Brunello Scandal

Ne nuntium necare, don’t kill the messenger: I’m sorry to report that the the long-hinted-at Brunello scandal is now official. Today, the Italian daily La Repubblica published the first account based on interviews with local investigators. You can read my translation on VinoWire. Rumors regarding the scandal have been circulating for some time now and VinoWire has also covered the Brunello Consortium’s confirmation and subsequent denial of irregularities.

People have been talking about the impending scandal in hushed tones since January. But it was my friend and collaborator Franco Ziliani’s post last Friday that prompted investigators to go public.

Another Brunello controversy has also recently made news in English- and Italian-language blogs and websites: the Brunello Consortium recently asked a Californian winemaker to stop labeling his wine as Brunello.

The U.S. government does not regulate the usage of European appellation names in the labeling of U.S. wine produced in the U.S. When my band Nous Non Plus played in Seattle back in 2006, I snapped the below pic of an old wine list (I can’t remember of the name of the wonderful Greek restaurant harbor where we ate that day; the list below wasn’t the restaurant’s current list but the owners never took it down — I would imagine for nostalgia’s sake).

Gauging from the script and the wine names, I imagine this list dates back to the 1970s. I love “Gold, Pink, and Red Chablis” and “Pinot Gregio.” Who knows what was in those wines?

It’s a bloggy blog world (and more on Mascarello).

Before my gig on Saturday night in Alphabet City, I stopped by Terroir on East 12th St. to connect with friend and polemical wine blogger Lyle Fass, author of Rockss and Fruit, for a glass of — yes, you guessed it — Riesling (Eugen Müller Rheinhessen 2005).

The post the other day on Mascarello the new Che generated a lot of feedback and so I snapped the above and below pics of the Terroir Mascarello T.

Terroir’s website is now online. I applaud the owners’ militant spirit but I feel that their “No barrique, no Berlusconi” motto/mantra is misguided. Mascarello’s famous Berlusconi label was released in a particular moment in Italian history and had a historical meaning within the context of contemporary Italian politics (remember: when the wine was released, Berlusconi was prime minister and Italian troops had been deployed in the Bush-legacy war). There’s a lot more to Mascarello’s wines and to the concept of terroir than just “no barrique.” I hope to see Maria Teresa Mascarello when I taste at Vini Veri next week and get her take on it.

Check out these images of the labels on collector Ken Vastola’s site.

Terroir sells the shirts for $25.

That’s Lyle and me in the above pic. Lyle’s one of many friends I’ve made through the blogosphere.

Terry Hughes, author of the controversial blog Mondosapore, is another friend I’ve made through the blogosphere. He and I grabbed a glass of 1989 Clos Baudin Vouvray yesterday evening at the bar at Gramercy Tavern.

One of the most rewarding things about my experience blogging is the interesting and caring people I’ve met along the way (look for more in upcoming posts about blogger/friends). If Snoop Dog had a blog, he would say that it’s a bloggy blog world.

That’s me and Céline Dijon at our show on Saturday night. We debuted our new song “Catastrophe,” about a relationship gone bad but a chance to start anew and make a better life — a reversal of a reversal, to put it in the context of peripeteia.

Our April 10 date in Ljubljana has been confirmed: I can’t reveal the name of the private club where we’ll be playing but if you’d like to attend, email me (jparzen at gmail) with the word “fidelio” in the subject line and I’ll send you the secret password together with the name of the club a few days before the show. As soon as our April 9 date in Gorizia is confirmed, I’ll post the info.

Feeling French this Weekend

I snapped the above pic the other night at Solex, a French and futuristic wine bar in the East Village. If Spielberg’s Minority Report would have featured a wine bar, it would have been Solex (my buddy Josh and I had the 2005 Nuits-St-Georges by Guillon, which was good although the warm vintage made it a little too hot for my taste).

If you’re in town this weekend and feeling French, don’t forget to check out Nous Non Plus tomorrow night at:

CLUB MIDWAY
25 Avenue B, New York, NY
(Between 2nd and 3rd st.)
NNP @ 11pm
$6

Photo courtesy of Gary Wexler.

Shouts-Out

It was the best of times, it was the worst of times…

I got a couple of shouts-out in the blogosphere yesterday.

