Category Archives: de oenographia

The San Diego Kid vs. Coalminer Mark, part II

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To decant or not to decant… that was the question…

It was a damn good thing that Sheriff Houston was there when Coalminer Mark “the best sommelier in town” and the San Diego Kid (that’s me) squared off the other night over a 1999 Barbaresco Pajé by Roagna and a 2001 Barbaresco Pora by Produttori del Barbaresco.

My preference is nearly always not to decant. Yes, I know the 2001 Pora was going to be “tight,” as we say in wine geek parlance. The 2001 harvest was a fantastic, classic vintage for this wine, one of the greatest in recent memory, and this young colt has powerful tannins that currently overwhelm the beautiful fruit that is sure to emerge with its evolution. Coalminer suggested we decant it for the sake of aeration and he was right to do so: as the tight or “closed” wine came into contact with the air, it began to oxygenate and age more quickly, thus gently coaxing its fruit to come forward.

But being the diehard old school Nebbiolophile that I am, my preference is to pour the wine without decanting and aerating: I want to experience it in its evolution at that very time and place, capturing a moment of its life and its story on my palate. Of course, 2001 Pora is a wine I am sure to experience many times over the course of my and its lifetime.

Luckily, Sheriff Houston intervened, a decanter and plate of house-cured charcuterie in hand. We did decant the 2001 Pora and it was delicious, as was the 1999 Pajé with its crazy eucalyptus note.

Tracie B and I retired to our room and read Gideon’s Bible. And the world was still safe for Italian wine…

Above: Coalminer Mark (Mark Sayre, foreground) and Sheriff Houston (Ryan Mayces) played bocce at April and Craig’s crawfish boil a few weeks ago.

From the “just for fun” department…

Rules are rules: a California Chardonnay I actually like

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I’m a loser. As Franco often points out, the rules are the rules and I have to ‘fess up, come clean, and admit that I lost a bet with the man above, Mr. Elton Slone (who has to be the smoothest-talking, slickest hand-shaking, baby-kissing salesman I have ever met — watch out if this dude ever decides to go into politics). I bet this man that there wasn’t a California Chardonnay that he could get me to drink (If loving Chardonnay is wrong, then I don’t want to be right, says Tracie B, btw).

Yesterday, he poured me his 2007 Robert Craig Chardonnay, sourced from the elite Durell vineyard in Sonoma (of Kistler fame). So many Californian winemakers say that they are “tired of oaky, buttery California Chardonnay” and that they make “a mineral-driven, no malolactic fermentation, food-friendly Chardonnay,” but so few deliver. Well, these guys do. Unfortunately, this stuff ain’t cheap and not a lot of it is made.

Is there terroir in California? I’m still not convinced. But as Alfonso and I bantered back and forth the other day after he returned from a Lodi, California wine festival, the conundrum occurred to me: is the absence of terroir itself an expression of terroir?

Man, I’m tired. I’ve been on the road all week and I won’t see Tracie B until tomorrow. I gotta say it’s not easy being a wine cowboy, traveling and hawking wine for a living (I’ve been in Dallas all week). But life is good and every once in a while, after you’ve visited 8 accounts in one day (starting at the un-g-dly hour of 8 in the morn’!), and you finally get to sit down for dinner and enjoy a glass of wine with your fellow travelers (around 9), a song on the juke box reminds you that even though you miss her so much it hurts, you’ll get to see her the day after tomorrow…

Holy cannolo (and Franco’s thoughts on EU reform of the Italian DOC system)

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Miracles appear in the strangest of places…

It may be hard to believe but I had what was probably the best cannolo I’ve ever had in… yes, you won’t believe it… in Little Rock, Arkansas where I was traveling for business (cannolo is the singular of cannoli, btw). For me, the cannolo is all about the buccia, the shell. It needs to be firm but light, crunchy but consistent, sweet but not too much so, with just the right amount of savoriness to balance the richness of the cream filling.

I’m not quite sure how they got there, but Santo Sacca (left) from Messina (the front of the house) and chef Rosario Patti from Palermo run a fantastic little Italian restaurant in Little Rock. Some may come close, but their cannolo cannot be beat.

