NPA and NN+ in SF CA

Above: A view from the stage. My bandmate Céline Dijon (Verena Wiesendanger, right) was in a super good mood last night at our show at Rickshaw Stop (hint: a fan was buying her Jameson). The show was a blast and we did three encores. Thanks again to Waldo of Rickshaw for letting us rehearse at the club: enjoy the Clos Roche Blanche Cot we gave you!

It was something of a blogger summit and a meeting of virtual friends last night between Terroir Natural Wine Bar and Merchant and Rickshaw Stop in SF.

Among them were my virtual and now real friends Cory Cartwright (author of Saignée) and his delightful wife Emily. We shared a bottle of the enigmatic 2002 Ribolla Gialla by Gravner. One blogger, who prefers to remain anonymous, noted (and I concur) that the Gravner is an “abstract” wine, a wine (in a certain sense) that you cannot drink. There’s no question that Gravner’s wines are fascinating, thought-provoking, and intriguing: as the wine aerated it revealed a remarkable array of fruit aromas — think dried and moldy apricot (but in the mouth, it still felt to me like the wood dominated). Owners Dagan Ministero and Luc Ertoran were on hand as well, and a lively discussion of “orange wine” ensued and they generously tasted us on a number of bottlings (including Ca’ de Noci and Damijan). Virtual friends Slaton Lipscomb and Simona (author of Briciole) were there, too, and Clark Terry of Kermit Lynch blog fame also joined up at the show.

The most interesting and unique wine of the evening was the Natural Process Alliance skin-fermented Chardonnay (above), sold only in reusable stainless-steel containers. (Spume has written about this wine as has Alice.) This wine is as stinky and cloudy as it gets and it is 100% delicious (maybe not for everyone but just right for yours truly). Slaton noted that it tastes slightly different every time because its malolactic fermentation has not completed when it ships. You can only get locally and I highly recommend it.

The crowd was fantastic last night and we did three encores, closing with a rocking version of “Ca Plane Pour Moi” by Plastic Bertrand. Tonight we play at an all-ages club in San Jose and I’m just passing time until tomorrow when I get to be reunited with my Tracie B, who’s flying in to visit with her girlfriends and see our show at Spaceland.

Highway run
Into the midnight sun
Wheels go ’round and ’round
You’re on my mind
Restless hearts
Sleep alone tonight
Sendin’ all my love
Along the wire

Mommy blog: posting from a mile high!

ontheplane1

Wow, it’s amazing: wifi on a Southwest flight from San Diego (where I had a layover) from Austin, on my way to Oakland where Nous Non Plus (the faux-French band I play in) has a gig tonight at Rickshaw Stop.

I’ll take advantage of this momentous occasion to do a “mommy” blog post (as Alfonso likes to say).

Here’s what Library Journal had to say about my Brunetta translation (History of Italian Cinema): “This thoroughly detailed and seemingly experiential guide through the annals of Italian cinema conveys a lot of information but never seems less than easily gaited and conversational. Rare for a title of its scope, this is an absorbing, passionately told narrative.”

Maybe a mother will have something to be proud of this mother’s day.

My first mile-high email was to… guess who? Yup, you guessed it!

Nous Non Plus in San Francisco tonight

From the “shameless self-promotion” department…

Come see what Ménagerie is all about, tonight in San Francisco (Friday in San Jose and Saturday in Los Angeles at Spaceland, my favorite LA club).

If you’re planning your vacation in Italy…

If you’re planning your vacation in Italy this summer, think about Abruzzo…

After breaking away from the phalanx of wine professionals with whom I was traveling on my last day at Vinitaly in April, I had the great fortune to taste with Abruzzo winemakers Sofia and Emidio Pepe. The next morning, the earthquake struck the region in the hours before dawn, taking the lives of nearly 300 people and leaving 28,000 homeless.

You may remember Eric’s post “Aftershocks” which appeared on The Pour in the days that followed the tragedy in L’Aquila. As Eric pointed out, even though the Abruzzo wine industry wasn’t affected directly by the earthquake, the long-term impact will be drastic because 10-50% of the wine produced there is sold and consumed locally.

