Above: expertly sliced Prosciutto di Parma and gnocco fritto at the excellent Osteria La Spiga in Seattle.
Even as Italian cuisine continues to reign supreme over contemporary culinary hegemony, a gastronomic tragedy unfolds across this great of land of the United States of America: poorly sliced prosciutto.
Sadly, it happens every day and all too often in this country: an eager and hopeful gourmet or an overly optimistic gourmand orders Prosciutto di Parma or Prosciutto di San Daniele at a charcuterie counter or in a fine-dining establishment only to have her or his porcine dreams shattered when the ham arrives too thinly sliced and practically liquefied in a big gooey blob of otherwise pink and white deliciousness.
As the great anglophone chef Lachlan Mackinnon-Patterson, one of the most obsessive prosciutto slicers I have ever met on the north American continent, has explained to me, it all comes down to the breadth of the beveled rotary blade employed in the act.
When the blade is too narrow, it applies too much friction to the cured flesh and as a result of the recalescence, the pig thigh begins to melt.
This phenomenon is exacerbated by the speed at which the blade rotates. Electric slicers, he told me, revolve so rapidly that they also increase the friction and temperature applied to the rosy goodness.
That’s why he and his ilk use manual slicers with specially beveled blades like those found on the famous hand-operated Berkel slicers.
Above: a great turnout for my Franciacorta tasting yesterday evening in Seattle, where wine culture seems to be rivaled only by coffee culture.
I was happy to discover that a Berkel slicer is used exclusively at the excellent Osteria La Spiga in Seattle, where I led a Franciacorta tasting yesterday evening for roughly 30 guests who were eager to taste and chat about the 11 wines I poured.
After the tasting, when I sat down for dinner with a few Seattle-based writers, the Prosciutto di Parma that arrived on our table was superbly sliced and melted in my mouth and not on the plate.
In my view of the epicurean world, prosciutto is a gold standard of food products and the expert handling thereof and therein is an acid test for a great Italian kitchen.
As the celebrated American artist Isaac Hayes once said (I can’t remember where), if a song doesn’t win you over with the first downbeat, it’s not a great one.
The same holds in the world of restaurateurship: if the opening dish isn’t perfectly executed, why bother moving on to the next?
I’m glad to report that I didn’t go prosciuttoless in Seattle, where I enjoyed a truly fantastic meal at La Spiga. I highly recommend it to you.
Heartfelt thanks to Ezra, Pietro, Cheryl, and the team at La Spiga for making my event so lovely. And similarly fervid thanks to Clive and Madeline for their camaraderie and companionship. It was a great night in Seattle.
We surprised our girls — Georgia P (left, who will be 4 on Saturday) and Lila Jane (2) — with orchestra seats to
By the time we got home, it was nearly time to begin lighting candles and making latkes.
The following is my translation of an open letter by Angelo Gaja (above) that was distributed to and reposted by countless Italian wine blogs and media outlets this week.
On Sunday night we hosted our Levy-Kelly cousins at our house for a spaghettata and a little post-Thanksgiving celebration.
One of the things I’ve enjoyed the most about living in central and southeast Texas is how passionate people are about cookery and how devoted they are to family culinary traditions.
Houston (two hours away by car) is probably the closest urban area where Franciacorta is available but I was happy to bring a few bottles from my private stash to share with the wine lovers.
When you can’t be with the stemware you love, love the stemware you’re with.

Here at home in Houston, we spend an inordinate amount time talking about butterflies, dinosaurs, and rocket ships. Thankfully, the little domestic bubble our microtexans (ages 2 and almost 4) inhabit is impermeable to the helter-skelter world outside.
It’s official: I’ll be doing the last tasting of the 2015 Franciacorta Real Story campaign in Seattle on December 7 at Osteria La Spiga.
Above: Tony served salt-encrusted Gulf of Mexico red snapper for 300+ persons last night.
Above: the snapper was served in a Barolo reduction, a Tony’s classic. In the arc of the menu’s narrative, this dish represented the 1970s and America’s “culinary awakening,” said Tony.
Above: he served sausage-filled cannelloni as a nod to the 1960s and his beginnings as an Italian restaurateur, “a modern interpretation of a classic,” as he put it. To my palate, there were countless layers of meaning in this ineffably delicious dish. Even when Tony does passé, he does it with unrivaled panache.
Above: over my years working with Tony, he’s talked to me about how much fun it was to cook in Houston in the 1980s during the first oil boom when the sky was the limit for opulent eating. I loved how he served caviar and veal as a metaphor for those times.
Above: Tony’s is one of the most beautiful restaurants I’ve ever had the pleasure to dine in. But last night, with the entire house open for the event, it shimmered like the star it fêted.
Above: many of Tony’s team members have worked with him for more than 40 years. They are fiercely proud of their work together. Tony insisted that we snap pics with all the staff last night, front and back of the house.
At an auction of rare Italian wines held yesterday at Bolaffi in Turin, a buyer paid €17,500 (with fees) for an 11-bottle lot of Bruno Giacosa 1971 Barolo Rocche di Castiglione Falletto (Red Label), a potentially record price for Italian wine at auction.