The best seared foie gras ever (and an interesting discussion of Boccioni)

woodlands

Above: The best seared foie gras I’ve ever had, last night at Tesar’s in the Woodlands (Houston). Chef Tesar sears it so aggressively that the outside is charred while the inside becomes gelatinous. Before searing it, he studs it with a vanilla bean. Paired with Château Les Justices 2005 Sauternes, served by the glass by my friend Scott Barber, top sommelier AND art historian.

My line of work brings me into contact with some pretty interesting folks.

Yesterday afternoon, I headed down from Dallas toward Houston and met cousins Joanne and Marty at the relatively new and much-talked-about Tesar’s Modern Steak and Seafood in the Woodlands. Chef John Tesar is one of those young buck celebrity chefs who’s done it all: New York, Vegas, the Mansion on Turtle Creek in Dallas (the most ostentatious city in the world)… And now he’s branched out on his own with a high-end namesake restaurant.

My friend sommelier Scott Barber had been raving about the food and man, I gotta say (and ya’ll know I don’t say this lightly), the food was kick-ass good.

woodlands

Above: Mediterranean-style octopus can be harder to prepare than it looks. Scott agreed that the secret (after tenderization) is patience: it simply takes a long time to achieve the desired tenderness. It was off-the-charts good, I gotta say.

But the star of the evening last night was Umberto Boccioni. Before getting into wine, Scott studied art history in Italy. The funny thing: neither of us were into wine at the time, but we both lived and studied in Italy during the same period (literature and paleography in my case). He has seen my post the other day where I incorporated one of my favorite Boccioni paintings, “La rissa in galleria” (“The Riot in the Galleria”).

woodlands

Above: The fetishization of beef. One of the signature dishes at Tesar’s is “side-by-side” where you taste grain-fed and grass-fed beef side-by-side. One could argue until one is black and blue in the face about which is better!

Boccioni is such an interesting painter and his work is fraught with tension — historical and aesthetic. I was THRILLED that someone appreciated the reference and why I made it. Our conversation drifted to the significance, cultural and sociological, of the painting’s backdrop, the Galleria of Milan, the famed 19th-century domed arcade of the Lombard capital. Marty pointed out that the Galleria lent its name and its arched dome to Houston’s consumerist mecca, the Houston Galleria.

But I digress… Food and wine are just a pretext to discuss aesthetics, no?

Tesar’s is not cheap but it really delivered: would you like a little Boccioni with your Fixin?

woodlands

Above: The 2004 Fixin by Mortet showed gorgeous, unexpected acidity and paired swimmingly well with house-made garganelli tossed with Parmigiano Reggiano and grated black truffles.

Thanks again, Joanne and Marty, for a wonderful dinner. And thanks again, Scott, for the Boccioni and the Fixin!

In other news…

The best news is that today I’m headed home to that super fine lady of mine… This lonely heart’s been away two days too long!

Yesterday, driving in the rain from Dallas to Houston, “Heard it in a Love Song” by Marshall Tucker Band came on. Man, what an awesome song. Can’t be wrong…

1970 Latour and Arkansas cornbread

From the “life could be worse” department…

les forts

On what many (myself included) consider one of the greatest recordings of the last century, the great American lyricist Snoop Dogg sanguinely informs the listener: “I, somehow, some way, Keep comin up with funky ass shit like every single day.”

I felt a little like Snoop yesterday: as an average (and frankly gray) workday traveling and hawking wine (the first of the new year) evolved into intriguing flavors and aromas, I couldn’t help but wonder why it is that there always seems to be something interesting to taste around the corner these days.

Yesterday, my friends D’Lynn Proctor (below) and company at Grailey’s, a wonderful not-to-miss tasting room in Dallas, poured me a glass of Latour 1970 Les Forts.

grailey's

A lot of folks like to “taste me” on their old Italian wines, but I rarely get to taste old French wine and I was thrilled to put my nose in this glass. Does anyone remember Baudelaire’s macadam? That’s what this wine smelled like: tar, pitch, goudron, asphalt… I’m not one for blind tasting but this is one of those wines, we all agreed, that you would pick out as Bordeaux from the nose alone. The wine was bright in the mouth, with nervy acidity that took me surprise and a balanced medley of spice and fruit. (Mazel tov, btw, to D’Lynn on his upcoming wedding AND his invitation to take the Master Sommelier’s exam in August!)

