Blogging from Beijiing: scorpions for lunch

Greg Wawro, aka Harry Covert (drummer, Nous Non Plus), guest blogs from Bejiing…

Harry Covert here, guest-blogging from Beijing. I decided to make a pre-Olympics visit at the invite of friends Steve Carter and Kelly Miller. Steve is doing the design and construction of the studio sets for NBC, which has meant relocating his family to Beijing for four months.

This is my first visit to Asia, and one of my main motivations for the trip was the food. I think on the grand scale, the Chinese food you get in New York is pretty mediocre. Don’t get me wrong; I love dollar dumplings at Tasty Dumpling on Mulberry in Chinatown, really miss Hong Kong cakes from Mosco Street, and appreciate the availability of broccoli and peanuts in brown sauce in the wee hours at Ollie’s in my neighborhood. But I don’t think the higher end Chinese restaurants in NYC (not counting the Momofuku empire) really distinguish themselves and many of the establishments are downright wretched. I’ve had way better experiences with Chinese food in San Francisco (particularly at the recently deceased Firecracker in the Mission). However, having never eaten Chinese food in China, I couldn’t claim that my opinion was particularly well-formed.

My first night here, we went to Li Family Restaurant in the Houhai District. This is one of the highest rated private-dining establishments in the city. Our party of four had its own room in a hutong house and a very attentive team of waitresses. We ordered a prix fixe dinner that consisted of about eight dishes. I was concerned that maybe my palate was too accustomed to Americanized Chinese food, as nothing really stood out from this meal. The flavors were on the bland side and the presentation and consistency of some of the meat dishes was a tad off-putting (e.g., gray pork belly floating in a sour broth). The highlight of the meal was the whole fish, which was delicious but so boney what it was difficult to enjoy.

Things started to look up when Kelly and I went to Din Tai Fung for lunch. Some regard the dumplings and buns here as the best in the world. The original restaurant is located in Tapei and was ranked among the top ten in the world by The New York Times in 1990 (an accolade that is still prominently referenced on the restaurants menus and placemats, although the date is not mentioned). They have several locations throughout Asia, three in Beijing, and even one in L.A. I have to say, the dumplings here live up to the hype. The pork dumplings have soup inside them, although in my opinion they completely blow away the soup dumplings you get at Joe’s Shanghai and Grand Sichuan International in NYC (two places that are known for this dish). The soup in Din Tai Fung’s dumplings is subtle and doesn’t overwhelm the pork-scallion mixture that it surrounds. The other thing that makes these dumplings superior is that they are served at the perfect temperature. The soup dumplings I’ve had in NYC have way to much juice in them and are cooked at a ridiculous temperature. You either have to wait forever for them to cool or you risk scalding your mouth as well as your chin because there is so much soup in them that if you try to bite them in half, the liquid gushes forth uncontrollably. Din Tai Fung prepares them differently. One of the ways to get the soup in the dumplings is to freeze it into blocks, wrap those in the skin with the pork mixture, and then steam them to melt the soup and cook the pork.

Perhaps the chefs at Din Tai Fung (who look more like lab technicians) have figured out a way to inject the soup into the dumpling rather than freezing it beforehand. Or maybe it’s that since they use a more modest amount of broth, they don’t have to steam the hell out of them. In any case, these are not to be missed.

Another amazing dish here is the fried pork chop with noodles and broth. The boneless chop is pounded thin, breaded, and lightly fried. It is sliced and served on top of the noodles and chicken broth. Somehow, the lab techs have figured out how to keep the pork from becoming soggy as it soaks in the broth and becomes more flavorful.

My Beijing food experience really took off with dinner at Yuxiang Renjia, which came recommended as one of the best Sichuan restaurants in the city (like most of the best restaurants in Beijing, they have several locations). I was really interested in checking out authentic, traditional Sichuan dishes because of my love of spicy food. Located on the 5th floor of an office building, the decor was faux Sichuan village meets Ikea–a little cheesy, but thankfully the food overwhelmed any interior decorating missteps.

The menu was the size of a monograph, divided into easy to navigate chapters (cold dishes, seafood, noodles, soups, etc.) with lots of pictures and unusually typo-free English. Our English-speaking waitress was extremely helpful as we attempted to order a broad sampling from the menu. We stayed away from some of the funkier dishes involving ox-blood, chicken toes, and fish lips and went deep on the heat.

