K-tel presents “The Jar Sings Love Songs”

ktelRemember the K-tel records from when we were kids? My close friends Jayne and Jon from Jaynes Gastropub in San Diego just sent me this K-tel album cover (a lot of you probably don’t know that all my friends back home and everyone who knows me in the music business call me “Jar” or “the Jar,” a nickname given to me by high school friend Mike Andrews, one of the most talented and accomplished musicians I know).

I wanted to thank everyone for all the well wishes after yesterday’s post (on Facebook, too). It was such a good feeling to get back to Austin last night and get to hold Tracie B in my arms again. When the accident happened, I didn’t see my past life pass before me: I saw all the things I would miss if I were to leave this earth too soon.

So many folks have told me how much they liked the Tracie B song. So I’ve posted an MP3 here, in case you haven’t heard it yet or, for those of you who have, so you can have a “clean,” higher audio quality version (depending on your browser, you should be able to grab the file and import to your ITunes).

Thanks again for reading, listening, and all the thoughtful comments and well wishes.

Tracie B and I are headed out tonight to Virginia for a family wedding and so I’ll see one of my brothers, his family, and mama Judy together with the whole Judy side of the family. Man o man, do I have a lot to be thankful for and a lot of good things to live for.

Happy weekend ya’ll!

Best lil’ honky tonk in Texas: Ginny’s Little Longhorn Saloon

Erik Hokkanen

Above: The “Texas Tornado,” Erik Hokkanen, last night at the best lil’ honky tonk in Texas, Ginny’s Little Longhorn Saloon.

You’ve heard me say it before but I’ll say it again: Ginny’s Little Longhorn Saloon is — without a doubt — the best lil’ honky tonk in Texas (if not our country, but then again I can’t imagine that this quintessentially Americana slice of life could exist anywhere beyond our borders).

Armadillo Bar was in town from Milan on his yearly pilgrimage to Texas and so Tracie B and me met up with him at Ginny’s last night. We don’t even really bother checking who’s playing: every time we go there, I am completely floored by the caliber of musicianship.

Check out this clip I shot last night of Erik Hokkanen the “Texas Tornado” doing “Ole Slew Foot.” I’m a wreck today but it sure was worth it to close Ginny’s last night! Enjoy…

High on a mountain, tell me what do you see
Bear tracks bear tracks looking back at me
Better get your rifles before its too late
The bear’s got a little pig and he’s headed for the gate

He’s big around the middle and broad across the rump
Running ninety miles an hour, taking thirty feet a jump
Ain’t never been caught, he ain’t never been treed
And some folks say he looks a lot like me

Saved up my money and bought me some bees
Started making honey way up in the trees
Cut down the trees but the honey’s all gone
Old slew foot has done made himself at home

Winter’s coming on and it’s forty below
River’s froze over, so where can he go
I’ll chase him up the gully and run him in the well
Shoot him in the bottom just to listen to him yell

I love this town and I sure love that girl for bringing me here. :-)

Happy Sunday ya’ll!

The final word on Tex-Mex? An interview with Guillermo Bubba Rodriguez

Above: Pozoles at Rosario’s in San Antonio.

From the Oxford English Dictionary, online edition:

    Tex-Mex adj. Designating the Texan variety of something Mexican; also occas., of or pertaining to both Texas and Mexico.

    1949 Time 14 Feb. 38/1 Fluent in Texmex Spanish, he had been one of the most promising rodeo riders around Tucson, Ariz… The half English, half Spanish patois of the U.S.-Mexican border region. 1973 News (Mexico City) (Vistas Suppl.) 22 July 7 It is a mistake to come to Mexico and not try the local cuisine. It is not the Tex-Mex cooking that one is used to getting in the United States. 1976 M. MACHLIN Pipeline xx. 246 The voice of Miss Martinez, one of Wilbur’s gestures toward Tex-Mex integration, came softly over the intercom. 1977 Time Out 28 Jan.-3 Feb. 8/2 Cooder’s current concern is the music of Southern Texas, the ‘Tex-Mex’ style.

Above: Griselda’s Tacos Callejeros (stuffed with chicken) at Rosario’s.

Ask anyone who follows the food and wine blogosphere: there’s just no avoiding the habanero-fired debate over the definition of “Tex-Mex” cuisine. Being a Southern Californian myself and with only a year in Texas under my belt, I felt obliged to consult with one of the field’s greatest experts and authorities, Guillermo “Bubba” Rodriquez. Here’s what he wrote me.

    If you don’t have fajitas, YOU’RE OUT.

