-1990s. “I read [Robert Parker’s] Wine Advocate when it was still a photocopied report,” he joked.

Wanting to share a special bottle with him, I reached deep into my San Diego wine locker yesterday and grabbed a bottle of 2001 Pora by Produttori del Barbaresco (above). The wine was remarkably tight for this regularly more generous cru but as it opened up and began to reveal its fruit, it sang stupendously in the glass. As much as I oppose the fetishization of old wine (and those who cry “infanticide!” when you open “young” Nebbiolo), I have to say that the wines of Produttori del Barbaresco only get better over time and this wine was still extremely youthful — like a teenager full of energy and promise and brilliance and power — however cut short by life’s vicissitudes.

My memories of Aaron are fleeting and distant. I was five when he died. I believe that I see Aaron in David the same way that David sees Aaron in me. Not that I’m as brilliant or handsome or athletic as Aaron was (and he was): we see Aaron in each other because that’s where he lives — in our memories, in our hearts, and in our dreams. When he died, I became the “middle child” and as cliché as it sounds, I have followed the path of the middle child, pursuing music and writing, while my brothers have enjoyed immensely successful careers as lawyers and now in public service. However unlikely our bond, Aaron’s memory links me to David and as it turns out, the vicissitudes of life have formed an unexpected and equally happy bond between us — through wine.

As we chatted last night over dinner and ten-year-old Nebbiolo, David told me the same stories about Aaron that he tells me every time we connect. And like every time, they brought tears to my eyes and laughter to my heart as the bitterness of the tannin and the sweetness of the fruit danced in our glasses.

SP68, pizza, and cousin Marty is doing good…

You can only imagine my thrill at seeing Cousins Joanne and Marty — front and center — last night at my wine seminar at Caffè Bello in Houston. That’s Marty in the foreground at dinner, together with friends Mary Ellen and Dr. Don, FoodPrincess, Delia and VintageTexas, and Tamara and Houston Foodie (Houston Foodie has just relaunched his excellent food blog with a superb post on Neapolitan pizza, btw).

The pizza at Caffè Bello was delicious and I am always geeked to drink Arianna Occhipinti’s SP68 — “Strada Proviniciale 68,” an impeccably Natural, reclassified Cerasuolo di Vittoria (Nero d’Avola and Frappato), named after provincial road 68 where it is raised in the province of Ragusa, Sicily.

Marty’s still got a ways to go before he turns the corner on this mean ol’ cancer… but it’s looking good and, man, this dude still runs circles around me… Me and Tracie P love him a lot…

Cancer awareness day

Cousin Marty, whom we love very much, is beginning his cancer treatment today. (Donna Vallone baked him that cake on Saturday, when Marty went to Tony’s for one of his “pre-chemo me” dinners, as he likes to call them.)

In his honor, I’m devoting today’s post to cancer awareness by asking you to check out the “Blue Cure” campaign authored by my colleague and friend Gabe Canales (below).

Gabe, one of the top publicists and marketers in the country, was diagnosed with prostate cancer in his mid-thirties and he’s now leading a campaign to raise awareness of the disease among young men. Check out his site here.

Today’s post is also devoted to the victims of the recent tragedy in Japan (I’m currently working on a benefit concert to be held later this month in Austin at Vino Vino — more on that later this week).

@Marty Tracie P and I and the whole family are thinking of you and sending you lots of love today.

Tracie P’s amazing pot stickers

Anyone who has had the good fortune to dine in the home of Michele and Charles Scicolone has heard the ritornello before.

“I am truly blessed,” says Charles when asked what it is like to live with one of the first ladies of Italian cuisine in the U.S. today, author and Italian food authority, the lovely Michele, one of the best cooks I’ve ever met.

I couldn’t help but borrow Charles’s mantra last night at dinner, when I tasted Tracie P’s pot stickers, stuffed with minced pork, scallions, garlic, ginger, sesame oil, and Napa cabbage.

They were unbelievably delicious… The dough was light in body but rich in flavor (imparted from the filling) and the filling maintained its integrity and cohesive texture when you bit into the dumplings after dunking in the soy sauce, rice vinegar, and sugar dipping sauce.

It’s been so great to relax at home with my beloved Tracie P… sitting around in our PJs until noon, cooking, and eating… and just hanging out… I love her so much and she’s SO good to me…

Lot’s more to say about the last Italy trip, with many more posts to follow… but for the time being, I just want to relive those pot stickers and a bottle of Taittinger NV La Francaise one more time… aaaaaaa…

I can’t smile without her

Photo by Riccardo Zanotto.

I’ve been weepy all day since Alfonso and I took her to the airport this morning and she departed for Texas.

We had such an amazing “second honeymoon” in Italy. The sun has never shone so bright, the colors have never been so brilliant, the flavors and aromas have never been so satisfying and rewarding… Just yesterday I gazed upon her by the clear, fresh, and sweet waters and today I have only my salty tears to console me in the emptiness she leaves behind…

I just can’t smile without her…

Writing nowhere songs for nobody

While in New York City, I spent some intense sessions writing songs with my super good friend and writing partner Verena, aka Céline Dijon of our band Nous Non Plus. She and I began writing together in 2000 (!) and if you watch TV and/or movies or listen to college radio, you might have heard some of the songs we’ve written and recorded together with our bandmates.

These days, I write so much: for my own blog, for VinoWire, and for so many other blogs to which I contribute openly or anonymously as a ghost writer. Everything I write is published almost immediately.