We ordered mapo doufu (tofu with ground pork), kung pao chicken, twice-cooked pork, fried strings beans with garlic, pork ribs encased in sticky rice, cold bean-curd Sichuan style, smoked duck with pickled vegetables. The portions were huge and we had enough leftover for a lunch for two the following day. The duck dish was a delightfully innovative of combination of smoky and sour, unlike any Chinese dish I had eaten before.

Although all of these dishes save the ribs had spicy ratings of two to three chilis, it was a different kind of heat than what I had experienced previously with spicy dishes, Chinese or otherwise. The dishes produced a tingley numbing sensation on the lips and tongue, which was incredibly pleasurable and did not overwhelm the nuanced flavors of the dishes. You definitely feel the heat, but it’s not of the unpleasant set-your-whole-mouth-ablaze-and-cause-your-nose-to-run-profusely variety. This was a truly unique experience and one that I would kill for to have in NYC.

One of the biggest and best surprises of the meal here though, were the dumplings, which were stuffed with fried garlic, scallions, and pork. The bottoms were dipped in sesame seeds and then lightly fried so that the seeds were a bit toasted. The dough was halfway between a standard bun dough and a thinner dumpling dough–a perfect consistency. If someone could duplicate this dish in NYC, they would rival the popularity of the pork buns at Momofuku. All of the food, plus several bottles of Tsiangtao for cooling off the fire came to about $60!

After a half day visit to the Forbidden City, I headed to Wangfujing Snack Street, which is touted as a destination for those seeking to get a little adventurous food-wise. To this point, I had been a fairly timid about unusual meat dishes, and there are a lot of far out things (for a Westerner) on Beijing menus. The government had asked restaurants to take dog off their menus in order to avoid offending tourists in town for the Olympics. At one dive restaurant where we had delicious pork biscuits (think pulled pork inside of flatbread that was like a mixture of pita and motzah), they had put a single line of ink through their dog offering. Since there were other items on the menu they had been removed with white-out, I couldn’t help but think that this was some kind of mild protest, since the word “dog” was still clearly legible. Anyway, Snack Street consists of about a dozen kiosks, mostly offering various items grilled on skewers.

The skewers are displayed in cases and there’s very little English guidance as to what you are actually eating. I could make out various parts of cow, pig, chicken, and squid. But what I had really come for was to check out items with exoskeletons–grubs, sea-horses, and scorpions. I did a quick reconnoitre to check out what all was on offer, and all had pretty much the same dishes.

I chose one kiosk which had a unique marketing ploy: they’re scorpions were still squirming on the skewers. However, these are not what you receive when you order. They take a skewer that looks like it’s already been cooked through and toss it on the grill for reheating. So much for freshness.

As I took my hot skewer to find a place to sit to enjoy it, the looks I got from the locals indicated that this is something that really only tourists consume. The scorpions were covered in something akin to mild cajun spice. The tail and the claws were crunchy, natch, but not very flavorful except for the spice. The abdomen had more of a pungent flavor, much like when you eat a piece of shrimp where the vein has not been properly removed. An older Chinese man remarked to me that what I was eating was very healthy for me, so at least it’s got that going for it. He also noted that 15 Yuan (about $2) was too much to pay for these. I ate most of the four scorpions, but not having either been rocked like a hurricane or satiated, I decided to try candied plums on a stick (pineapple and grapes were also available). These were delicious–similar to candied apples although with a more complex combination of sweet and sour. In the end, the whole experience was kind of Disney-esque. Snack street is a small hutong surrounded by a massive modern shopping development, which includes a very high end mall. Steps away from scorpions wriggling on skewers, you’ve got KFC, McDonalds, and Starbucks. It seems like the street is being preserved just so that tourists like myself could have this experience. Many of Beijing’s hutongs are being leveled to make way for commercial development and while I’m thankful that this one is being preserved, it’s not clear whether this is an actual part of real Chinese culture or just part of the rampant commercialization that has taken over the city post-Mao.

My last dinner in Beijing was at Made in China in the Grand Hyatt Hotel. This place is known for its Beijing duck, which must be ordered when you make your reservation. The open kitchen offers the opportunity to watch the chefs cook whole ducks in an apricot wood-fired oven, a fairly labor intensive endeavor. Final preparation of the duck is done table-side. The chef masterfully slices the skin from the breast, the breast meat itself (sans skin), and then the leg meat (with its skin/fat), and neatly arranges them on three different plates (the head of the duck is sliced lengthwise and placed on the plate with the breast meat). Steamed pancakes, plum sauce, soy sauce, and a bowl of sugar are brought to the table to go with the duck. The skin is dipped in the sugar, which when combined with the crispiness and fattiness of the skin makes your taste buds go wild. This was hands down the best duck–and possibly the best poultry–I have ever eaten. The breast and thigh meat was perfectly tender and juicy and it seemed almost a crime to combine it with any of the other fixings. But wrapping the meat with the sliced scallions and dipping it in the plum sauce only heightened the experience.