One was from top food and wine blogger McDuff, who wrote a no-holds-barred post on a recent De Grazia tasting he attended. I was really impressed with the candor of his post (and I am a regular reader and fan of his blog). (Another favorite blogger of mine, Brooklynguy, also wrote a powerfully honest and critical post on the Gambero Rosso Tre Bicchieri tasting in NYC. I’m planning to start a “Brooklynguy Amarone Fund” and will personally contribute a bottle of Le Ragose.)

The other came from masterful sage Messere Alfonso Cevola, who takes the art of wine and food blogging to a new level of style and substance. His humor is Pirandellian, his enologic insight Sciasciaesque, his writing style Lampedusian. And his hilarious post on the mishaps of would-be fine Italian dining brought some sunshine into my otherwise dreary and Woody-Allenesque Manhattan day.

Blog on, brothers, blog on….

Going to Carolina in My Mind

From left, Susannah Smith of A Southern Season (Chapel Hill, NC), Sophie Barrett (a Chapel Hill native) of Astor (NYC), and John McCarthy of The Country Vintner (Chapel Hill). One of the cool thing about blogging is getting to meet people you wouldn’t connect with otherwise. Also in attendance were Scott Luetgenau and Jay Murrie.

Yesterday I took the afternoon off to connect with my friend and wine professional Scott Luetgenau from Chapel Hill, NC, whom I met after he started commenting on my blog some time back. One of the coolest things about blogging is that you meet people from all over the world through the “virtual conversation” of the blogosphere. Scott wrote me last week saying he’d be in NYC for a trade tasting and would I like to join him and his friends for lunch at ‘inoteca.

Charcuterie and bruschette at ‘inoteca on the Lower East Side, owned by my friend and fellow native-Californian, Joe Denton — one of the coolest dudes I’ve met in the NYC restaurant scene.

I was really impressed with their wine knowledge and their interest in natural wine. John, who works for a major wine distributor based in Chapel Hill, told me: “I feel like it’s my responsibility to get out there and turn people on to natural wine. If I don’t, who will?” I dug every bottle he ordered from owner Joe Denton’s excellent list. Sophie has just moved up to NYC where she landed a job at Astor Wine and Spirits. Susannah and Jay work at A Southern Season, a food and wine shop in Chapel Hill that specializes in natural wines. They’ve got a pretty good thing going down there in North Carolina.

I really liked the 2006 Pavese Blanc de Morgex et de La Salle that John ordered. It was fresh and light in the mouth, with bright acidity and nice fruit.

It was raining yesterday in NYC and it’s still overcast today. So many good things have been happening for me and I have lots to be thankful for these days. But I’ve also been going through some pretty dark stuff lately. It sure doesn’t feel like the first day of spring up here in the big city. You must forgive me if I’m up and goin’ to Carolina in my mind.

*****

In my mind I’m goin’ to Carolina
Can’t you see the sunshine
Can’t you just feel the moonshine
Ain’t it just like a friend of mine
To hit me from behind
Yes I’m goin’ to Carolina in my mind

Karen she’s a silver sun
You best walk her way and watch it shinin’
Watch her watch the mornin’ come
A silver tear appearing now I’m cryin’
Ain’t I goin’ to Carolina in my mind

There ain’t no doubt in no one’s mind
That love’s the finest thing around
Whisper something soft and kind
And hey babe the sky’s on fire, I’m dyin’
Ain’t I goin’ to Carolina in my mind

In my mind I’m goin’ to Carolina
Can’t you see the sunshine
Can’t you just feel the moonshine
Ain’t it just like a friend of mine
To hit me from behind
Yes I’m goin’ to Carolina in my mind

Dark and silent late last night
I think I might have heard the highway calling
Geese in flight and dogs that bite
Signs that might be omens say I’m going, going
I’m goin’ to Carolina in my mind

With a holy host of others standing ’round me
Still I’m on the dark side of the moon
And it seems like it goes on like this forever
You must forgive me
If I’m up and goin’ to Carolina in my mind

In my mind I’m goin’ to Carolina
Can’t you see the sunshine
Can’t you just feel the moonshine
Ain’t it just like a friend of mine
To hit me from behind
Yes I’m goin’ to Carolina in my mind

Goin’ to Carolina in my mind
And I’m goin’ to Carolina in my mind
Goin’ to Carolina in my mind

— James Taylor

Oscar Party

Above: brother Abner and cousin Amalia donned Groucho Marx glasses in honor of Oscar Riles Parzen.

