Best Thanksgiving wines (or at least, what me and Tracie B will be drinking)

Above: Tracie B and I held an informal wine tasting last night with our friends CJ and Jen, who made some excellent pulled pork for dinner (photos by CJ).

It’s that time of year again and everyone’s doing their “Best Thanksgiving Wines” posts. So I figured I’d do mine. Seems like there’s more humor and a greater twang of irony this year in the otherwise traditionally Hallmark consumerist spirit. Maybe ’cause everyone is so broke (or at least I am), it feels like you’re reaching beyond the perfunctory when you compile these lists. It does occur to me that we in the U.S. of A are probably the only folks who believe in these “best” and “top” lists. I just can’t imagine Franco writing a “Top Ten Christmas” wine list. Can you?

My favorite top Thanksgiving wine post so far was authored by Saignée, “I Feel Obligated to Do a ‘Thanksgiving Wine Pairing Post'” (it’s worth checking out but it also sports a NC-17 rating).

Above: The only wine that exceeded my $20-or-under-rule for this year’s holiday was the 2007 Bucci Verdicchio dei Castelli di Iesi, which you should be able to find for under $30. Man, I love that wine.

The Solomon of wine writing and blogging, Eric, poked some fun (or at least, I read it that way) at the Grey Lady’s perennial Thanksgiving suggestions (marked this year by the absence of Frank Bruni) in his post “Six Years of Thanksgiving Wisdom.” I love the wine that Eric brought to the paper’s Thanksgiving tasting, a Frappato by Valle dell’Acate (Sicily). I also love the new wine descriptor, coined and used by Eric to describe it, and I love that it made it past the paper’s grammarians: “earthy chuggability.”

And lest he think that I’ve forgotten him, I got a genuine chuckle and chortle out of Strappo’s “THANKSGIVING WINE STUNNER: EXPERTS CLAIM RED OR WHITE OK!”

This year, Tracie B and I will be heading to Orange, Texas, just like last year, but this year, we’ll also be bringing Mamma Judy with us — her first visit to Texas since I moved here last year. Mrs. B and Rev. B are expecting 24 people at this year’s festivities. Since finances are tight for this fiancé (especially in view of our upcoming nuptials), I tried to keep my wines under $20 (and, for the most part, I succeeded on that part, as they say in the south).

Bucci 2007 Verdicchio dei Castelli di Jesi
($22.99 at Jimmy’s in Dallas)

CJ and I really dug the crunchy mouthfeel of this wine and its elegant, lingering finish. The acidity was “tongue splitting,” as Tracie B likes to say.

Domaine Fontsainte 2008 Corbières Gris di Gris
(rosé, $17.50 at The Austin Wine Merchant)

We all agreed that the fruit in this wine was approachable and fun, juicy and tangy. This could go with just about anything at the Thanksgiving table.

Marchesi di Gresy 2007 Dolcetto d’Alba Monte Aribaldo
($18.75 at The Austin Wine Merchant)

I just can’t believe what a value this wine is at under-$20. It’s rich and chewy, surprisingly tannic, and has that noble rusticity that you find in the Marchesi di Gresy.

Mas Lavail 2007 Terre d’Ardoise Carignan
($11.25 at The Austin Wine Merchant)

Tracie B called this “salty” wine “the stand alone” wine of the flight we tasted with Jen and CJ. The price-quality ratio here is stellar (at $11.25? HELL YEAH!) and the wine is chewy, rich, with dark fruit and lots of savory flavors. I can’t wait to pair it with Tracie B’s Meemaw’s deviled eggs and Mrs. B’s sweet potato pie.


Selvapiana 2007 Chianti Rufina
($16.25 at The Austin Wine Merchant)

Selvapiana is one of my all-time favorite producers (one of Franco’s favs, too) and Rufina is one of the greatest expressions of Sangiovese. This wine is tannic and will benefit from a little aeration before serving but once it opens up it’s all about bright acidity and plum fruit flavors. The price range will vary for this wine across the country but it’s always a tremendous value.

Thanks for reading ya’ll! I’m wishing you a great (and safe) holiday with your loved ones.

In other news…

I had a blast pouring and talking about wine and pairing European and domestic wines with Asian food at the Saheli “Discover Asia through Wine” event on Saturday night. The Tandoori chicken (above) was one of the hits of the evening, as was the Selvapiana Chianti Rufina, which I paired with the Chinese roast duck. Donations support battered Asian women and immigrants in the greater Austin area.