As far as wine goes, there really wasn’t much to speak of on this trip. My general take on wine with spicy food is that it’s kind of a waste. It’s difficult to find wine that isn’t completely dominated by the spice, and since Chinese dishes have been perfected over hundreds (maybe even thousands of years) without Western style wine, pairings can be difficult if not impossible. While in Beijing, I did get word of a tasting that promised to provide instruction on pairing China’s most celebrated regional dishes with wine, but decided to pass when I learned that all of the wine would be from Australia. The Chinese are producing their own wine–the Great Wall label is ubiquitous–but one wonders whether this is part of the Chinese tendency to want to be Western without giving serious thought as to whether the West has much to offer them along these dimensions. I did try Yunnan rice wine (mi jiu) at a restaurant called South Silk Road, which specializes in dishes from Yunnan province (China’s southernmost province bordering Thailand, Vietnam and Laos). This was very similar to nigori sake, although a tad more yeasty. It was served in a tumbler with ice and was quite refreshing, pairing well with dishes involving wild mushrooms and fried goat cheese from the region.

All in all, Tsingtao or Beijing Beer (but not Yanjing Beer) were pretty satisfying companions with just about all of the dishes I ate. Perhaps on a future trip to China I’ll get more adventurous with local wine. I wonder which would go best with fried scorpions.

Italy Day 8: prosciutto porn

Above: Brigitte Bardot probably wouldn’t approve but Céline Dijon posed with the prosciutti at my friend Marco Fantinel’s prosciuttificio in San Daniele del Friuli.

My trotter shots may not be as hot as the one posted the other day by Alice, the pork Picassos often published by Winnie, the ones found in harangues on ham by Eric, or the onslaught of slaughtered swine over at the amazing blog Culatello. But I can’t resist publishing these photos, taken in April when our band Nous Non Plus stopped for a visit at my friend Marco Fantinel’s prosciuttificio, Testa e Molinaro in San Daniele del Friuli, on our way back into Italy following our Slovenian appearances.

Not as sweet as its cousin down in Parma or as smoky as the Speck found in South Tyrol, Prosciutto di San Daniele has a distinctive slightly more piquant flavor that sets it apart in the pork realm and it is distinguished by the presence of the bone and hoof, traditionally not removed in San Daniele. Of all of Italy’s cured pig thighs (remember Prosciutto di Carpegna and Prosciutto Toscano, and there are many others as well), Prosciutto di San Daniele is arguably the most terroir-driven of the bunch. As for all prosciutti, naturally occurring enzymes “ferment” the pig thigh from within, trigged by changes in temperature. But in the case of Prosciutto di San Daniele, gentle sea breeze from the nearby Adriatic will cause the flavor profile of the prosciutto to vary with each “vintage,” making it more sweet or spicy depending on the timing of warmer and cooler weather. Pig thighs, salt, and terroir: these are the only three ingredients in Prosciutto di San Daniele, according to the lab-coat technicians who oversee the wondrous transformation of pig flesh into delicate prosciutto.

Above: Salting the pig thighs with coarse salt.

Above: The different aging rooms at the prosciuttificio simulate the changes in the seasons but the last phase of the process requires the naturally occurring breeze. The technicians literally open the windows and let Nature do her work.

Above: Following our visit to the prosciuttificio, Marco treated the band to lunch, including an obligatory antipasto of perfectly sliced Prosciutto di San Daniele.

Above: The show stopper at lunch was gnocchi dressed in Montasio cheese and prosciutto, served in a nest of fried Montasio (a frico) and paired with Marco’s excellent Tazzelenghe, an indigenous grape of Friuli — tannic, powerful, and fantastic with the rich dish.

Beyond the yellow brick road

I have a lot of respect for Lyle over at Rockss and Fruit: he’s got a great palate, has a lot of interesting insights into wine, and every once in a while, he simply posts YouTube links and lets the world know “Just how I feel now.”