The Riles and Parzen families gathered last Sunday to celebrate the arrival of Oscar Riles Parzen (January 18, 2008, 7 lbs, 14 oz). Held at the San Diego Yacht Club, the affair was dubbed the “Oscar Party” and included awards, commemorative t-shirts, speeches and readings (I read “Where the Sidewalk Ends” by Shel Silverstein),* and an Oscar piñata (left).

Marguerite, Micah, Abner, and Oscar Riles Parzen treated us to a sumptuous brunch of smoked salmon, eggs Benedict, roast beef with horse radish, and pastries. Bloody Marys and Mimosas were also served. Little Oscar slept through most of the festivities.

Many years had passed since I thought of “Where the Sidewalk Ends,” a poem I read and re-read countless times as a child. With all the talk today about global warming (and how global warming is or is not affecting winemaking), recession, war, and the pitfalls of politics, it occurred to me that little Oscar is one of the “children” who know “where the sidewalk ends,” who has yet to see the “pits where the asphalt flowers grow.” It will be sometime before his halo slips into Baudelaire’s fange du macadam or mire of macadam.**

I hope the world’s a better place when little Oscar grows up and I was glad to share this moment of blissful ignorance with him.

The Riles and Parzen families and family friends. Oscar is in the first row, fourth from left, held by his grand-mère Jane Riles.

Proud father Micah Parzen.

Marguerite created these nifty commemorative t-shirts.

* Where the Sidewalk Ends

There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.

Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.

Yes we’ll walk with a walk that is measured and slow,
And we’ll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.

— Shel Silverstein

** “My halo slipped off my head and fell into the mire of the macadam,” wrote Baudelaire in his prose-poem “Perte d’Auréole” or “Loss of a Halo,” 1865. The macadam process for paving roadways was invented by Scottish road-builder John Loudon McAdam (1756 – 1836). The word tarmac is also derived from his name.

The Rock ‘n’ Roll Sommelier

While I was out in California, I attended the first-ever San Diego Gambero Rosso Roadshow tasting. My friend and old bandmate, Charlie George, owner of Cinehype, produced this fun video of my experience there entitled “Rock ‘n’ Roll Sommelier.”

It includes interviews with Darrell Corti, Daniele Cernilli, and Marco Sabellico.

For those of you who don’t know the music of my band Nous Non Plus, that’s us playing in the background.


In other news…

Sustainable Gram Parsons at Back Forty

Above: owner Peter Hoffman loves the Charlie Churchill oil painting that hangs on the backsplash of the bar at his East Village restaurant Back 40. The bird is a bittern.

I first met NYC chef and restaurateur Peter Hoffman in 2001 when I attended a Basque-themed dinner at his SoHo restaurant Savoy celebrating the publication of Mark Kurlansky’s book The Basque History of the World.

When I ran into him the other night at his relatively new East Village restaurant Back Forty, he explained to me that back 40 is a reference to the Homestead Act of 1862, whereby 40-acre parcels of land were allocated to settlers. The expression front 40 denoted the more prized parcels, while the back 40 were less desirable.

“We wanted to remind people where their food comes from,” said Peter. To the great extent possible, he explained, he sources all the ingredients from local farmers and farms, favoring sustainable foodstuffs over the commercial and industrial.

The prices were right at Back 40, the wine list solid, the beer well-draughted, the pork chop perfectly rare in the middle. But my favorite thing about my evening at Back 40 was the sustainable Gram Parsons: country music is the favorite genre there and they kept the Gram playing all night that night.

Fried whole shrimp with cilantro.

The best pork chop I’ve had in a long time.

Gram Parsons, one of my heroes.

Some nice Swedish guy, an intern at the U.N.

*****

And Lord knows that New York City’s got a lot to do with it…

— Gram Parsons

Big Mouth Blues

Oh, well, I was born in a little bitty tar hut
And they called me a man ’cause I couldn’t keep my big, big mouth shut
So what’s the sense of me sitting here leaving
When any ole day I might be even
And Lord knows that New York City’s got a lot to do with it
I wish someday I could find the way to get it out of my grain
This dirty old town’s gonna sink right down and I don’t want to go with it
Well I wish there was a way that
I knew to get even
A way to get a lick in
A-bobbin’ and a-weavin’
Any ole thing besides goin’ and a-leavin’
You can do on a train

Well, I once knew a man who sailed around the world twice
He would have made it three but he took a lot of bad advice
So you just tell me what’s the sense of mesittin’ here leavin’
When any ole day I might get even
And Lord knows New York City’s got a lot to do with it
I wish someday I could find a way to get it out of my brain
This dirty old town’s gonna sink right down and I don’t want to go with it
I wish there was a way that I knew to get even, way to get a lick in
A-bobbin’ and a-weavin’
Any ole thing besides goin’ and a-leavin’
You can do on a train
Oh, yes!