And as if a noble wine French wine from 1970 weren’t enough to call it an extraordinarily sensorially satisfying day, the real treat came over dinner in the home of my friend and colleague Sam and his delightful betterhalf Belinda (originally from Arkansas), whose cornbread — there’s no other way to say it — was sinfully good.

arkansas cornbread

Belinda wouldn’t reveal all of the secrets to her magical Arkansas cornbread but she did explain that she makes it by dropping dollops of the cornbread dough (as it were) into a hot iron skillet (greased with cooking oil). She then turns the small loaves and transfers to hot oven. As the loaves settle, they fill out the skillet in a nearly perfectly shaped pattern (making for ideal serving portions).

arkansas cornbread

She then slices each loaf lengthwise and dresses with butter. Crispy on the outside with an ever-softer and moist center as you bite through to the middle.

The best part? Bellinda wrapped up some leftovers for me to much on as I make my way from Dallas to Houston today.

As long as I don’t get stuck in the mire of the macadam, who can say what delights await? Stay tuned…

Pasta in bianco and a Calabrian white (and the story behind Pearl lager)

librandi

Above: “Pasta in bianco,” literally “pasta in white,” one of my favorite things to eat. Pasta dressed simply with extra-virgin olive oil, salt and pepper, and chili flakes.

In the wake of holiday feasting and the unusually cold weather here in Texas (making it all the more challenging to head to the gym!), Tracie B and I have been indulging lately in one of our not-so-guilty pleasures: pasta in bianco, literally, pasta [dressed] in white.

Bring a large pot of water to a boil and then add a heaping handful of kosher salt (“enough to make it taste like seawater,” is the way Tracie B likes to put it). Cook a short or long pasta to the desired firmness (some like it more al dente than others). And then toss with extra-virgin olive oil, salt and pepper to taste, and chili flakes (if desired). Sometimes I’ll throw some finely chopped flatleaf parsley in as well.

After bread and wine, pasta in bianco (which can also be made using butter in the place of olive oil), is one of G-d’s true gifts to humankind. And it’s also one of the most healthy things you can eat. South Beach diet? Atkins diet? Hogwash! If you want to slim down or just stay trim, avoid protein and meat. Eat easy-to-digest starches dressed with the “good fat” of olive oil. When I first lived in Italy (more than 20 years ago) and pasta and rice became the central ingredient of my diet, my health (and life) changed radically for the better.

librandi

Above: Librandi is a high-volume winery in Calabria that makes well-priced food-friendly wines. They’re highly affordable, clean, and delicious. Calabrian and Apulian wine represent some of the greatest value in the market today.

I got a lot of feedback from yesterday’s post on the Calabria riots.

Last night, with Calabria on our minds, we opened a beautiful wine from Calabria that we love, Cirò Bianco: Calabrian Greco vinified in stainless-steel by Librandi. Bright (but not tongue-splitting) acidity, balanced minerality, and low alcohol (and a more-than-reasonable price) made this wine an ideal pairing for our pasta in bianco.

In other news (from the “recommended reading” department)…

doug sahm

Eric did a wonderful post yesterday poking fun at the fine art of pairing fine with junk food, The Match Game.

His recommended pairing for Mrs. B’s Chex Mix was Pearl lager.

I imagine Eric knows the famous beer of San Antonio from his days as a grad student at University of Texas at Austin.

That’s San Antonio and Austin music legend Doug Sahm with a can of Pearl in the photo left (courtesy of Pogzilla via IWG). (I’m sure you know Stevie Ray and Jimmie Vaughan as icons of the Texas music scene but locally, Doug Sahm is considered its über-hero.) The Pearl Brewery is in the midst of a veritable renaissance these days: the facility itself and the adjacent retail and restaurant complex has become one of the top food and wine destinations in Central Texas. Definitely worth checking out…

Thanks for reading! Ya’ll come back now!