Today’s been a f*#$ed-up day and this is just how I feel now… “This boy’s too young to be singing the blues.” Check out some Elton vintage ’73.

The cork conundrum continues

Above: why don’t you just walk all over me? A zerbino (doormat) made out of corks by my friend Dana.

My post “Murder the Moonshine: Considerations on Corkiness” generated some interesting comments last week. I’ve made a selection below. Also, be sure to check out Brooklynguy’s excellent post on corkiness, where he speaks with candor uncommon in the world of wine blogging, and Craig Camp’s I’m-as-mad-as-hell frustration with cork taint in a favorite Chablis.

The bottom line? The issue of cork taint in “on-premise” (restaurant) sales remains a conundrum.* There’s no easy solution.

Dave:

The practice of handing the recently disengorged cork to the customer is equally confusing, since no one seems to know what to do. Sniff it, squeeze it, taste it?

Thomas:

Many people will object to the sommelier tasting the wine first, especially at today’s prices. On whether the wine is corked, sensitivity to corkiness will vary among persons, if the sommelier isn’t especially sensitive to corkiness it presents a problem to a customer who is.

James:

It would be nice to see some of the more ridiculous aspects of so-called wine etiquette erased from Western dining culture. Perhaps unsurprisingly, this problem only seems to occur in countries without a long wine tradition (e.g., the USA and the UK).

Noah:

It always presents an odd situation when you are forced to determine, immediately after the bottle is open, while conversation at the table has stopped, to tell whether a bottle is flawed. Sometimes it’s immediately obvious, but many times not. I hate that feeling after I’ve “approved” a wine and then consumed 1/3 of the bottle only to have a serious flaw to appear with aeration. Of course knowledgeable wine staff will get it, but less experienced servers will undoubtedly be confused…

Tracie B.:

I say yes, isn’t this the job of the sommelier? BUT, in restaurants without one (read: most of the ones I patronize), I would certainly prefer to determine this myself. Waitstaff is typically sorely undereducated, much more than some of them seem to think.

Lena:

I always feel like I am being asked to perform a slightly embarrassing role in this – I completely agree, anachronistic – ritual. The sommelier pours the wine, and I am expected to knowingly swirl, sniff, quaff, pretending to know what I am tasting for (I haven’t a clue) and the sommelier pretends to defer to my educated judgment (no doubt sniggering inwardly at my obvious confusion.) It is a useless exercise and I always imagine a laugh track somewhere in the background at my expense.

Jason:

Bring back the classic tastevin!

* “At the time of the Enlightenment, the OED reports, the word gained a sense of ‘a riddle in the form of a question the answer to which involves a pun or play on words.’ In modern times, the punning sense of conundrum atrophied, unfortunately for wordplayers, leaving only the sense of helpless speculation. The meaning is now ‘a question whose answer can only be guessed at.’ Where in antiquity did Ben Jonson find the word? Lexicographers throw up their harmlessly drudging hands and say, ‘Origin obscure’; the etymology of conundrum can best be described by itself.”
— William Safire

The ashes of Dante: exile rescinded but Count Serego Alighieri refuses Florentine Golden Florin

You may remember my recent post about Dante Alighieri and the Florentines’ attempt to bring his remains back to their city by rescinding his exile. According to a report published today in the Italian daily Corriere della Sera, the motion to rescind the exile was approved by the Florence city council but Dante’s descendant, winemaker Pieralvise Serego Alighieri, has refused to accept the Golden Florin, the city’s greatest honor. Dante (left) was exiled in 1302 and died in Ravenna, where his tomb remains a popular tourist attraction.

“When I see things like this, I pray to heaven that they will leave poor Dante in peace,” said Serego Alighieri, the 20th and current generation of Dante Alighieri’s family. “That’s why I thought the Florence ‘full rehabilitation’ initiative was good. But even on that front, things didn’t go so well: at the city council meeting where they were supposed to rescind the 1302 banishment decree, the measure passed with just one vote. It was approved but by just a small margin and it was immediately sullied by base controversies that touched even me — and I have nothing to do with the whole affair. It got to the point that I decided not to accept the Golden Florin.”

Italophones can read the entire account here.

Required reading: Dr. V’s Wine Politics

What I like even more than the title of Tyler Colman aka Dr. Vino’s Wine Politics (UC Press) is what the binomial title implies: “wine is politics” and “wine is — by its nature — political.”