The process of songwriting is the exact opposite: we come up with an idea, we play around with it, we improvise melodies and discuss the subject, and we flesh out the lyrics. In our case, I usually have a riff or a song structure and then Verena writes the melodies and lyrics. But that’s just the BEGINNING of the process. We then record the demo and start fine tuning it. If we decide that we want to release a given song, we will rerecord it and then set into motion all the elements that go into a release: rehearsing, recording, mixing, mastering, artwork for the album, and ultimately a new record — a process that takes months and months. In the meantime, these works are just nowhere songs for nobody (although I always play them for Tracie P).

Recording technology is so accessible these days. All you need is a decent computer and relatively inexpensive software and hardware (a tube-powered microphone preamp, a digital-to-analog interface, and a decent microphone). When I started working the recording arts at 19 years old (some 24 years ago), we used expensive 24-track tape machines that used 2-inch-wide reels of tape!

We took a break from the intense process of songwriting for a visit from the newest member of the Nous Non Plus family, Vivian, with her dad (and NN+ drummer) Harry Covert.

Buona domenica, ya’ll! Have a great Sunday…

Gnocchi and Barbera, a virtual pairing for someone we love

Anyone who follows along here at Do Bianchi knows how much we love cousin Marty (above) and what an important part of our lives he has become since I moved to Texas two years ago.

Marty and family have been facing some health issues lately and so it was a great thrill for me when he emailed late Saturday afternoon asking me to recommend a wine for dinner at Tony’s in Houston.

As I do often for many of my friends and family (who often ask us for virtual pairings; remember this very early one here?), I jumped online and took a look at the PDF version of Tony’s list: not knowing what Marty and co. would be eating, my “best bet” was a 2006 Barbara d’Alba by Prunotto.

I’m not such a fan of Prunotto and their modern-style bottlings of Nebbiolo (not exactly “my speed,” I like to say euphemistically), but when it comes to the winery’s entry-level labels like its Barbera d’Alba, you can almost always count on an honest wine, bright, with real acidity, balanced alcohol, and approachable prices. Barbera, the ultimate food-friendly grape in our book…

Marty paired with Tony’s Gnocchi over Foie Gras-Guinea Hen Sausage and Crispy Potatoes (which I happened to taste, thoroughly enjoy, and photograph on Friday when I was in town for my weekly chat with Tony).

Reports this morning reveal that the gnocchi were followed by a rib-eye! I guess he is feeling better! :-)

We’re just glad to hear that Marty — our family’s favorite bon vivant, gourmand, and fresser — is back on his feet and back at Tony’s, his favorite hang in the HTX. (HTX denotes Houston for all ya’ll who don’t speak Texan, btw.)

A Bialystock to our Bloom, we just don’t know what we’d do without him.

Buona domenica ya’ll!

Meatballs and Primitivo with my father Zane

The best advice anyone ever gave about blogging was “remember that all blogs are vanity blogs and always write what you feel.” Well, here goes…

“Everybody had their hands out. Everything was for the taking. And now it’s all over. And that’s the hardest part. Today, everything is different. There’s no action. I have to wait around like everyone else. Can’t even get decent food. Right after I got here, I ordered some spaghetti with marinara sauce and I got egg noodles and ketchup. I’m an average nobody. I get to live the rest of my life like a schnook.”

—Henry Hill, Good Fellas, 1990

Last Wednesday’s dinner with my father Zane at Giovanni’s in Munster, Indiana brought to mind the above passage uttered by Henry Hill in Scorsese’s Good Fellas (he had the Veal Piccata, I had the Spaghetti with Meatballs).

Those of you who have followed along here at Do Bianchi haven’t heard much about my father, Zane. In fact, you haven’t heard anything at all. He left the fold of our family when I was a teenager and, truth be told, none of us — my mother and my brothers — have ever entirely recovered from that fissure. The circumstances of that schism began to unfold when I was 11 years old (1978) and in many ways, my Italophilia was borne out of the fact that my closest Italian friends (most of whom were musicians that I met when I was around 19) helped me to see the “transgressions of the father” in a light (Pasolinian?) disparate from that which shines down from Mt. Soledad onto the sun-filled spelunks of the La Jolla Cove where I grew up.

Today, he lives in Highland, Indiana (not far from Munster), a “bedroom” community (as he likes to call it) of Chicago. After leaving our family, he lived in Phoenix, Arizona for many years, and then Israel, where he made the aliyah and continued to work in the defense industry (his second career). About twelve years ago, when he was convinced that he wouldn’t be arrested by the FBI for espionage (as he tells the story), he decided to return to the U.S. for his retirement.

In Italian new wave cinema of the 1960s and early 70s, directors like Antonioni created landscapes that reflected their characters’s stato d’anima (state of soul). The cold temperatures and intonations of grey that greeted me there (above) felt like they came from within me rather than from the environment around me.

Ultimately, Highland, Munster, Hammond, and Gary, Indiana are towns that could have been depicted in Bruce Springsteen’s Darkness on the Edge of Town (have you seen the recent documentary?). The main employers here are the steel mills and Giovanni’s is arguably the best place around.

Zane doesn’t care much for red wine but he did share a bottle of Primitivo by Cantele with me. It was one of the two bottles that spoke to me, together with Araldica’s Gavi by the glass (Giovanni’s has an impressive website, with its wine list available online).

A friend once wrote: as “the son of a psychiatrist, Dr. J. is capable of finessing virtually any situation with seamless ease.”

I don’t know if that’s true but like every other human being on this planet, I have one father. It wasn’t and never is an easy trip. It had been too long since I’d gone to visit him… but I’m glad that I did.

As I look back and reflect on my visit and use my blog — my web log, my journal, my diary — as a therapeutical tool, there’s one thing that has come into sharp focus in my psyche: sometimes a meatball is just a meatball.