One of the best feelings in the world…

is when…

…you’re sitting at your computer writing, and all of a sudden, you start getting emails and texts from your friends in Los Angeles telling you that Anne Litt is playing your band on KCRW as part of her “best of 2009” show…

I’ll never forget the first time I heard my band on KCRW… a teenage dream come true… that thrill, wow, may be a small one to others, but it’ll always be one of the best feelings in the world to me… :-)

Thanks, ya’ll, for the kind words!

New west coast food and wine blogs for a new year

Breaking news: For all you wedding watchers out there, Tracie B has just posted on our wedding cake! Yes, WEDDING CAKE!

mozza

Above: While in Los Angeles in early December, I had lunch at Mozza with my friends Howard Rodman and Lou Amdur. Owner of my favorite natural wine bar, Lou has a wonderful food and wine blog (not so new), where he writes about his wine selection and whatever else makes him culinarily curious. Comrade Howard is my number 1 candidate for “someone who outta have a food and wine blog.”

The oughts are noughts and 2010 has arrived and at least a couple of friends of mine took time during the December wind-down to launch new food and wine blogs.

mozza

Above: For desert, Howard, Lou, and I shared olive oil ice cream. Penelope and Javier sat at the table next to us. I had no idea who they were (as I was hoping to run into Mel and Carl, who purportedly dine there and are a much more sexy couple!).

This month saw the launch of a food and wine (and music) blog by my friend Anthony Wilson (click on “blog” in the left-hand nav bar). You see, Anthony’s primary mission in life is not to be one of the greatest jazz guitar players of our time. His true calling is “to seek out — every day — fresh, delicious, typical food, prepared with love by like-minded obsessives, along with real, authentic, natural wine, served whenever possible in non-aristocratic, sometimes downright quirky, environments where it’s possible to roll up one’s sleeves and really get down to the business of eating and drinking.”

palate

Above: While in LA, I also dined at Palate (in Glendale), which, despite the swagger, is my favorite restaurant in the U.S. right now. I really dig their vintage decanters (we decanted a bottle of Domaine de Montille 2006 Pommard Les Rugiens, thank you very much).

I’m also excited about a new blog, Gourmale, authored by my bandmate and air guitar superstar, Dan Crane (aka Jean-Luc Retard, aka Björn Türoque). Dan’s well-earned nickname on the road is “Snackboy Jr.” or “Snack,” and the Nous Non Plus tour bus has often been forced to stop abruptly for “snack attacks.” Enough said… (now, if we could just get Dan to add a blogroll!).

palate

Above: At Palate, chef Octavio Becerra treated us to an amazing roast side of goat.

I’ve also been recently hipped to two very cool wine blogs by Los Angeles-based wine professionals, My Daily Wine by Amy Atwood, now at the top of my Google reader feed for news from the world of natural wine, and Brunellos Have More Fun, by Whitney Adams, whose mostly Italocentric blog I would read if only for the title! And lastly, but by no means least, my new guide to Bay Area restaurants is called Wine Book Girl, by my colleague UC Press publicist Amy Cleary.

In other news…

langhe

Above: A collaborative NYE meal, dill and chive roast potatoes (by Tracie B) and pan-roasted, boneless rib-eyes (by me). Langhe Nebbiolo 2008 by Produttori del Barbaresco and Beatles Anthology on DVD. Is this what heaven is like? ;-)

At the last minute, Tracie B and I decided to spend our New Year’s eve at home, alone, just the two of us. :-) We’ll have a lifetime of NYE celebrations ahead of us and so we thought we’d spend this last one, before we get married later this month, by ourselves.

Our bubbly beverage? A champagne of Champagnes (ha!): a bottle of Pierre Gimmonet Cuis 1er Cru Sans Année. We opened it at the beginning of the evening for an apertif and re-corked it. By the end of the night, it had opened up into a wonderful toastiness complemented by fresh white fruit and bright acidity. The perfect wine to pair with my true love’s sweet first kiss of the new year…

Happy 2010, everyone! So far, so good!