In other other news…

I’ll be pouring wines from Piedmont and Tuscany this Thursday at the Galleria Tennis and Athletic Club in Houston. Click here for details.

Best places to eat in Nashville (or at least where I ate)

Above: The Salmon-Bacon Sandwich with Farro Salad at Marché Artisan Foods. Ashley told me that the bread there was fantastic and it was.

If you want to eat well in any given town, ask a wine rep: because they spend time and money at their accounts, they always know the best places to eat (and they get the best tables!).

Above: The Club Sandwich at Marché. Also excellent. The bread and the peeled, gently roasted, and caramelized tomatoes took it over the top.

I was the beneficiary of such knowledge on Wednesday, after Ashley Hall, Kermit Lynch’s southeast U.S. sales manager, picked me up at the airport in Nashville and took me around town with her as she made some account calls (I love that her blog is called “Ashley Hall, the person”).

Above: I am a little hesitant to eat seafood when the sea is more than a stone’s throw away but the octopus salad at City House, an Italian-themed restaurant, was excellent. It was fresh and the octopus tender.

Kermit had been complaining that he hadn’t had a good meal in Nashville (where he’s recorded his current and upcoming records). But Ashely ably remedied that by taking us to City House. I wish this place had a better wine list but the staff was highly knowledgeable about the wines and they did have one of my favorite (undisputably) natural wines, Lunar by Movia, which our super nice waiter Jocelyn handily decanted. The pizza was among the best and the most authentically Neapolitan I’ve had in the U.S. Thanks again, Ashley, for hooking it all up!

Above: The pizza at City House was truly superb and the venue should definitely be added to the many “best pizza in the U.S.” lists that have circulated over the last year. An expert in all things Neapolitan, Tracie B always points out that the dough of true Neapolitan pizza should be crispy and firm but slightly undercooked in the very middle of the pie. She would have thoroughly approved. Road trip, Tracie B? ;-) I highly recommend it.

The Kermit Lynch listening party event was a lot of fun that night and a great success (here’s another blogger’s post on the shindig). I met a lot of wonderful folks that evening and found that Nashville — no surprise — is a highly cosmopolitan and culinarily minded destination.

Above: Noshville (get it? NOSHville) isn’t exactly what I’d call an authentic New York delicatessen (Kenny and Ziggy’s in Houston still holds the top-deli-outside-the-city spot in my book) but bagels and lox for breakfast were good and the celeb-watching is well worth the price of admission.

Thursday I made a visit to the Country Music Hall of Fame and walked around Broadway and did me some honkytonking. I’ll post about the Hank Williams exhibit and the music I heard tomorrow.

Above: Would a trip to Nashville be complete without a fried Bologna sandwich? I stopped into Robert’s Western Wear on Broadway for lunch yesterday.

I had a blast in Nashville but man, am I happy to get back home to my baby’s arms (and her cooking)! We’re staying in tonight…

Good wines and good times with Kermit Lynch in Nashville

rick vito

Above: Last night at Kermit’s event, where I emceed, I got to hang out and chat with GUITAR HEROES George Marinelli, center, and Rick Vito. It just blows my mind to think how many hit songs these guys have played on. Top session bassist Michael Rhodes was there, too (see below).

Wow, what a week it’s been! On Monday, I presented Kermit Lynch and Ricky Fataar and we spun their new record at Vino Vino in Austin. Tuesday night I taught the last class in my series of Italian wine seminars at the Austin Wine Merchant (“Italian Wine and Civilization,” my favorite class, where we read from Italian literature and history and taste relevant wines), and then last night I emceed for Kermit again in Nashville. I can barely catch my breath…

Above: Guests were greeted last night with this fantastic sparkler, Vin du Bugey-Cerdon, a blend of Gamay and Poulsard from the Jura. It weighs in at an ethereal 8% alcohol. I loved it.