Above: I have always loved Emidio Pepe’s Montepulicano d’Abruzzo, made in a totally natural style. “Emidio Pepe may be even more of purist than Valentini [another one of Italy’s iconic natural winemakers],” wrote Burton Anderson in his landmark book Vino. “He crushes his grapes by foot” and “possesses not a single piece of modern equipment in his rustic winery.” Drinking these stinky elegant wines is like listening to Thelonious Monk’s “Ugly Beauty.”

Abruzzo is a pristine region of immense natural beauty. Its hills are dotted with wonderful medieval villages where life was never contaminated by the industrial progress forged during fascism.

L’Aquila (where the epicenter hit) was so named (“the eagle”) by 13th-century emperor Frederick II of Swabia who was one of the greatest falconers of his time. Dante condemned Frederick to his Inferno for being an epicurean.

If you’re considering/planning a trip to Italy this summer, think about Abruzzo.

In other news…

You can find info for Nous Non Plus shows in San Francisco (tomorrow), San Jose (Friday), and Los Angeles (Saturday) here. Hope to see you at the shows. Tracie B will be Tracie B there too! (well, just in LA)

Human, all too human: remembering Josko Gravner’s son

One of the owners of Terroir Natural Wine Merchant and Bar in San Francisco, Guilhaume Gerard, recently reminded me that that the wines come first, before the people who import them. Guilhaume pointed out rightly that while there are a lot of people in the wine trade whom we admire and care about and others whose scruples give us pause, the wines are what is really important. I agree with him.

To Guilhaume’s observation, I would add only that the wines and the people who make them come before the people who import and sell them.

miha_gravnerToday, after Franco and I posted on VinoWire about the tragic and senseless passing of the young Miha Gravner (left, photo by Alfonso), I was blown away by how many people linked back to our post, on Facebook and on their blogs, writing about how they never met the young man but how, nonetheless, they felt a personal connection to him and his family through their wines. As Franco wrote in his post at Vino al Vino, Miha had begun working closely with his father Josko and would have continued his father’s legacy.

Josko Gravner was part of a small group of radical “extreme” winemakers, who, as Eric wrote today in an unrelated post, vinified and aged their wine in clay amphorae. I’ve tasted Gravner’s wines on many different occasions, from many different vintages, and no one can deny that these are benchmark, original wines, wines that push the envelope of contemporary winemaking by reaching back to the secrets of the ancients. Josko is also one of the fathers of the natural wine movement in Italy and was inspired by the teachings of Rudolf Steiner.

Cory at Saignée put it best when he wrote:

    If you’ve never had one of Josko’s wine, now is the perfect time to grab a bottle and raise a glass to him. They are some of the most individualistic, interesting, and unforgettable wines in the world from a man who has dedicated his life to exploring the possibilities of what wine can be. i, of course, have never met the man and am only familiar with his wines, but i’d like to think that personality can come across in wine making and that you can know someone just a little through their wines, and i wish him the best through this tragedy.

I imagine that Cory, Guilhaume, and I will open a bottle of Gravner at Terroir on Thursday night before I head over to do our set with Nous Non Plus at Rickshaw Stop.

Stop by if you have the time and we’ll remember a young man who would have made the wines we would have drunk for a lifetime.

The best Mexican restaurant in the world?

Above: Fonda San Miguel’s owner Miguel Ravago told me that the restaurant’s name was inspired by a Mexican fonda or inn and the fact that he and his family used to own a house in San Miguel Allende.

California friends Robin Stark and David Schacter were in town for the weekend for a visit and so it was finally time for me to check out the legendary brunch at Fonda San Miguel in Austin. We went today, joined by Robin’s friend John Balistreri who also lives nearby.

