Wine Spectator vs. Ziliani: Round Two

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Above: Orazio Gentileschi’s “David and Goliath,” one of my favorites.

“Incredible but true,” writes Franco today at Vino al Vino. “David’s prickling — the criticism in this blog and that of VinoWire, an even smaller blog with the advantage of being written in English — has begun to annoy Goliath Wine Spectator.”

He was referring to Wine Spectator Executive Editor Thomas Matthew’s response to a recent editorial posted at VinoWire. Click here to read Matthew’s remarks.

Tomorrow, I’ll translate and post Franco’s retort.


Caravaggio


Vignon


Buonarotti

Stay tuned…

We met on the internet: the virtual sommelier in realtime

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Above: my buddy John Rikkers isn’t always this serious — only when he’s tasting 1999 Canalicchio di Sopra Brunello di Montalcino.

“We met on the internet.” It still sounds kinda creepy, doesn’t it? No matter how you euphemize it (we met via the internet?), the expression still retains a note of alienation, a coldness that belies the reification of our lives in this digital age. Maybe this is true only for those of us who still remember rotary dial phones.

Above: of the many Italian wines we opened Thursday night, the 2003 Monleale (Barbera) by Walter Massa and the 1999 Canalicchio di Sopra where my favorites. John bought the Canalicchio for a song in a local wine store where the clientele generally reaches for Bordeaux and California Cabernet.

Thursday night found me in the home of my friends John and Laing Rikkers. We met online in September when John emailed me (after disovering my blog), asking me to recommend some wines for him and his lovely wife Laing for dinner in New York City. We stayed in touch via email, trading tasting notes and restaurant tips. And then, in October we met in realtime at Jaynes Gastropub in San Diego and we’ve been friends ever since.

Above: this chicken lives in the stable at their classic Californian 1920s ranch house in North County San Diego.

Jayne and Jon and I were invited to the Rikkers’ holiday party last Thursday at their gorgeous estate in North County San Diego. (They lost their home in the October fires and so they are currently renting a furnished ranch house.) When we arrived, John produced a fantastic flight of Italian wines that he had reserved especially for us. I began pulling corks and pouring wine for his guests and we all traded stories and tasting notes about the wines and our wine experiences. We stayed ’til the very end and the coda of our evening was a rendition of “Let It Be” by Jon (Erickson) on the beautiful grand piano in the living room.

I guess this blogging thing is paying off after all.

I soliti ignoti and blogs I’ve been reading lately

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My friend and co-editor of VinoWire, Franco Ziliani, has posted recently on the Wine Spectator‘s Top 100 List (my translation is posted at VinoWire) and James Suckling’s top Piedmont picks (in Italian). Franco points out rightly: it’s simply appalling that Giacomino (Lil’ James) Suckling and the Wine Spectator elide an entire swath of traditionalist wines and even include wines virtually unknown to Italians and their palates. After all, aren’t they the Italians’ wines first and foremost? If you want a list of Nebbiolo not to get me for Christmas, read Suckling’s article (to be published on December 15). His wines are the soliti ignoti, the usual suspects, that appear on his list every year and he arrogantly ignores the wines that have historically defined the region. (See IWG’s post.)

Over at Montalcino Report, winemaker Alessandro Bindocci has published some interesting posts about olive oil made from depitted drupes and “integrated farming.”

Ever the devoted fan, I always love to read Simona Carini’s excellent blog Briciole. And I owe Simona a thanks for the help she’s been giving me with the desserts in a translation I’m doing for Oronzo Editions.

Alice Feiring posted this conflicted take on the California Conundrum.

Tracie B just posted this irresistibly delicious piece on pasta e fagioli (but, then again, I might be a bit biased when it comes to her cooking).

And on a totally unrelated note, I’m in the Marines Too! reminds me that we are a country at war and that world conflicts affect the lives and hearts of the people who live in my hometown.