    If you don’t have queso, YOU’RE OUT.

    If you have to ask what queso is, YOU’RE OUT.

Above: A “wet” carne asada burrito at Chuys in Austin.

    If you don’t white AND yellow cheese grated on the enchiladas, YOU’RE OUT.

    If you don’t have charro beans option, YOU’RE OUT.

    If your top-shelf Margarita is not served with Cuervo Gold, YOU’RE OUT.

    If the beef in your chili con carne is not ground, YOU’RE OUT.

Above: Huevos motuleños at Curra’s Grill in Austin.

    If your picante sauce was made in New York City, YOU’RE OUT.

    If you have ceviche on your menu, YOU’RE OUT.

    Actually, if you have any fish on your menu, YOU’RE OUT.

    If you don’t know how to make a Mexican Martini, YOU’RE OUT.

In other news…

Hook ’em Horns! Texas squares off with Oklahoma today. As our good friend Melvin Croaker likes to say, what do Oklahoma and marijuana have in common? They both get smoked in a bowl.

Thanks for reading! Have a great weekend ya’ll!

On the day that she was born…

Tomorrow marks the day that the love of my life was born. :-)

We’re in San Antonio tonight to start celebrating, with a Saturday night getaway and dinner at Andrew Weissman’s Il Sogno. Tomorrow we’ll have a little birthday cake and champers back in Austin with the gang.

If ever a song lyric rang true in my life, it would be the line from “Close to You”: on the day that you were born/the angels got together/and decided they would make a dream come true.

Tracie B, you’re my dream come true…

As part of her birthday celebration, I made sweet Tracie B a mixed CD, including this track that I wrote and recorded just for her…

Happy birthday sweet Tracie B!

happy_bday

Do Bianchi live at Austin360.com today

Above: Sunday evening found me and Tracie B tattered by the rain and mud at the Austin City Limits musical festival but warm and happy at the dinner table of the inimitable Bill Head — Austinite bon vivant and all-around good fellow. Bill made a wonderful ragù alla bolognese and so I brought along a bottle of Lini Lambrusco (in this case, Lambrusco di Sorbara). As restaurateur Danny Meyer likes to say, “if it grows with it, it goes with it.”

If you happen to find yourself near a computer this afternoon at 3 p.m. (Texas time), please check out a live chat that I will be doing today with Austin American-Statesman social columnist Michael Barnes at Out and About (Austin360.com).

Above: We were also joined Sunday night by Austin natural treasure Mary Gordon Spence (to Bill’s left), writer, humorist, and radio personality, who had many wonderful tales to tell of her recent trip to Italy, and University of Texas professor of government David Edwards.

We’ll be chatting about the series of classes on Italian wine I’m teaching every Tuesday at The Austin Wine Merchant beginning this evening.

Tonight’s class is sold out and the others are filling up quickly but there is still some space available. My favorite session is Italian Wine and Civilization (Tuesday, November 10), where we read a passage from Italian literature or history, and then taste a wine in some way pertinent to the text. Did you know that Niccolò Machiavelli was a winemaker, for example?

In other news…

Tracie B and I braved the rain and mud at this year’s Austin City Limits festival on Sunday. We didn’t stay long but did get to catch the B52s’s set, which couldn’t be anything other than super fun, and we also enjoyed super-shiny sisters-and-brother bluegrass/country act Jypsi (below). Jypsi was a little slick for my taste but man can they play!

Just over a year ago, I came to Austin for the second time to visit with Tracie B. Do you remember? Here’s a little post from the archive. We recreated the Austin City Limits photo op this year, except for this time sans mustache! ;-)

Unforgettable: James Burton at the Continental Club, Austin, TX

From the “Nebbiolo meets the Hag” department…

james

Above: THE LEGENDARY JAMES BURTON has played on more of my favorite albums and tracks than I can count. Check out his discography here. Last night’s show at the Continental Club in Austin was one of the most amazing experiences of my life… literally… We had a blast. Photo by Tracie B.

It’s all thanks to my cousin Marty, who gave my number to Joe Pat, who used to be the wine director at Tony’s in Houston, where Marty is a regular (“John Kerry could be in the house,” said Joe Pat, “and if something was wrong with Marty’s salad, Tony would drop everything to take care of it.”) After taking a glance at my blog, Joe Pat knew what kind of music I liked: “The Hag and Barbaresco are two great things,” he once wrote me in an email (before we met last night), referring to Merle Haggard, “and why are there more references about wine in country music than all genres combined.” Friday, Joe Pat called me to tell me that James Burton was playing at the Continental Club in Austin, one of the greatest American honky tonks (in my humble opinion).

chicken_pickin

Above: James Burton is the father of a style of guitar playing called “chicken pickin.” A special gauge (thickness) of strings is used to allow the player to bend the strings easily with the middle, ring, and little fingers, while s/he holds a pick in between the thumb and index finger.