Tracie B and I will often go there for a nice dinner on a weekday night, if we have something to celebrate or just want to do something special. We always eat at the bar and we LOVE the antojitos: the sopes topped with salpicon de pescado and cochinita pibil are our favorites. But I had still never been for brunch. The night before, Robin and David had paid a visit to a celebrity west Texas gourmet Hill Rylander who, when asked about the restaurant, responded by saying, “Fonda San Miguel is not the best Mexican restaurant in Austin… It’s the best Mexican restaurant in the world!” He might just be right.

Above: Corn pudding and chilaquiles, migas, marinated green chiles stuffed with cheese, and beans. Miguel told me that the corn pudding is used to sooth the tastebuds after you’ve eaten something too spicy. I tried it and he was right.

I’ve eaten great Mexican food throughout California and Mexico: from my family’s home in La Jolla (San Diego, CA), it takes only 30 minutes to reach the border and I have traveled extensively through Baja California and lived a summer in Mexico City when I was a teenager. In my experience, the moles (green and brown) at Fonda San Miguel are among the best I’ve ever had.

Above: The salad section of the buffet includes guacamole, ceviche, and Tracie B’s favorite, the spinach salad.

David — one of the most demanding palates and gourmets I’ve ever met — agreed, noting that the guacamole, a deceptively simple dish, was outstanding. Tracie B needed no convincing: she’s known all along! She always says that the cochinita pibil was one of the things she missed most (after her family, of course) when she lived in Ischia.

Above: Miguel told me that George W. Bush proposed to Laura at this table. The European travelers at the table were gracious enough to let me photograph it (I didn’t tell them why!).

The brunch is an all-you-can eat buffet and although not cheap, is a great value for the quality of the food (and all the chefs are very knowledgeable and talkative about the dishes; Miguel spends his time between Spain and Texas and we were lucky to find him there). I highly recommend it but be sure to make reservations because it is always packed and people understandably linger.

From left to right, counter clockwise: John Balistreri, Robin Stark, David Schacter, and Tracie B.

I hold these tagliatelle to be self-evident

Dear Tracie B: after you, Mrs. Judy P, and Mrs. Martha Jane B, there is another woman whose food I love. Yes, it’s true. And as much as I relish your fried chicken and your southern ragù (and the huevos rancheros you made me on Valentine’s), and as much as I love my mom’s Caesar salad and her meatloaf (and her Yorkshire puddin’), and as much as I love your mom’s chili dogs and breakfast loaf (and her tuna fish salad with hard-boiled eggs), and as much as I miss the Jaynes Burger back in sunny San Diego, there is another lady who holds a top spot in my heart. Her name is Signora Corrado and she lives in Bologna. And every week she makes fresh pasta for her husband and her son (one of my dearest and oldest friends, Corradino “Dindo” Corrado). Yes, it’s true: I fell in love with a Southern Belle and guagliona named Tracie B but my Yankee heart still hankers for the tagliatelle of my university days when I would hop a train from Padua and head to Bologna to play music at the legendary Casalone, and hang out with my buds Puddu and Dindo.

Here’s a step-by-step “how to make fresh pasta” by Mrs. Corrado herself. I hold these tagliatelle to be self-evident!

Make a well with flour and break the eggs into the well. (A lot of folks might add salt here, but Signora Corrado says to season the pasta only with the generous salt added to the cooking water; see Tracie B’s post on seasoning the cooking water.)

Mix the eggs into the flour using two forks.

Work the dough well with your hands (this is the most labor intensive part but it’s the most important). Most people say that you know its ready when its surface feels like a baby’s bottom.

Cover and let the pasta rest in a cool, dry place for at least 30 minutes.

Work the dough again with your hands, adding a little more flour.

Roll the dough out to the desired thickness.

Note above the length of her rolling pin. The length is important to achieve even consistency.

Fold the pasta over itself, making a “book” about 3 inches in widgth

Slice the tagliatelle with the desired width. The name taglatelle comes from the Italian tagliare, to cut.

Gently separate the tagliatelle.

Gather them into little bunches and let them dry all morning or afternoon on a floured pasta board.

Serve with your favorite sauce. Those are garganelli to the left, but you’ll have to check out my guest post at My Life Italian for those.

Thanks, Dindo, for sending these photos!