There were SO MANY famous musicians at Kermit’s listening party last night. Seems they all like hanging out with the ol’ man and drinking his vino. And who can blame them? But of all the amazing players who showed up for the event, the dude I was most geeked to meet was George Marinelli. He’s played on countless hit records but he was the guy who played on Billy Vera’s 1981 live album (recorded at the Roxy in LA) that included the hits “I Can Take Care of Myself” and “At This Moment.” I never saw George play with Billy but I used to go see Billy Vera and the Beaters play every month at At My Place in West LA when I was a freshman in college at UCLA in 1985-86. Billy’s album By Request, which features George on guitar, is still one of my all-time favorite albums (if you ever ride around the streets of Austin you might hear me and Tracie B blasting “Millie, Put on Some Chili” in the car!). Billy’s number 1 hit “At This Moment”? It’s ALL ABOUT the harmonics that George plays at the end of the song… wow… can’t believe I drank a glass of 1998 Vieux Telegraphe with that dude!

wine shoppe at green hills

Above: Ed Fryer, owner of the Wine Shoppe at Green Hills, brought a 3-liter of 1998 Vieux Telegraphe. Man, I like the way that dude rolls!

I’ve got many more tales to tell from Nashville, including some thoroughly delicious and truly authentic Neapolitan pizza we ate last night (Tracie B would have approved). I’m stuck all morning working at my computer this morning at my hotel but I’m taking the afternoon off and heading over to the Country Music Hall of Fame and I might just do me some honkytonking down on Broadway before I get on that plane and head back to my lovely lady in Austin.

Above: That’s bass player Michael Rhodes center. When you shake that dude’s hand you are shaking PURE GOLD (I’m not kidding: click the link).

Stay tuned…

Kermit Lynch, pulled pork, and 01 Moccagatta and 01 Faset


Above, from left: my buddy Mark Sayre, Kermit Lynch, and me last night at Vino Vino for the Kermit Lynch listening party. A grand time was had by all. Photos by Tracie B.

Tracie B and I had a blast last night at the Kermit Lynch listening party at Vino Vino here in Austin. It’s been a while since I took the stage with a microphone in my hand and it was great to feel that energy again and the buzz that comes along with playing music (even if I was just cueing it from my Ipod). Click here for highlights from the event.

ricky fataar

Above: Kermit’s producer Ricky Fataar, right, with his friend and awesome bass player, Austin-based Sarah Brown, who joined us for dinner. Ricky and the entire band will be fielding questions from the audience tomorrow night in Nashville at the Basement.

We’ve had a great time hanging out with Kermit, his wife Gail Skoff (who is delightful), and Ricky Fataar, who’s played with so many musical greats over the years (the Beach Boys, Bonnie Raitt, Jon Scofield, Boz Scaggs, Crowded House, The Rutles). I could have listened to Ricky tell stories from his years on the road all night long.


Above: What does this country boy pair with his pulled pork? Nebbiolo, of course!

After the event, I swept the entourage away in the Hyundai limo and we hit Lambert’s downtown for dinner (not my favorite barbecue, but solid and open late). Earlier I had raided my Nebbiolo stash and so we BYOBed some 2001 Barbaresco Moccagatta by Produttori del Barbaresco (which was deliciously chewy and tasted like sumptuous mud) and 2001 Barbaresco Faset by Castello di Verduno (wow, this wine was off-the-charts good, almost Baroloesque in its austerity, regal and elegant, and showing nicely with some aeration despite its youth). Some would say that it’s a shame to pair savory, tannic Nebbiolo with the tangy, smokey flavors of Texas barbecue but, man, o man, was it tasty — especially riding on the high and the brio of the evening and the event…

Thanks again to the staff at Vino Vino and to everyone who came out last night for the sold-out event!

Tomorrow night: Nashville! (It’s fun to be “on the road again,” even if for just one night).

1970 Sassicaia (no, I didn’t drink it)

Above: One of the very few things I miss about living in New York City is the availability of good smoked fish and New York bagels. We get frozen H&H bagels at our local Central Market. Scrambled eggs and bagels and lox have become a happy Sunday habit.

Kermit is coming to town and I’m prepping today (following our now traditional late-morning breakfast of toasted H&H bagels, cream cheese salmon, thinly sliced tomatoes and red onion, salted capers, brined olives, and eggs scrambled with Parmigiano Reggiano and an onion soffritto, a casa della bellissima Tracie B) for my presentation of the wine-industry great and singer-songwriter tomorrow night at Vino Vino in Austin.

I’ve been rereading his most recent book, Inspiring Thirst, an anthology of his newsletters stretching back to the beginnings of his career in the wine industry in the early 1970s (the first newsletter in the collection is dated 1974). In many ways, the gathering of glosses and notes is an excellent primer on how to sell wine. I don’t think its unfair to say that Kermit essentially invented wine blogging with his “little propaganda pieces,” as he called them.