He opened his set with “Las Vegas” by Gram Parsons — the opening notes are one of his most famous riffs. What followed was a string of “hits”: he played everything from Ricky Nelson to Elvis and Merle Haggard, and everything in between, all the unforgettable riffs and solos that took some of the greatest songwriting and performances from A to A+. The number that moved me the most was “I am a Lonesome Fugitive” by Merle Haggard: if you’ve never heard it, check it out and you’ll see/hear why his guitar playing is so important in terms of how it shaped popular music in this country.

jar_tra

Above: Isn’t she gorgeous? I am simply the luckiest guy in the world to have found her. I mean, she is the sweetest girl in the world and she LOVES her some James! And she can cook… AND she can speak Italian! ;-)

Man, I love this town and I love that girl for bringing me here!

We’re heading out to a day at the Austin City Limits music festival…

Happy Sunday ya’ll!

I love this town: Gary Clark Jr. at Antone’s

gary clark jr

It’s ACL weekend here in Austin and there are so many major cats playing at all the great clubs here in town.

Last night Tracie B and me caught Gary Clark Jr.’s set at Antone’s. He lives here and MAN CAN THAT DUDE PLAY GUITAR. The below YouTube is a taste (from another show) of what we heard.

I love this town…

Super Texans: tasting Texas with the Austin Dream Team

Above: The Austin Dream Team. From left, Craig Collins (Central Texas Sales Manager for Prestige Cellars), Devon Broglie (Southwest Regional Wine Buyer for Whole Foods Markets, which was founded in Austin), and June Rodil (recently crowned “best sommelier in Texas,” sommelier at Uchi in Austin, a world-class and cutting-edge Japanese restaurant in land-locked central Texas).

This was no run-of-the-mill focus group. It was an Austin Texas USA dream-team of young sommeliers gathered by the PR firm that reps the Texas Department of Agriculture to taste some Texan wines blind.

Folks in Texas are serious about their wine (Texans love to drink locally) and when it comes to marketing of local products, they don’t kid around: these top young somms had been asked to give their honest no-holds-barred opinions of the wines (each flight included a ringer, not from Texas) to help gauge which wines to present to food and wine writers and pundits etc.

Frankly, I haven’t taken Texan wines very seriously since I moved here nearly 10 months ago but — as Franco rightly reminds me — rules are rules: when you taste blind and you taste something you like, you have to admit it (even when you weren’t expecting to like it) and frankly, I tasted more than one wine I liked in yesterday’s degustation.

And there was another surprise as well.

I had never heard the term Super Texan before and when I wondered out loud why so many Texan wineries are Italophilic as opposed to Francophilic (like their Californian counterparts), one of the more interesting theories was proposed by June, who noted that Texas is a predominantly Republican state and has a historic distaste for Francomania.

Above: Also in attendance was wine writer David Furer who came to town especially for the tasting and who was lucky enough to taste Tracie B’s farro salad the other day at our impromptu Labor Day picnic.

In the first flight of red, we tasted a number of wines made with Sangiovese (monovarietal or blended) and varietal expression was clearly evident. The wine that impressed me the most was the Llano Estate Newsome Vineyards High Plains Viviano, a “Super Texan” blend of Cabernet Sauvignon and Sangiovese. The wine was real, it was elegant, it had natural acidity, honest fruit, and genuine freshness (although I’m not sure I would reach for it at $40 a bottle).

In the same flight, however, was a wine that the panel didn’t seem to like because of a green, herbaceous quality. When asked my opinion (and frankly, I was out-classed by these top somms in their superior ability to taste and describe blind, ubi major minor cessat), I asked the other participants “to cut it some slack,” as it was also one of my favorites in the flight. Anyone who knows me wouldn’t be surprised at the laughter in the room (Devon and Craig and I have tasted a bunch of times together) when it was revealed that my ugly duckling was Italian.

But to my great surprise, it was a wine that I never would have thought I’d like, 2006 Chianti Classico by Badia a Coltibuono, a high-volume winery that has enjoyed wide success in the U.S. thanks to aggressive, intelligent marketing. According to the website, 170,000 bottles of this wine are produced every year, but, frankly, I could really taste place in this wine: it had that characteristic Sangiovese plum note and I liked its food-friendly herbaceousness. For $25, I like it. There you go: rules are rules and there’s a lot to be said for tasting locally.