In North America, where we consider wine a “luxury product,” we are apt to forget the historically political significance of wine and the wine trade. Over at Divino Scrivere, one of my favorite Italian wine blogs, the authors recently reminded their readers that “il vino è politico” in an eloquent post on one of the world’s most poetically engagé winemakers, Bartolo Mascarello, whose “No Barrique, No Berlusconi” labels continue to inspire the enlightened among us.

The leader of the first generation of critical theory Theodor W. Adorno wrote famously that “under the aegis of cultural industry… art and ideology are becoming one and the same thing.” In reading Dr. V’s book, I couldn’t help but think of Adorno and make an analogy to the contemporary world of wine, driven by a new “cultural industry.”

Few winemakers are as overtly political as B. Mascarello, but today more than ever, the act of winemaking and the act of wine writing are inherently ideological and therefore political. More than ever before in the history of humankind, the acts of vinification and vinography are intrinsically ideological and political expressions, whether it’s the Gallo family concocting wines for the “misery market” or Mr. Bob “the difference with me is the impact is worldwide” Parker dictating which French winemakers will be able to sell their wines this year. (Oops, sawwy Mark Squires!)

From his account of the 1960s “‘magic chef’ who could transform bad grapes into good wine” (p. 69) to his excellent Keynesian approach to the hegemony of American wine writers, Dr. V provides meticulous historical background and astute insight into the powers that drive wine trends and sales in our country:

    “As John Maynard Keynes noted in his General Theory of Employment, Interest, and Money, to try to predict the winner of a lineup of one hundred contestants in a beauty contest, the best tactic is to ‘favor an average definition of beauty rather than a personal one.’ Reviews by a powerful critic can organize the wine market into good, better and best, and prices will follow suit. But they may also steer consumers away from wines they might otherwise prefer.” (pp. 118-19)

Europeans are acutely aware of the political nature of wine: just last week, one Italian politician compared himself to a politically charged wine, Brunello, while another snubbed a famous Italian wine with historically political connotations, Lambrusco. Unfortunately, American wine lovers have remained in the political dark and know little about why they drink and even prefer the wines the find in their wine stores and supermarkets. I applaud Dr. V for this excellent scholarly work, sure to become “required reading” in any serious wine education program.

In other news…

Do Bianchi did not publish a review of Alice Feiring’s new book simply because my friendship with Alice precludes me writing an entirely unbiased assessment but I cannot recommend it more highly. Do check out Leonardo Lopate’s recent interview with Alice: I really liked the definition of “natural wine.”

In other other news…

Check out this 1970s Gallo ad for “Blush Chablis”: “It’s what happens when a white wine decides to blush.”

Slovenia Day 3: Ljubljana rocks

The tales of my April Italy/Slovenia trip have been interrupted by other pressing posts. Here’s a short photo essay of gig day in Ljubljana where we played one of our most fun shows ever to an adoring crowd.

Ljubljana is a beautiful city and the people are very friendly there.

It seemed that everywhere we went, they were expecting us with open arms.

We ate goulash in a medieval re-enactment restaurant that had been recommended to us. It looked really touristy but the food was actually very good. Goulash is not a very sexy dish to photograph but it was delicious and warmed our bellies on this rainy April day.

The girls autographed copies of our CD for fans who had won a radio contest to get their pictures taken with us. They also won a Nokia phone, courtesy of Mobitel, the Slovenian cellphone company that used our track Lawnmower Boy in a TV commercial.

They looped the commercial on the flat-screens at the club (click image to view, in case you’ve not seen it and are so inclined).

The changing face of Europe: the check-point is no longer manned at the border crossing. We headed back to Italy the next day.

Murder the moonshine: considerations on corkiness

The food and wine blogosphere went a little nuts a few weeks ago after Christopher Hitchens wrote this rant on wine service at Slate and Frank Bruni chimed in over at Diner’s Journal. Their core lament, it seems, is that waiters refill their wine glasses at inopportune moments or overly enthusiastically. I must confess that I share their frustration, mainly because when a glass of wine is topped off, the process of aeration is interrupted: I like to linger over my wine and observe how it changes with aeration. The other night in a very fancy Los Angeles restaurant, a waiter actually poured water into my wine glass (but that’s another story). As one commentator noted on Frank’s blog, this issue can be resolved simply by politely asking the waiter not to top off the glasses.