Well, I once knew a man who sailed around the world twice
But his motor cooled down and now he’s deliverin’ ice
Tell me what’s the sense of him sittin’ here leavin’
When any ole day he might get even
And Lord knows New York City’s got a lot to do with it
I wish someday he could find a way to get it out of his brain
This dirty old town’s gonna sink right down and I don’t want to go with it
I wish there was a way that I knew to get even
Way to get a lick in
A-bobbin’ and a-weavin’
Any ole thing besides goin’ and a-leavin’
You can do on a train
Oh, yeah

Wondrous Cabinets (or My Dinner With Darrell)

“…as a smell while it passes and evaporates into air affects the sense of smell,” wrote Augustine of Hippo (354 – 430) in the tenth book of The Confessions, “whence it conveys into the memory an image of itself, which remembering, we renew, or as meat, which verily in the belly hath now no taste, and yet in the memory still in a manner tasteth; or as any thing which the body by touch perceiveth, and which when removed from us, the memory still conceives. For those things are not transmitted into the memory, but their images only are with an admirable swiftness caught up, and stored as it were in wondrous cabinets, and thence wonderfully by the act of remembering, brought forth.”

If there ever were an Augustine of the contemporary food and wine world, it is Darrell Corti. And there are no cabinets more wondrous than the shelves of his store Corti Brothers in Sacramento and the memories he generously imparted on a traveling amanuensis who happened to be passing through the California state capital last week.

The night I had dinner with Darrell at his home in Sacramento, he was reluctant to speak of his induction into the Vintners Hall of Fame by the Culinary Institute of America. The night before, he had been honored at a gala event in Napa as a “Highly respected and often controversial, wine and food expert… at the forefront of the development and growth of the California wine industry since joining his family’s grocery business, Corti Brothers in Sacramento, in 1964… a catalyst in the re-evaluation and Renaissance of Zinfandel…” and mentor “to a generation of seiminal food and wine professionals…”

It’s not every day that you drink 1972 Louis Martini Zinfandel with a man who was a “catalyst… in the renaissance of Zinfandel.” The wine was light and vibrant, with subtle fruit and gentle acidity, a gorgeous complement to the béchamel and ragù prepared for the lasagne.

“It’s the acidity and the lightness of style that make this wine age so well,” said Darrell. There was no need to mention Darrell’s widely known opposition to the current hegemony of highly concentrated, high-alcohol-content wines.

The night of our repast, Darrell wanted to sample a new breed of beef, “HighMont,” a cross of Scottish Highland and Piedmontese (razza bovina piemontese) cattle. The lasagne were followed by a bollito of beef and salsa verde, paired with a 1999 Stoneleigh Marlborough (New Zealand) Rapaura Series Pinot Noir.

The coda to our meal was a bolo de mel, a Portuguese honey cake, which Darrell was also sampling as a potential offering at Corti Brothers.

Of the many memories that Darrell shared that evening, he revealed that he was among the first (if not the first) to sell Sassicaia in this country. “In 1972, we sold the first vintage of Sassicaia — 1968 — for $6.89,” he said.

After dinner, we retired to the living room where we drank port and perused Darrell’s collection of incunables (I was keen to see his editio princeps of Andrea Bacci’s Historia Vinorum).

Earlier in the day, I met Darrell at his office in the store and we chatted about a stack of tomes he recently received from the Libreria Editrice Vaticana, the Vatican’s publisher (I was particularly fascinated by America Pontificia, a collection documents pertaining to the New World issued by the Holy See; “There’s bound to be something interesting in there,” Darrell said). His phone rang and I eavesdropped as he patiently extolled the virtues of bergamot marmalade to the customer on the line. Twenty minutes later, a half dozen jars had been purchased.

O, what wondrous cabinets this man keeps…