Champagne, Xerox, and Kleenex

antonomasia [ahn-TAH-noh-MAY-zee’ah], the use of a proper name to express a general idea, as in calling an orator a Cicero, a wise judge a Daniel (OED, online edition).

Above: An unforgettable bottle of 1996 Billecart-Salmon that I shared last year with Jayne and Jon at Spago in Beverly Hills. We weren’t celebrating anything. But we were being treated by a famous winemaker.

In this week’s semiotic treatment of Champagne, we neglected to address one of the most fascinating semiotic implications of the lemma Champagne (at least, one of the most fascinating to me).

The term Champagne is a wonderful example of the literary figure antonomasia, from the Greek ἀντί (anti, meaning instead or against) and ὄνομα (onoma, meaning name), whereby a proper name is used to denote a general idea, in this case, sparkling wine.

Above: A bottle of Bollinger that we popped to celebrate pulling the first mix from Nous Non Plus’s 2009 release Ménagerie. The track? “Bollinger” (click to listen)! A song about our favorite Champagne and official band beverage. (We are a “French” band, after all, n’est pas?)

Other examples that immediately come to mind: Xerox and Kleenex. Both are proper names, in fact, brand names, yet both have come to denote generic items, namely, photocopies and tissue paper.

Let’s face it: even though we wine professionals and enthusiasts strictly use the term (toponym and proper name) Champagne to denote sparkling wines sourced from the place and appellation, Champagne, 99% of the intelligent lifeforms in the world interpret it as any sparkling wine. In his 1953 editio princeps of With a Jug of Wine, for example, food and wine writer Morrison Wood casually and regularly makes reference to California champagne.

Above: A bottle of Initial by Anselme Selosse that Alfonso opened for me and Tracie B last year to celebrate my move to Texas. Perhaps more than any other, Selosse is the most coveted and illustrious brand of Champagne in the U.S. It’s not cheap but it’s worth every penny. Check out this great post, from earlier this year, by McDuff.

Just this weekend, I was reminded of this fact when Melvin C and I visited a Walmart in Orange, Texas in search of some Prosecco for Tracie B, and I was greeted by a “stack” (as we say in the biz) of André California Champagne (“the best selling brand of sparkling wine in the U.S.,” according to the Wiki).

Whatever you plan to drink tonight for your New Year’s celebration, Tracie B and I wish you and yours a happy, healthy, and serene 2010. Thanks for all the support and love in 2009!

Breaking news: this just in from Italy

Thanks are due to reader Elaine from Italy who identified the champagne-method Nerello Mascaelese by Murgo (Sicily).

Also just in from Italy…

According to the Agenzia Giornalistica Italia, when all is said and done, Italians will have spent Euro 2.7 billion on sausage (cotechino and zampone) and Italian sparkling wine (spumante). “Salmon, oysters, and caviar” were no match for the famed boiled sausages of Modena (both delicious, btw). Nor did Champagne, with a “a 66% drop in sales,” rival its Italian counterparts.

On that part, according to a press release issued by the Prosecco di Valdobbiadene e Conegliano Producers Association, Italian agriculture minister Luca Zaia sent 60 “3-liter Jeroboams” of Prosecco to the staff of the “national radio and television stations.”

An early celebration of his upcoming governorship of the Veneto, no doubt.

Happy new year, everyone, everywhere!

Stars fell on Toscana…

Above: The 1990 Tignanello was youthful and powerful and had a woody note on the nose that some folks like but a turn-off for me. The 1979 Sassicaia was unbelievably good and had that goudron, tarry note that you find in left-bank Bordeaux yet still tasted uniquely Tuscan — at least to me. Photos by Tracie B.