*****

Even if you don’t understand Italian, watch this clip from Monicelli’s 1958 classic, I soliti ignoti (literally, the usual unknowns or the usual suspects but released in English as Big Deal on Madonna Street). Totò’s performance is brilliant…

The amazingly talented Mr. Lou on Vine

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Above: he has my vote. No, that’s not Lou. That’s my comrade and co-conspirator in tasting Howard Rodman at Lou on Vine, my all-time favorite wine bar in the world — yes, in the whole wide world. Howard was just nominated for a Spirit Award for best screenplay (Savage Grace, 2007). Congratulations, Howard!

My travels are taking me away from Austin and back to California, where I’m going to work some holiday parties with my friends at Jaynes Gastropub in San Diego (I’ll be pouring on the floor there on Friday and Saturday nights, btw). During the week, I’ll head to LA to take care of some business and surely stop in to taste at my all-time favorite wine bar, Lou on Vine (at the corner of Melrose and Vine in Hollywood).

Above: Lou Amdur, nez extraordinaire and proprietor of the eponymously named Lou on Vine.

Lou’s menu features farm-to-table materia prima and his extensive by-the-glass list never fails to surprise and thrill me, whether with a biodynamic Pecorino from Abruzzo, a stinky Gamay from Beaujolais (Rachel Ray’s favorite, Lou claims wryly), or a grape that I’d never tasted, like Zierfandler from the Thermenregion.

Before I headed out to Austin a few weeks ago, Lou graciously let Howard and me pull the cork on Howard’s 1998 Cascina Francia by Giacomo Conterno, which showed beautifully. I’ve recently tasted the 97 (at Jaynes courtesy John Greer) and the 99 (courtesy David Schacter): while the 99 was still way too tight and the 97 began to open up nicely only after extended aeration, the 98 was simply singing in my opinion.

*****

got a pocket full of nickles
a pocket full of dimes
going back to Watts
drink a little wine
come on
baby don’t you want to go
going back to LA
sweetest place I know

— Johnny Otis Show

In the SD Reader and Guide to Italian Cinema

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Do Bianchi made an appearance last week in the San Diego Reader in an entertaining piece written by Matthew Lickona on a dinner he and I shared a few weeks ago with Maurizio Zanella at Jaynes Gastropub.

In other shameless self-promotion…

I was thrilled to see the cover (left) for my translation of Brunetta’s narrative guide to Italian cinema, due out in May from Princeton University Press.

I owe a hearty thanks to my editor Hanne Winarsky who patiently and generously stood by me through thick and thin as I translated this behemoth of a book. Warm thanks also to PUP editors Kathleen Cioffi and Adithi Kasturirangan for all their help and to copy editor Maria denBoer for her deft hand.

From the Princeton University Press 2009 catalog:

The History of Italian Cinema

A Guide to Italian Film from Its Origins to the Twenty-First Century

Gian Piero Brunetta

Translated by Jeremy Parzen

The History of Italian Cinema is the most comprehensive guide to Italian film ever published. Written by the foremost scholar of Italian cinema and presented here for the first time in English, this landmark book traces the complete history of filmmaking in Italy, from its origins in the silent era; through its golden age in the 1940s, 1950s, and 1960s, and its subsequent decline; to its resurgence today.

Gian Piero Brunetta covers more than 1,500 films, discussing renowned masters including Roberto Rossellini and Federico Fellini, as well as directors lesser known outside Italy like Dino Risi and Ettore Scola. He examines overlooked Italian genre films such as horror movies, comedies, and Westerns, and he also devotes attention to neglected periods like the Fascist era. Brunetta illuminates the epic scope of Italian filmmaking, showing it to be a powerful cultural force in Italy and leaving no doubt about its enduring influence abroad. Encompassing the social, political, and technical aspects of the craft, he recreates the world of Italian cinema, giving readers rare insights into the actors, cinematographers, film critics, and producers that have made Italian cinema unique. Brunetta’s passion as a true fan of Italian movies comes across on every page of this panoramic guide.

A delight for film lovers everywhere, The History of Italian Cinema reveals the full artistry of Italian film.

Gian Piero Brunetta is professor of the history and criticism of cinema at the University of Padua in Italy. His many books include the acclaimed five-volume History of World Cinema.