In other news, another taste of Texas…

Tracie B snapped this slice of Texan life last night outside the Broken Spoke where I played a gig. I gotta say that I love living in Austin… not that the lovely Tracie B has anything to do with it… ;-)

The San Diego Kid’s First Texas Gunfight

I’ve played a lot of crazy gigs in my life and shared bills with some pretty unusual acts. But never — I repeat, never — have I played on the same bill as a Confederate-era re-enactment.

Yesterday, I played a set at the fair grounds in Johnson City, Texas, birthplace of Lyndon Baines Johnson, in the Texas Hill Country about an hour west of Austin.

We went on after the re-enactment and the San Diego Kid (that would be me) saw his first Texas gunfight.

Texans are known for their hospitality and the folks in Johnson City sure didn’t disappoint. They fed us as part of our compensation.

Happy Sunday y’all!

Vintage anti-Berlusconi propaganda and other relics

Above, from left clockwise: “I have to stay outside,” “You’re poor? It’s YOUR damn problem,” “We are voting for Berlusconi” (they’re dressed as Freemasons), and “this car has been de-Berlusconi-ized” (a play on denuclearized). These stickers were printed by Cuore (a magazine supplement to the leftist daily L’Unità) in the early 1990s during Berlusconi’s first campaign to become Prime Minister.

When I first traveled to Italy in 1987 for my junior year abroad as part of the University of California and Università di Padova exchange program, Italy and the outlook of Italians seemed much different than it does today. When I attended my first academic year there (and there would many years to follow, later at the Scuola Normal Superiore in Pisa, study at the Vatican Library, three summers in the Dolomite Alps where I earned my keep playing cover tunes, and summers in Montalcino where I first began to appreciate wine), the Italian Socialist Party still dominated Italian politics. In spite of the inconveniences posed by the legendarily lethargic Italian bureaucracy, health care was free for all (that first year, I badly sprained my ankle playing basketball and was amazed when I wasn’t even presented a bill at the emergency room) and a year’s tuition at the university cost roughly 300,000 lire, about $250 at the time (in 1989 I returned to Italy and re-enrolled at the Università di Padova).

Above: My junior year dorm room at Monte Cengio where I roomed with Steve Muench. We’re still close friends today (scroll to the bottom of this post).

That was before the Mani pulite investigation and the subsequent Tangentopoli scandal that brought the Socialists to their knees. And it was before the rise of Italy’s richest man Silvio Berlusconi as the most powerful politician to emerge in post-war Italy. Berlusconi famously told journalist and historian Enzo Biagi (think of him as our Walter Cronkite) that he entered politics because existing laws did not allow him to make even more money. If the law doesn’t allow me to grow richer, he decided one day, I’ll just rewrite the law.

Today in Italy, vigilante posses comb the streets at night harassing immigrants; doctors have been asked to report illegal immigrants (extra-communitarians, as they are called) to authorities when they request medical care; there have been cases where emergency health workers have allowed immigrants to die at the scene of accidents by delaying medical attention; Berlusconi’s agricultural minister has asked Italians to boycott Chinese restaurants; and Lucca has outlawed “ethnic” food in its center… The list goes on and on.

It’s a different Italy than the one first encountered by a bright-eyed U.C.L.A. junior who had a knack for languages in 1987.

Above: The last summer I played at the Birreria di Pedavena, my band and I stayed in the mountain pass village of Croce d’Aune.

I recently found the stickers and the photos in a shoebox that arrived last week in Austin from a storage space in Manhattan. They brought back memories of a time when the outlook of most Italians I knew didn’t seem rosy but was certainly instilled with a resilient humanitarian and humanist spirit. That attitude endures among most of the Italians I know but a dark cultural hegemony has taken hold there in the Berlusconi age.

Yesterday, an article in The New York Times reported how Berlusconi forced the resignation of the editor of the Italian Bishops’s Conference daily newspaper. He did so by publishing front page features in his own newspaper detailing the editor’s rumored sexual preferences. He did so because the editor had written an editorial about Berlusconi’s widely publicized (and in many instance self-propagandized) lasciviousness.

What’s this world coming to?

In other news, Agnelli heir and playboy Lapo Elkann has publicly announced that he is converting to Judaism.

What IS this world coming to?

Boccaccio’s tale of the conversion of Abraham comes to mind…