The corpus of his blurbs is also an amazing historical document with fresh tasting notes and observations on now-nearly-forgotten vintages, like his take on 1970 Sassicaia, penned in 1975:

    1970 Sassicaia

    Unlikely, perhaps, but here we have a very impressive Cabernet Sauvignon made in Italy. It shows a pronounced varietal nose, while the effect upon the palate is akin to Bordeaux, explained by the fact that the winemaker is French and is using Bordeaux barrels. Regardless, the wine is extremely well made; to my taste it compares easily with over-$8 California Cabernets. Highly recommended! $5.50 per bottle $59.40 per case

The first commercially released vintage of Sassicaia was 1968. Darrell Corti told me that he sold it at Corti Brothers in Sacramento for $6.99 (Kermit was selling it for more than 20% less!).

Kermit talks a lot about how the 1970s recession led a lot of importers to “advance” their inventory to him. “Pay me when you sell it,” they would tell him, and he would pass the excellent pricing on to his customers. His description of the economic climate sounds a lot like the situation today and his blueprint for selling (and marketing) wine is good advice for anyone involved in the wine industry today — on any level, be it importing, wholesale, on premise, or retail.

Tomorrow night Kermit, Ricky Fataar (his producer), and I will be talking about Kermit’s new record, Man’s Temptation (and the event is already sold out) but I hope to get a chance to ask him about Sassicaia at $5.50 a bottle. The wines sells for $599.00 a bottle today.

In other news…

The fall weather’s been fantastic here in Texas and the sunsets and the Texan sky are amazing, as always. I took this photo yesterday evening before Tracie B and I headed out for the night. Happy Sunday, ya’ll!

Jimmie Vaughan’s Gulf Coast picking and the best steak frites in Austin

From the “life could be worse” department…

louann barton

Last night found me and Tracie B at Austin’s top music destination, Antone’s, for a Doug Sahm tribute (Doug Sahm is considered by many the father of the Central Texas music scene). We were there to see legendary bluesman Jimmie Vaughan. Since I moved to Austin nearly a year ago, I still hadn’t see him play and it was a thrill to hear his Strat from the edge of the stage (one of the things that’s so cool about Austin is how the venues, even Antone’s, which is one of the largest, are just small enough that you can still hear the music directly from the amps on stage instead of through the PA). But the most amazing thing was that our friend Felice’s boyfriend Ronnie James is Jimmie’s go-to bass player and so Tracie B and I got to go back stage and meet Jimmie. Now, I’m all growed up and have met plenty of famous folks but I can’t conceal that I was downright star-struck to shake Jimmie’s hand last night. I couldn’t resist ask him about his right-hand pick-less picking and hammering technique (he’s flat-picking in the photo above with LouAnn Barton on vocals).

“That’s the Gulf Coast style,” Jimmie told me. It was created by Clarence Gatemouth Brown and was also used by Albert Collins (another native Texan and one of my personal favorite bluesmen), he said.

That’s a detail from a photo of Gatemouth, left: you pick using all your fingers on your right hand while you finger and hammer with your left hand. There is just so much great music in this town and you can hear a blues or country great on nearly any given night. Man, I love that Tracie B for bringing me here! Her cooking ain’t bad either…

In other news, the best steak frites this side of Manhattan…

Above: Steak frites at Chez Nous in Austin.

I’m dying to try the new Relais de Venise Entrecôte in New York (as reviewed by Sam Sifton in The New York Times), but there is no dearth of great red meat in Texas.

In what seems to be becoming a bad habit of mine, I played hookey again Friday after being shanghaied for lunch by my friend John. We headed over to Chez Nous with a collector friend/client of his and opened a few interesting bottles that “needed” to be tasted.

Above: The 1994 Trimbach was tighter than I would have expected but it opened up nicely with a little aeration. The pairing with the duck pâté was sublime.

Chez Nous is everything that you wish it would be: quiet, unassuming, and friendly, with solid bistro cuisine that may not win awards but never disappoints. Owner Jacques always delivers classic staples of French cuisine — the pork rillettes and duck pâté always excellent. (I don’t know where Jacques sources his bread but it’s probably the best I’ve had in Austin.)

Above: Duck liver pâté at Chez Nous — highly recommended.