MAY

Cloth $35.00

978-0-691-11988-5

368 pages. 6 x 9.

FILM

THE RISE, FALL, AND RESURGENCE OF ITALIAN CINEMA

“Brunetta is without doubt Italy’s foremost historian of Italian cinema, and this outstanding synthesis of his three decades of research on the subject belongs on every bookshelf devoted to film in general and Italian cinema in particular. It represents not only a brilliant overview but also a comprehensive reference guide to the entire history of Italian film from the silent era to the present.”

—Peter Bondanella, author of The Cinema of Federico Fellini

Anyone who’s ever had sweet potato pie…

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Don’t want pumpkin again.

Kinda predictable: I brought a bottle of 2004 Produttori Barbaresco to the B Family Thanksgiving. We also drank a NV Langlois rosé (Cabernet Franc) that showed really well.

I’d never tasted a fresh pecan before. Mrs. B made a sweet potato pie topped with fresh pecans and marshmallows. Anyone who’s ever had a really good sweet potato pie won’t want pumpkin again!

Tracie B made an awesome pecan pie.

Homemade green bean casserole was topped with garlic bread crumbs and carrots braised with cilantro and jalapeños.

Thank you Mrs. and Mr. B for letting me share your Thanksgiving with you!

*****

Sweet Potato Pie
— Al Jarreau

Now it was a hot sticky morning
‘Round the Fourth of July
The breeze was standing still
I’m hanging out by myself
And I’m having a good time
With the folk inside my head
And you know, Lord,
how you did a lovely thing
See, times my head is lighter
than it’s ever been
And anyone who’s ever had
sweet potato pie
Don’t want pumpkin again,
no, they don’t want

‘Cause it don’t taste right, no
Look-a-here city boy with your
silks and braided hair
Don’t you let nobody fool you
with no imitation nothing
Tell ’em, say, unh, unh, buddy,
I been there
Listen mama, when you
finally walk on in
Don’t forget to bring along
your sweet potato tin
‘Cause when you serve him
a slice of your sweet potato sin

girl, he won’t want pumpkin again
no, he won’t want
Now I took a trip down to Sissy’s
She’s a friend of mine
She smiled and asked me in
Well, she drew a box and a big,
fancy question mark
Said, “Brother, which one is you in?”
I told her, “Sister, don’t worry
’bout the mule going blind
You just sit in the wagon and
hold on to the line
‘Cause anyone who’s ever had
sweet potato pie
Don’t want pumpkin again,
really don’t want”

Now I saw the gates
gold and pearl
And I sat right down
in a dream of you, old friend
I’m thinking some milk and
honey and a pot of stew
Might fill that gap again
You know, I’m a thankful
witness to the things I’ve seen

And times my head is lighter
than it’s ever been
And anyone who’s ever had
sweet potato pie
Really don’t want pumpkin again,
no they won’t want

Would you give me some
sweet potato y’all

Sofa King Tasty: a urban foodie’s tour of Dallas

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Italian Wine Guy and the Queen of Dallas Eats took me and Tracie B on a tour of urban Dallas last Saturday. It happened to be the 45th anniversary of the Kennedy Assassination and there were a lot of folks gathered at the Grassy Knoll in a bizarre, carnivalesque commemoration (see Alfonso’s post here).

Above: one of the official slogans at the Twisted Root Burger Co. in Deep Ellum (Dallas). If the paronomasia isn’t immediately apparent, read it slowly and you will discover the pen is mightier than the sword.

Above: one of the “chef’s favorites” at the Twisted Root, the “Western Burger.” Top that with spicy bbq sauce and you’re in serious business, although, I must confess, I was still paying for my eating binge the next day! See the dog below…

Above: “Bleu cheese and Tangy Buffalo sauce” is one of the recommended dressings for the all-beef hot dog at the Twisted Root. Sofa king tasty…

Above: owner Quincy Hart on the mic, calling out orders on a busy Saturday. I can’t recommend this burger joint highly enough: the vibe of a restaurant is so important and Quincy’s schtick delivers belly-ache laughs along with great belly-bustin’ food. Lunch there was one of those “I’m officially having fun” moments.