Rosario seasons his excellent pasta mari e monti (sea and mountain) with saffron. It was delicious.

Vesuvio Bistro
1501 Merrill Dr
Little Rock AR 72211
501-225-0500

Holy cannolo Bill Clinton! Now it’s time for me to get my butt back to Austin for some holy mole at Polvo’s.

In other news…

A lot of people have asked me about upcoming EU Common Market Organisation reforms whereby the Italian appellation system will be absorbed by the EU, to take effect on August 1. The names and classification of Italian appellations won’t change but the power to issue new appellations will pass from Rome to Brussels. I’ve translated and posted Franco’s editorial at VinoWire, including some useful links. Other alarmist bloggers have claimed erroneously that the CMO reform will wipe out the Italian system. The real question is how EU bureaucrats will deal with requests for new appellations starting in August.

Par condicio: enthusiastic tasting notes on 2004 Brunello by Banfi

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Above: A political cartoon poking fun at Italian premier Silvio Berlusconi who called a fan a “ball breaker” at a rally last year.

The Latin expression par condicio is used in contemporary Italian to denote “equal air time.” (See my explanation of its origin here.)

In keeping with our “fair and balanced” policy of reporting Italian wine news, Franco and I have published this enthusiastic review of the 2004 Brunello di Montalcino by Banfi by our friend, respected colleague, and Italian wine authority Charles Scicolone at VinoWire. Charles called it “classical” in style and “the best Brunello that Banfi has ever produced.”

I haven’t tasted the wine yet but am looking forward to tasting it at the earliest opportunity and I will promptly post my tasting notes.

Another authority on Italian wine, Kyle Phillips, also gave the wine a good review in his excellent overview of 2004 Brunello. I really like what Kyle had to say about the annus horribilis in Montalcino and how the 2004 bottlings tend toward “garnet” in color as opposed to the opacity favored by certain producers in the past:

    It is quite possible that those who in the past bent the rules, adding other things to make their Brunello more appealing to the international markets before bottling it (while some people to blend wines made from several varietals at the outset, many prefer to keep the varietals separate until bottling, because doing so allows them more control over the wine) decided to forego the practice, and I cannot but view this development favorably, as I think that a well-made Sangiovese has no need of crutches. I also think it is sad that it took the concrete threat of criminal investigation to deter the practice, and can only hope that garnet will continue to be as prevalent in future vintages as it was in this one.

I, too, hope that “garnet will continue to be prevalent” and — to borrow a phrase from James Suckling — that Montalcino producers will continue to “let Brunello be Brunello.” (For the record, Suckling liked the 04 Brunello by Banfi as well and gave it 93/100 points.)

Dorothy, here you come again

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Half-jokingly, a wine publicist and good friend recently remarked to me: “I mean, come on, let’s face it. No offense, but how many people read your blog anyway?” As much personal satisfaction that my blog gives me, I recognize that I’m no Eric, Alder, Tyler, or Franco.

But that’s partly what makes me all the more angry (and I promise this is my last rant for the week) when one of the truly influential sources of food and wine journalism publishes disinformation, like Dorothy Gaiter and John Brecher’s supercilious take on 2004 Barolo, published last week in The Wall Street Journal, or their truly offensive and imbecilic “10 Ways to Save Money Ordering Wine,” published on Saturday. (I apologize in advance to my friend J, a WSJ editor and writer I admire greatly for this second harangue about his colleagues: the poorly delivered humor in my post about the 2004 Barolo piece was simply that — poorly delivered.) Especially in this day and “age of responsibility,” when many of our nation’s restaurateurs find themselves gripped in a day-to-day battle for survival, Dorothy and John’s tips for not being “hosed” by restaurateurs (they actually use the word hose! in the WSJ!) and the accusatory, paranoid tone or their article are no less than nefarious. It’s important to acknowledge that restaurant-going consumers are feeling the financial pinch these days as well: Dorothy and John’s readers would have been better served by “tips on how to find value on the list at your favorite restaurant.”

