Could there be a more apt allegory for America’s damaged psyche than a dark-as-the-thick-of-night, hundred-mile-wide shadow that will literally slice the nation in half today at midday?
The breathtaking (and scream-inducing) path of totality carved by today’s eclipse will stretch from coast-to-coast spreading (or reflecting?) our umbra at 1,800 miles per hour.
(Read Annie Dillard’s classic 1982 essay “Total Eclipse” where she recounts the transcendental experience of viewing the 1979 total solar eclipse in Washington State.)
On Saturday, just a week after torch-bearing white supremacists and Nazis marched in Charlottesville, killing a young woman and garnering the approval of the President of the United States of America (who noted that many of the racist activists were “fine people”), the Houston chapter of Black Lives Matter held a rally calling for the dismantling of “the Spirit of the Confederacy” sculpture in Sam Houston Park in the city’s downtown.
That’s the monument, above, photographed early Sunday morning.
My wife Tracie and I have attended Black Lives Matter rallies here in Houston in the past. We even took our children to one of the marches.
But in the wake of the violence in Virginia, we decided it was too dangerous to attend Saturday’s gathering. Luckily, no one was hurt. According to a report by my colleague Meagan Flynn at the Houston Press, only a handful of Confederate-flag-bearing counter protesters were on hand.
The Spirit of the Confederacy monument by Italian sculptor Luigi Amateis (aka Louis Amateis, an immigrant to the U.S.) was erected by the United Daughters of the Confederacy in the first decade of the last century, when Jim Crow was the law of the land in Southeast Texas.
Like countless similar memorials erected between 1895 and World War I to “serve as testimony to the Daughters’ aggressive agenda to vindicate the Confederacy,” the installation in Houston was “part of a campaign to paint the Southern cause in the Civil War as just and slavery as a benevolent institution,” wrote University of North Carolina history professor Karen Cox last week (Washington Post).
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Above: my friend and client Tony Vallone’s Amatriciana here in Houston.
Above: Italian wine blogger Alfonso Cevola in a happier time in our now defunct friendship, which dates back to 2007. Here’s