In what seems to me such an uncanny confluence of events, Tracie B and I had the wonderful opportunity to taste two truly iconic wines of Tuscany, from two (arguably) outstanding vintages, on Saturday night — 1990 Tignanello and 1979 Sassicaia. I say “uncanny” partly because there was a white elephant in the room: despite the festive nature of our get-together a casa di Alfonso, no one could ignore the news that broke in Chianti last week. Alfonso had graciously offered to open not just a few gems from his cellar, inspired in part by BrooklynGuy’s recent post on one of the wines he happened to have in his collection. But when he “stood the bottles upright” last week in anticipation, none of us imagined that Tuscan wine would once again find itself in crisis.

Above: Ace made one of his signature dishes, grilled eggplant layered with hard-boiled eggs and tomato sauce, topped with grated pecorino romano and the fired au gratin.

Eric’s exquisite post from last week added another layer of uncanniness to our fête. Tempus vincit omnia: the owner and curator of the Tignanello estate, the Antinori family and enologist Renzo Cotarella, recently told Eric that they plan to replant the legendary Fiorano estate near Rome, where its now defunct master, Prince Buoncompagni Ludovisi, purportedly once swore (as legend has it) that he had ripped out his vines so that his son-in-law, Piero Antinori, would never have the chance to bring modernity to the farm. Tempus vincit omnia.

Above: The 1994 Primitivo di Manduria by Savese was still a baby! It was such a wonderful treat to get to taste this wine with some age on it — a fantastic example of how traditionally made wine, even when made from a grape lacking tannic structure like Primitivo, can achieve ineffable nuance with age.

But like the grated pecorino romano that Ace used to finish his eggplant pie, a final layer of uncanniness was provided by the superb 1994 Primitivo di Manduria from Savese, which we paired with dried figs from Calabria. He stood the Primitivo upright after reading Franco’s wonderful post on his visit with Vittorio Pichierri at the Savese winery. Our “blend” of wines from Tuscany and Apulia seemed to unwittingly match the rumors that arrive these days via the internet from Etruria (I hope they’re untrue but I fear they are not).

Thanks again, Ace, for a truly unforgettable serata da leoni. It felt like stars fell on Toscana that night…

Sing these lyrics, substituting “Toscana” for “Alabama”…

We lived our little drama,
We kissed in a field of white,
And stars fell on Alabama,
Last night.

I can’t forget the glamour,
Your eyes held a tender light,
And stars fell on Alabama,
Last night

I never planned in my imagination,
A situation — so heavenly,
A fairy land where no one else could enter,
And in the center — just you and me.

My heart beat like a hammer,
My arms wound around you tight,
And stars fell on Alabama,
Last night.

A vintage image of an Italian vintage long forgotten

Above: Grape transport early 1900s (?), Bologna, signed “Greetings from Umberto.” It makes me wonder if fermentation has already begun in those casks. Click the image to see a hi-res version.

So much junk mail appears in my inbox these days, most of it from publicists who haven’t really taken the time to see what my blog is really about (BrooklynGuy gets his share, too, and he wrote this funny post about the phenomenon).

But every once in a while, I find myself on the user-end of a mass mailing that catches my eye.

Today, I received an email from a man I’ve never met, nor heard of, Carlo Cassinis, who writes:

    We have started a collection of postcards having the theme “agriculture and enology.”

    Please find attached the last postcard we have received. We are asking you to look in your attics and cellars to unearth postcards like this.

    We are sending this message to all of our friends with the hope that they will read it and pass it on to all of their friends and everyone in their address books.

    As soon as we have enough interesting material, we will mount an exhibit in the cellars of the Vicara winery.

    If you have any material like this, please send it to Carlo Cassinis V.lo S. Sebastiano 13 15020 Ponzano Monferrato (Al)

    Thank you and looking forward to hearing from you.

    Carlo Cassinis

Carlo didn’t include a link to his winery’s website but it wasn’t hard to find.

I like the postcard and the image made me think about how much the Italian wine industry has changed over the last century. I’m still reeling from the news of yet another adulteration scandal in Tuscany. As the Italian Wine Guy said to me today, we’ve been working so hard for so many years to promote Italian wine in this country because we love it so much. And then something like this happens and it seems as if we have to start all over again, sharing the true greatness of the wines of Italy.