Here are some highlights from their piece…

1. Skip wine by the glass.

I studied Italian literature at university but it doesn’t take a Ph.D. to figure out that a glass of wine costs less than a bottle. Wine by the glass is one of the ways that we find new wines we like without having to pay for the bottle. Better advice would be: when ordering a wine by the glass, ask your server if you have the option to purchase the whole bottle at the bottle price if you like the wine.

3. Bypass the second-cheapest wine on the list.

A generalization like this is simply stupid, irrelevant, and inappropriate. Honest restaurateurs (and most of them are honest) price their wines in accordance with the prices they are charged by wholesalers. Better advice: figure out what you want to spend and ask your server or sommelier which wines in that price point meet your expectations in terms of style, aromas and flavors, and desired pairing.

6. Never order Santa Margherita Pinot Grigio.

Even Eric and Charles — two palates who really do know something about Italian wine — liked Santa Margherita Pinot Grigio when they tasted it blind in a New York Times tasting panel. Dorothy and John, come on: this is insulting. Better advice: order what you like and enjoy when you go to a restaurant. Whether you like Pinot Grigio by Santa Margherita, white Zinfandel by Beringer, or first-growth Bordeaux (wines many would consider over-priced but coveted and thoroughly enjoyable nonetheless), then go for it. You go to a restaurant to have fun… not to be scared of being ripped off!

9. BYOB.

Dorothy and John, I hate to break it to you but bring-your-own-bottle is appropriate in two cases: 1) when a restaurant doesn’t have a beer and/or wine license; 2) when you bring an illustrious and expensive bottle that doesn’t appear on the restaurant’s list. And remember: whenever you bring your own bottle to a restaurant, be sure to order a bottle of equivalent value. Thrift, Dorothy and John, is no excuse for rude behavior or bad tipping.

Here you come again, Dorothy and John, Just when I’m about to make it work without you.

O tempora, o Nebbiolo

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O tempora, o mores, to borrow a phrase from Cicero. Times are tough all around and these days I’m slinging a wine bag on my back and hitting the streets, hawking wine. I’m a traveling salesman like my maternal grandfather Maurice (poppa, we used to call him; my paternal grandfather was a rabbi, our zaidi — Yiddish for grand-père — but that’s another story). But as fate would have it, I consider myself lucky inasmuch I get to sell a lot of wines that I genuinely love (my new gig is with the Austin-based Mosaic Wine Group; check out the new blog we launched here). The other day I got to pour multiple vintages of one of my favorite wines (as anybody who follows my blog knows so well), Produttori del Barbaresco: I led a guided tasting of the 2004 and 2005 Barbaresco and 2006 Langhe Nebbiolo the other night at The Austin Wine Merchant in downtown Austin, Texas.

I didn’t get to participate in the Piedmont edition of Wine Blogger Wednesday, orchestrated smashingly by David McDuff at his excellent blog McDuff’s Food and Wine Trail, and so he graciously honored me with a guest blogger spot writing about Produttori del Barbaresco and my recent tasting notes at his kick-ass web log (one of my daily reads).

To read my tasting notes (including my translation of the winery’s 2006 vintage notes), click here.

In other news…

As my friend and dissertation adviser Luigi Ballerini used to say whenever we ate Japanese: oh tempura, oh soy sauce!

American Squirrel Wine Blog Awards Announced

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One of our favorite non-wine blogs, Las Flores View Point Squirrel Colony, is proud to announce the winners of the first-ever American Squirrel Wine Blog Awards. It seems the Critter-Critic has taken it on himself to break from the pack and Award some very deserving blogs for their service to the community and the blogosphere in general. Seeing as it is the end of a very busy week and we have too much to do, we will ask that you focus your attention on the Los Flores Blog to read more about these most important Wine Blog Awards.

—Starsky and Hutch

Facebook and oxidized stinky Fiano pair nicely

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Above: Fiano d’Avellino grapes on the De Conciliis estate in Cilento (Campania, Italy).

Isn’t Facebook a trip? It gives us a view unto the personal lives and sometimes very intimate details of people whose lives would not ordinarily intersect with ours in the real-time world (as opposed to the virtual world). The vicissitudes we witness in this strange new medium are sometimes moving in ways — perhaps because of the degree of separation yet lack of alientation — unexpected and often welcome.