The Gimonnet premier cru Cuis also paired deliciously with the pâté but then again so did the 2006 Les Palliéres Gigondas (which we tasted in honor of Kermit’s visit to Austin on Monday, since Kermit owns the winery together with the Brunier brothers).

Jimmie Vaughan and 94 Trimbach on the same day? Life would be rough if I didn’t have such a beautiful lady in my life. ;-)

tracie branch

A benefit for battered Asian women Nov. 14 and weird Austin painted cars

Above: Austin loves to keep itself weird and even has a website for the sake of weird. I don’t know the phenomenon’s origins but Austinites love to paint their cars. All of the images were taken using my Blackberry, captured as Tracie B and I drive around town.

Support, Advocate, Heal, Empower, Listen, Inform: saheli means friend in Hindi. Linda Phan, the executive director of Saheli Austin, a non-profit group that provides support for battered Asian women, has asked me to speak about wine and wine pairing at the organization’s November 14 fundraiser event.

A week from Saturday, we will be pairing European and Texan wines with Asian food at Saheli’s “Discover Asia Through Wine” benefit for victims of domestic violence.

Riesling and Grüner Veltliner are obvious choices when it comes to pairing wine with the often intensely spicy flavors of Asian cuisine, and both grapes will be well represented, of course.

But I think we’re also going to have fun with some Rhône varieties and — I couldn’t resist — some Sangiovese from Chianti Rufina as well.

Suggested donation is $45 (a great value for all the great food and wine) and the event should be a lot of fun. Click here to RSVP and to donate. Hope to see you there if not before!

Buon weekend ya’ll! (how’s that for fusion?)

The “intense delicacy” of the last of the Mohicans in Texas


Tasting through the current releases of López de Heredia the other day in Austin made me feel like Big Joe Turner’s Mississippi bullfrog in “Flip, Flop, and Fly”: I’m like a Mississippi bullfrog sittin’ on a hollow stump/I got so many good bottles of wine, I don’t know which way to jump.

I was thrilled to see that the wines have returned to Texas, in the hands of a smaller distributor who seems to be treating the bottlings with the respect and care they deserve.

My friend Alice Feiring put it best when she wrote about the “intense delicacy” of these wines, using a Petrarchesque oxymoron. They are at once intensely aromatic and flavorful but show that unbearable lightness that I find so alluring in great wine.

Some of the most inspired prose in Alice’s The Battle for Wine and Love or How I Saved the World from Parkerization is devoted to the López de Heredia winery. But it was owner Maria José López de Heredia who called the winery the “last of the Mohicans”:

    When López de Heredia buckles — if ever — that style of wine is gone and cannot be replaced. I asked Maria José, “Are you sad about the way things are going right now?” Her answer shocked me. “Wine has been worse in Rioja. It’s not so bad now. There are good wines being made, but we are ‘the last of the Mohicans,'” she said, with tremendous pride. She actually liked being the last one.

I love the wines of López de Heredia and try to taste and enjoy them at any chance I get.

The 1989 Tondonia white was showing beautifully, even if it inspired a lively debate among the wine professionals gathered that day as to whether it was “off” or not. (“The release of a López de Herdia white,” writes Alice, “is always a love-it-or-hate-it affair. No matter what a drinker’s preferences, the wine always gets attention.”) I’ve tasted that wine maybe 10 times over the last year and I think that the bottle we tasted was right on.

I was also really impressed with the entry-level 2003 Cubillo (red), which showed uncommon grace for this wine. The 1991 Tondonia and Bosconia (reds) were simply stunning.

The wines won’t be an easy sell here in Texas (nor are they anywhere, for that matter). Their oxidative nature can be a turn-off for a lot of folks. But I’m so glad that they’ve returned to Texas. Tracie B and I will be drinking them for sure!

In other news…

Austin wine writer Wes Marshall reviewed Kermit’s CD today and previewed his listening party Monday November 9 here in town at Vino Vino (yours truly will be presenting Kermit and his producer Ricky Fataar). I haven’t been playing music professionally since Nous Non Plus’s last show in LA in May: I’ve been having a blast promoting this show and I love that feeling of filling a room. I hear there are just a few seats left! ;-)

Claude Lévi-Strauss and (not so natural) wine

claudeReading over today’s obituary of that looming figure of the twentieth- (and twentieth-first-) century who seemed to watch over every discipline of critical theory, Claude Lévi-Strauss, I couldn’t help but apply my dusty knowledge of his structuralism to the hegemonic culture of wine today. After all, in some ways similar to Freud, Lévi-Strauss, who transpired over the weekend, will be remembered as much for his contribution to literary theory and epistemology as he is for his unapologetic transformation of the field of anthropology.