The weather is cold here in Austin and it’s a melancholy Friday “deep in December” sitting at my desk…

Try to remember the kind of September
When life was slow and oh, so mellow.
Try to remember the kind of September
When grass was green and grain was yellow.
Try to remember the kind of September
When you were a tender and callow fellow.
Try to remember, and if you remember,
Then follow.

Follow, follow, follow, follow, follow,
Follow, follow, follow, follow.

Try to remember when life was so tender
That no one wept except the willow.
Try to remember when life was so tender
That dreams were kept beside your pillow.
Try to remember when life was so tender
That love was an ember about to billow.
Try to remember, and if you remember,
Then follow.

Follow, follow, follow, follow, follow,
Follow, follow, follow, follow.

Follow, follow, follow, follow, follow,
Follow, follow, follow, follow.

Follow, follow, follow, follow, follow,
Follow, follow, follow, follow.

Deep in December, it’s nice to remember,
Although you know the snow will follow.
Deep in December, it’s nice to remember,
Without a hurt the heart is hollow.
Deep in December, it’s nice to remember,
The fire of September that made us mellow.
Deep in December, our hearts should remember
And follow.

Mad World 2000 Brunello

il poggione

Above: The 2000 Brunello di Montalcino by Il Poggione rocked my world last night at Jaynes Gastropub in San Diego.

It’s been a mad, mad week already, between travel, wedding planning, business meetings with a California client, and catching up with old friends.

Last night, to celebrate Jaynes Gastropub family-member Nicholas George’s successful level 2 sommelier certification exam, Jayne and Jon treated the extended-family crew assembled at the bar to a bottle of 2000 Brunello di Montalcino by one of my favorite (and one of Tom Hyland’s favorite) producers, Il Poggione. 2000 was such a warm vintage in Tuscany (and throughout Italy) and many of the wines have that stewed tomato thing going on. But not this bottling: it was powerfully tannic and it rocked with bright acidity and plum and cherry fruit. I’m sure that winemakers Fabrizio and his son Alessandro Bindocci would tell me that their higher elevation in Sant’Angelo in Colle and their 40-plus-year-old vines allowed them to make great wine in a not-so classic vintage.

Congratulations, Nicholas! Chapeau bas!

mad world

Above: The famous upright piano featured in my buddy Mike’s version of “Mad World.”

Earlier in the day, I took time out to catch up with my good friend Mike Andrews and to visit his studio in Glendale. He loves to tease me that I was voted “most likely to have a successful career in music” by our high school graduating class: since launching his career as a film composer in 1999, Mike has scored countless hit movies. Mike let me take the above photo of the piano he used on his 2003 British number-one-Christmas-hit single version of Tears for Fears’s “Mad World.” He swore me to secrecy: I cannot reveal the technique he used to achieve the instrument’s unique sound on the recording (and had to photograph it obliquely). But it was a thrill to feel its aura, as Walter Benjamin might have said.

Check it out… The opening lines still give me goosebumps!

Today is another mad schedule of work and travel… More later on the California adventures of Tracie B and Jeremy P. Stay tuned…

Congratulations Eileen and Greg!

What a great wedding…

Eileen and Greg are a gorgeous couple and their wedding was an immensely joyous occasion. I have never seen so many people cry tears of happiness at a wedding ceremony (myself included!). Not a dry eye in the house!

The Vajra showed beautifully, too. The bartender told me she’d “never poured so much red wine at a wedding. Everyone loves it. What is it?” Great choice, Greg!

Greg’s been such a good friend to me and I love him a lot. It was SO MUCH FUN to join him on stage and do my toast. That’s Dan (aka Jean-Luc Retard, bass, Nous Non Plus) stage left.

jeremy parzen

We’re a little rough around the edges this morning but it was worth every moment… such a great feeling to celebrate a couple so in love…

CONGRATULATIONS EILEEN AND GREG! A great wedding, a great couple. We love you…

Happy Sunday ya’ll.