Above: the Mozzarella Company is an old-school cheese monger that reminded me of my Brookalino days (minus the accent). In the pasta she made that night, Tracie B used some salt-less cow’s-milk mozzarella (as good as any I ever tasted in the old neighborhood in Brooklyn) and the next night we sampled its killer goat cheese aged in hoja santa leaves (leaves provided by Alfonso form his garden).

Above: no foodie’s tour of Dallas would be complete without a visit to the amazing and aptly named Tom Spicer, purveyor of some mighty fine farm-to-table produce and musician extraordinaire. I cannot begin to explain how his “Kalimbass” works… Click on the YouTube link to see the impromptu concert he gave us in his excellent and unique shop.

Amazing Amelia and the Tortillas del Rancho (Dallas)

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Above: tacos al pastor at Del Rancho in Garland (Dallas), Texas. Dora at Bahia Don Bravo in La Jolla will always hold a special place in my culinary heart but Amelia’s tortillas can’t be beat.

Tortillas del Rancho Restaurant
220 W. Kingsley Rd. #426
Ridgewood Shopping Center
Garland (Dallas), TX 75041
972-926-1550

Tracie B and I spent the weekend in Dallas hanging out with Italian Wine Guy and the Queen of Dallas Eats. Many great wines were opened (coming soon), fiorentine were grilled, many tall tales told, a Grassy Knoll was contemplated on the 45th anniversary of the somber and sobering day (was irony born that day or did it die?), and a grand time had by all.

Above: the kitchen at Tortillas del Rancho delivered deliciously lime-soaked and lightly fried cornmeal dough topped with gently piquant roast pork.

I am rushed today by a few deadlines but couldn’t resist posting about the amazing Amelia (one of my editors admonishes me for my love of alliteration but the allure of Amelia’s food is truly ambrosial).

Tortillas del Rancho has recently expanded with a new location and a new tortilleria.

*****

A famous example of alliteration (and anaphora when read in context):

    Amor, ch’a nullo amato amar perdona
    (Love, which absolves no one beloved from loving)

    Inferno, 5, 103

That same canto gave Italian (and amorous) literature another one of its most memorable lines:

    Galeotto fu ‘l libro e chi lo scrisse
    (A Galeotto was the book and he that wrote it)

    ibid., 137

Maremma, part 3: drinking from the holy grails

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Ante scriptum: In keeping with a tradition established by Brooklynguy, a wine blogger whom I admire greatly, I feel obliged to make note of the fact that this is my 300th post. I can only echo his typically deadpan understatement, “It has been such a pleasure to write this blog, mostly because of the community of wine people it has given me access to.” Earlier this year, Vino al Vino and Do Bianchi launched a blog born through a virtual transatlantic conversation. Today, My Life Italian and Do Bianchi are driving up to Dallas from Austin to dine with Italian Wine Guy. There are truly remarkable people behind all of these URLs: Neil, Franco, Tracie B, and Alfonso are four people whose lives wouldn’t have intersected with mine if not for blogging, and there are so many others… I am truly thankful for all of them in my life…

*****

Above: Sebastiano Rosa (left) gave me a tour of the storied vineyards where the grapes of his family’s Sassicaia are produced.

My September pilgrimage to the Mecca of Super Tuscia (how’s that for a neologism?) would not have been complete without a visit to the holy grails of Super Tuscandom, Ornellaia and Sassicaia. These wines need no introduction and a click-through to their websites and a Google search will give you plenty of information on their illustrious history and their presence in the market today.

Above: I visited the famed Masseto vineyard, where Ornellaia grows its top Merlot grapes, just days before picking began. While others in the area had already begun to harvest their Merlot, Ornellaia extended hang time to achieve riper fruit and higher sugar levels.

I’ve tasted these wines a number of times over the years and although I am not a fan (nor can I afford to be), they are among the greatest — if not the greatest and most original — expressions of the genre: elegant terroir-driven wines, made with French varieties grown on Tuscan soil, structured and nuanced, long-lived and highly coveted in the market.