His fear of and subsequent predictions of a western behemoth “monoculture,” as it came to be known, have certainly taken shape in the evermore homologated contemporary world of wine today. The west, he wrote with words that seem to speak directly to the modern vs. traditional debate in European wine today, could destroy itself by “allowing itself to forget or destroy its own heritage.”

Lévi-Strauss wrote famously about wine: his treatment of the wine culture in southern France in his study The Elementary Structure of Kinship is often cited by scholars. (He also wrote about wine in The Origin of Table Manners.)

But wine, like bread, also held a special place in the lexicon of the great scholar and thinker. Like bread, wine represented for Lévi-Strauss a post-Neolithic technological transformation of the natural. Society (and the universal values that tie every expression of human experience together) is defined, according to Lévi-Strauss’s view, by a “rational” transformation of nature.

As Edward Rothstein wrote so ably in The New York Times today:

    Lévi-Strauss rejected Rousseau’s [historically romantic] idea that humankind’s problems derive from society’s distortions of nature. In Mr. Lévi-Strauss’s view, there is no alternative to such distortions. Each society must shape itself out of nature’s raw material, he believed, with law and reason as the essential tools.

Alas, we’ll never be able to ask Lévi-Strauss where he stands in the overarching dialectic of natural wine (and I can only imagine the ire this post will spark!). My own thought is that Lévi-Strauss and structuralism offer us a tool for understanding wine and its relationship to society. One can argue the finer points of ambient yeast, zero SO2, and minimal intervention vs. manipulation. But there is no denying that wine as an expression of society is shaped out of nature’s raw material by humankind — however minimal the intervention. Society by definition (and is there any wine that exists outside of society?) offers no alternative to the distortion of nature. Fermentation can occur spontaneously in nature. But the rational hand of humankind is what turns fermentation into wine.

What would Lévi-Strauss say? And who really cares? Probably no one but me.

What I can say for sure is that humankind has lost one of its greatest thinkers and one of the voices that helped to shape the very ideological dialectic from which the natural wine movement has culled its roots. If I only had a bottle of zero-SO2 Beaujolais for every night I spent cramming over the writings of Lévi-Strauss for my critical theory exams in grad school!

Lévi-Strauss, old man, you will be sorely missed…

Kermit Lynch rocks Austin and Nashville next week

Above: Kermit debuted his new album last month in San Francisco at the Great American Music Hall, paired with a menu by Alice Waters.

It’s a funny thing about the food and wine world: so many of the folks I know who work as food and wine professionals have at some point in their lives played music professionally and/or have worked in some capacity of the music industry (myself included!).

When Kermit Lynch called me over the summer, asking me to help him put together a listening party here in Austin, I jumped at the chance: as it turns out, Kermit Lynch “rocker interrupted” and I share a lot of the same tastes in rootsy, Amerciana music and when he sent me a copy of his new disk Man’s Temptation I was blown away by the musicianship and the soulful, gravelly voice behind the microphone. (I wrote a review of the CD here.)

I’ll be presenting Kermit, together with his producer Ricky Fataar, and talking to them about Man’s Temptation as we a few of Kermit’s wines on Monday, November 9 at Vino Vino here in Austin (click for details) and Wednesday, November 11 in Nashville at the Basement, where Kermit’s entire band will also be joining us (see Nashville details below).

I know Ricky’s music through his performances with Bonnie Raitt, John Scofield, and Boz Scaggs but, being the Beatlesmaniac that I am, I am most geeked to ask him about The Rutles and the film All You Need Is Cash, the original mockumentary in which he played George’s counterpart.

You may remember how Kermit and I met, like so many cool things in my life, through the blog.

Earlier this year, Kermit left a comment on a post I wrote about tasting Bandol as Tracie B and I watched American Idol and ate Tracie B’s excellent nachos.

Here are details for Nashville:


Listening Party and Wine tasting
@ The Basement
1604 8th Avenue South
Nashville, TN
5 p.m. to 8 p.m.
Wednesday, November 11, 2009
$20 (ticket price includes 1 glass of wine)

Click here to reserve.

I hope to see you there!

Check out all the cool cameos in this trailer from All You Need Is Cash