It’s another issue that concerns me most: the age-old practice of having the patron taste the wine to determine whether or not it’s “corked.” Corkiness is a delicate subject and I’ve seen it lead to heated arguments between wine professionals — the one claiming a wine is corked, the other claiming it’s not. And corkiness can be so subtle that its virtually undetectable. In fact, the lack of fruit on the nose of a wine (and in the mouth) can be the first tell-tale sign of cork taint and it often takes considerable aeration for the corkiness to reveal itself fully.

Above: a bottle of 1967 Produttori del Barbaresco. The cork crumbled as I pulled it but — with patience and my favorite wine key — I was able to extract it entirely. A crumbled cork is not necessarily a sign of corkiness and in fact, this wine was in great shape and drank beautifully.

Why then, I ask, do we force the average patron — who generally lacks the experience needed to detect corkiness — to make that evaluation? The other night in a San Diego restaurant, a sommelier poured tasting pours of a red wine for a married couple. The wine had just been opened at the bar for the by-the-glass list. The couple told him that they liked the wine and the sommelier poured them each a glass from the same bottle. Halfway through their meal, they called the sommelier over and asked if the wine should smell so “corky.” I offered to smell the wine and it was indeed very corked.

This all could have been avoided if the sommelier would have tasted the wine before he brought it out on the floor.

“Murder the moonshine,” Italian futurist F.T. Marinetti once exhorted. It’s time to do away with the anachronistic, obsolete practice of having the patron determine whether the wine is corky or not. How is she/he to do that — on the spot — when she/he is distracted by her/his dining companions’ conversation, the unfamiliar surroundings and smells of a restaurant? It’s generally accepted that up to 8% of bottles are corked. Check out the results of this study. The waiter should present the bottle, pour her/himself a tasting pour, evaluate its fitness, and then serve it.

What do you think?

Above: the 1967 Produttori del Barbaresco Barbaresco (classico) was paired with a roast leg of lamb last Easter Sunday.

Camaronillas and Cornas

Here’s a little photo essay of Sunday night 2004 Chablis by La Chablisienne and sunset and then 2001 Les Méjeans Cornas by Jean-Luc Colombo and camaronillas at Bahia Don Bravo in Bird Rock. Salvador and Roberto have been really cool about letting me bring my own wine and the other night they turned me on to a dish I’ve never had there: camaronillas — grilled corn tortillas wrapped around jumbo shrimp and then deep fried. The camaronillas are then dressed with shredded cabbage, lettuce, fresh salsa, shredded cheese, and a light mayonnaise sauce. Salvador explained that camaronillas is a cognate of camarones (shrimp) and quesadilla (a tortilla stuffed with cheese). Salvador said that it’s a specialty of his home state Guerrero.

Bahia was packed when we got there so we walked down to Calumet Park, broke out our stemware and 2004 Chablis by Chablisienne and watched the sunset.

The point you see in the distance is Bird Rock, the surf break that gives Bird Rock its name.

We shared a glass of 2001 Les Méjeans Cornas by Jean-Luc Colombo with this foxy lady.

Camaronillas are my new favorite dish at Bahia and they paired well with the rich Cornas. The mouthfeel of the fried shrimp, in particular, went well with the meatiness of the excellent wine.

I love Dora: she’s the chef at Bahia. She’s not there every night, but, man, when she is, look out!

Berlusconi and Brunello

To read my translation and commentary of Emilio Giannelli’s political cartoon above, click on the image.

Italy’s controversial prime minister, Silvio Berlusconi, probably appears in at least one political cartoon every day, but Saturday’s vignette in the Corriere della Sera was different: Brunello di Montalcino, it seems, has become a political metaphor (click the image above to read my translation and commentary at VinoWire.com).

Berlusconi and the Bush administration made the English-language newswire (and headlines in Italy) a few weeks ago. On the occasion of the G8 Summit in Japan, someone at the U.S. State Dept. plagiarized an unflattering profile of Berlusconi word-for-word and printed it in the U.S. government’s “background” briefing materials for press.

According to the bio and our government, Berlusconi is “one of the most controversial leaders in the history of a country known for governmental corruption and vice… regarded by many as a political dilettante who gained his high office only through use of his considerable influence on the national media until he was forced out of office in 2006.”

The Bush administration promptly apologized for the gaffe. Bush and Berlusconi consider themselves “good friends” and Berlusconi was a vocal supporter of Bush’s war in Iraq.

In case you’ve never seen Mascarello’s famous “No Berlusconi, No Barrique” label, check out Wolfgang’s post over at Spume.