My visit to Sassicaia was impressive for how unassuming the facility is. Sebastiano Rosa, whose family owns the legendary estate, is a dude about my age who studied enology at UC Davis. He speaks English like a Californian (like me) and his family’s winery has remained virtually unchanged since the 19th century. There is no vaulted-ceiling entrance or grand tasting room. And aside from the introduction of stainless-steel, the winemaking facility and vinificiation practices are pretty much the same as they have been since the wine was first produced in the 1940s (and first released in 1968). I tasted with Sebastiano and then we drove up to see one of the growing sites. He is one of Italy’s top winemakers and produces one of its most sought-after wines. But he struck me as a mellow guy with whom I’d rather drink a beer and roll a taco…

Above: as Ornellaia’s vineyard manager, Leonardo Raspini oversees some of the most coveted growing sites in the world, producing wines that command top prices on the world wine market.

Ornellaia is the polar opposite: as you drive through manicured estate and arrive at the corporate offices and winery, you are keenly aware that every detail has been scripted to evoke the same opulence and prestige contained in each precious bottle.

Above: the aging room at Ornellaia is a temple of barrique.

If you’re traveling to Bolgheri, I cannot recommend a visit to Ornellaia highly enough. From the winery and vineyard tour to the elegant tasting cottage, this was simply one of the most enjoyable, user-friendly, and informative winery visits you can make. And unlike Sassicaia, the winery is open to the public: you must reserve in advance and they will customize the tasting according to your palate and your price point (Ornellaia possesses an extensive library of older vintages). He’s not always available but if possible, request vineyard manager Leonardo Raspini as your guide. I was blown away by his ability to convey the artistry of state-of-the-art winemaking technology and philosophy and I was thrilled to shake the hand of the guy who grows the grapes for the first Italian wine to be sold in the Place de Bordeaux.

This just in…

Sue me, Summus. The Italian news weekly L’Espresso reports that nearly 50% of Banfi’s 2003 Brunello has been declassified.

Maremma, part 2: bistecca panzanese at Osteria Magona in Bolgheri

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Above: Omar Barsacchi and Gionata d’Alessi, chefs at Osteria Magona, the coolest joint in Bolgheri.

Osteria Magona
57022 Bolgheri (LI)
Piazza Ugo, 2/3
tel. 0565 762173

Whey they hear the toponym Bolgheri (pronounced BOHL-geh-ree), many think immediately of the Maremma coastline where Italy’s famed Super Tuscans are produced. But the appellation gets its name from Bolgheri the beautiful borgo medievale (medieval township), a village with delightful summertime nightlife, music, wine bars, and a handful of family-run osterie.

I had the good fortune to visit Bolgheri at the tail end of the summer this year to have dinner with Cinzia during my stay in the Maremma.

She, my buddy Ben Shapiro, and I met up at the Osteria Magona, run by Omar and Gionata, above, two young chefs who show great verve in their traditional Tuscan cooking (Gionata’s name is pronounced JOH-nah-tah and is a calque of the English Jonathan). Both young men consider themselves quasi-disciples of celebrity Tuscan butcher and poet Dario Cecchini of Panzano in Chianti Classico (I liked this profile of Cecchini.) Cecchini gained notoriety a few years back when he composed an ode to the bistecca alla fiorentina, bemoaning its ban by the European Union during the mad cow scare.

During that period, he developed a cut of beef, which he called the bistecca alla panzanese, named after his natio loco, Panzano, carved from the thigh (pictured above at Osteria Magona). It resembles the fiorentina but has no contact with bone and, thus, was acceptable under EU rules.

That night, we paired a gorgeous panzanese with Cinzia’s 2001 Messorio, a bottling with great emotional significance for her. I was honored that she shared it with me. Her Messorio is her most famous wine and has received high marks from U.S. wine writers in recent years. But sometimes a great wine isn’t about its fame, rarity, or even the physical pleasure derived from it. Sometimes it’s more about the people who made it and the people with whom you share it. Thanks, Cinzia. It’s a bottle I’ll never forget.

On deck: tasting at Ornellaia and Sassicaia… stay tuned…