I had never met him, save for a phone interview I did with winemaker Bruno de Conciliis many years ago. After I tasted his 2004 Antece last year at Bacaro in Los Angeles, I looked for him on Facebook because I wanted to write him and tell him how much I liked this stinky, oxidized expression of Fiano d’Avellino, one of Campania’s most ancient grape varieties and one that has a enjoyed a renaissance in recent decades: it’s macerated with skin contact for 7 days, he wrote me, and, as he put it in a Facebook message, “we try for oxidation.” His approach is to “let what easily oxidizes oxidize. The rest is welcomed.” The resulting unfiltered wine (aged in large old-oak casks) is delightful, rich and aromatic, with some tannic structure. It’s a great example of natural wine. Bruno rightly calls it Antece or the ancients (akin to the Italian, antici; the penultimate syllable is the tonic): gauging from my knowledge of ancient winemaking (as described in Columella and Pliny), I believe that this wine is very similar to the wine produced in antiquity (and probably until the 18th century in Italy). (It reminds me of IWG’s excellent post, Interview with the Ancients.)

Bruno wrote that it’s his favorite wine he’s ever made and he sent me these photos. Facebook and wine seem to pair nicely together, don’t they?

In other news…

When is Brooklynguy gonna get a Facebook? Fugedaboudit.

Memorial to Baldo Cappellano

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Franco and I have posted this memorial to beloved winemaker, activist, and Barolo producer Baldo Cappellano (1944-2009) at VinoWire.

From the archives: interview with Aldo Vacca, winemaker Produttori del Barbaresco

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Fortune has smiled on me lately: I’ve had the opportunity to taste a lot of 2004 and 2005 Barbaresco and 2006 Langhe Nebbiolo by Produttori del Barbaresco side-by-side over the last few weeks and it’s been really great to see how the 04 has been evolving in bottle, to experience the differences between the 04 and 05, and to get a preview of what the 06 will be like by tasting the Langhe Nebbiolo from the same vintage. If you happen to be in Austin today, come by Austin Wine Merchant to taste Produttori del Barbaresco with me. I’ll be pouring all three of the above wines. Click here for details.

Here’s a post from the Do Bianchi archives: an interview I did with Produttori del Barbaresco winemaker Aldo Vacca last year where he gives some notes on the 2006 and 2007 vintages. Buona lettura!

Earlier this year [January 2008], Produttori del Barbaresco’s president and winemaker Aldo Vacca (left) took time out from his importer’s grand portfolio tasting to talk to me about recent vintages and the cooperative’s approach to winemaking.

Produttori del Barbaresco has always stood apart for its steadfast traditionalist approach to winemaking. Where do you see Produttori in relation to the current trend of modern-style Nebbiolo?

You have to understand that the winemaking tradition in Langhe comes from an entirely agricultural mentality, a “farmer” culture. Early on, we were insecure, if you will. We didn’t have enough faith in our land. This insecurity led a number of winemakers to adopt a modern approach. There are also a lot of new producers who have only recently begun making wine in Langhe. Many of them don’t have the respect for our tradition of winemaking. This trend has developed over the last 20 years and has had a big impact. But I also see that many producers are returning to a more traditional approach.

Produttori del Barbaresco has never changed its style. From the beginning, Produttori has always made wine using traditional methods [extended maceration, natural fermentation, and aging in traditional botti, large oak casks]. The winery’s style is very distinct but the wines are always respectful of the terroir.

How are as-of-yet unreleased vintages showing?

Both 2007 and 2006 were very good vintages in Langhe. 2006 saw a warmer summer and it will be a more “fleshy”* wine, with softer tannins, while 2007 is comparable to long-lived vintages like 1996 and 2001.

The harvest came early in 2007, but this was not because of a hot summer. It was due to the fact that the mild, dry winter caused the growing cycle to begin early. As a result, we harvested early. 2007 has intense tannins and high acidity [good signs for long-lived Nebbiolo].

* Aldo and I conversed in Italian and it’s interesting to note that he used the English “fleshy” to describe his impression of the wine.