Tag Archives: Vini Veri

Vini Veri and VinNatur 2011 fair dates (public service announcement)

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Above: Last year’s Vini Veri producers.

I’m still undecided as to whether or not I’ll be attending this year’s “Natural” and “Real” wine fairs but the lineup for both is always a who’s who of my favorite Italian producers.

Vini Veri will be held this year on April 7-9 at La Fabbrica AreaExp in Cerea (near Verona).

Here’s the link to the fair’s post (not exactly user-friendly for those of us among us who are not Italophiles).

Here’s a link with tasting details in English (thanks Marisa!).

VinNatur will be held April 10-11 at the Villa Favorita near Vicenza. Here’s the link, including ticket and location info (great site with excellent translations for the solely Anglophone among us). Hopefully my friend Ruggero Robin will be playing!

Vini Veri participating producer list (public service announcement)

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Above: The dearly departed Baldo Cappellano (right), one of the founders of the Vini Veri movement, with his son Augusto, who now manages their family’s historic winery.

In the wake of my post on the Vini Veri tasting details for April 2010, a lot of folks have written me asking where they can find a list of participating producers.

My good friend Marisa Huff, one of the organizers of this year’s event, has graciously shared the recently published link.

I wish I could be there: it is my favorite tasting of the season. But I’ve just been on the road too much already this year and there are more travels ahead.

Buona lettura e buona degustazione!

Vini Veri Tasting details, April 8-10, 2010 in Cerea

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giampiero bea

Above: Giampiero Bea, owner of the Paolo Bea winery and one of the founders of Vini Veri. I took this picture when tasted with him last April at the Vini Veri fair.

A lot of folks have been writing me asking me what other events they should attend during the week of Vinitaly, the Italian wine industry’s annual trade fair.

Every year, one of my top destinations is the Vini Veri tasting. I finally got my hands on event details for the tasting, which will be held in Cerea (and not in Isola della Scala) this year.

My good friend (and fellow San Diegan and UCLA alumna) Marisa Huff, who’s working on event organization and media relations, told me that convention-center space at Cerea will help to accommodate the fair’s growth and that the entire tasting will take place in the same hall, making it easier to navigate and negotiate. Some of the charm of Villa Boschis (where the event was held in the past) will be lost, she said, but the new venue will make it a lot easier for attendees to make the rounds. Thanks, Marisa, for sending me the info (below)! :-)

Hope to see you there!

    Vini Veri 2010

    The Dates: Thursday, April 8th to Saturday, April 10th

    The Time: 10 AM to 6 PM

    The Place: AreaExp Events Center, in Cerea (Province of Verona), about a half-hour drive/train ride from Vinitaly.

    The Producers: over 130 natural wine producers, from Italy and beyond.

    The Organizers: Vini Veri Consortium and Renaissance Des Appellations.

    A complete list of the participating winemakers will soon be available on our website, www.viniveri.net.

Bea Santa Chiara 07, an orange wine couldn’t push back the crimson tide

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Above: We toasted the Longhorns last night at Vino Vino with an orange wine, Paolo Bea 2007 Santa Chiara (since orange is the school’s color) but it didn’t help them push back the crimson tide.

Two years ago, if you would have told me that I’d be “double dating online,” I would have told you to go to quel paese, as they say in Italian. Yes, online double dating. That’s exactly what Tracie B and I did last night when we connected for wine and dinner with the couple behind the fantastic Austin food blog, Boots in the Oven, Rachel and Logan. We started following their blog a few months ago and an exchange of comments led to traded emails and the realization that we had a lot in common. The next thing you knew, we were double-dating! (It’s actually uncanny: Rachel and I were born in the exact same neighborhood in Chicago and practically went to the same Hebrew school, though she’s much younger than I; she did go to the same middle school my older brothers attended.)

Above: The owner of Vino Vino brought in a TV to watch the Texas-Alabama game last night and he debuted his “biergarten” menu. The kielbasa is made in-house and was finger-licking delicious.

We all met up last night at Vino Vino in Austin to watch the game together and check its new “biergarten” menu.

And then, as happy chance would have it, we ran into to couple Nat and Erin, who authors a hilarious but also insightful rant blog about working in the restaurant industry in Texas — To Serve Man (the title alone…).

Above: My eyes were bigger than my stomach and I just had to have the boneless, fried chicken thigh sandwich. Snackboy, I’ve got to take you here next time your in my town!

In honor of the orange-clad Longhorns, we opened a bottle of 2007 Santa Chiara by Paolo Bea, a blend of Grechetto, Malvasia, Chardonnay, Sauvignon Blanc and Garganega (as per Jack’s post on the wine — you can find the blend on the label, btw). It’s an indisputable “orange wine,” a tannic white made from white grapes vinified with extended skin contact.

Man, I love this wine. It’s one of those if-I-could-afford-it-I’d-drink-it-every-day wines for me.

The first vintage I ever tasted was the 2005, which I really didn’t like. But the 2006 and 2007 (even better) are phenomenally good. When I tasted with him in April 2009 at Vini Veri, I asked Gianpiero Bea what changed between 05 and 06 and he told me that he hadn’t macerated with skins long enough in 05. From then on, he said, extended maceration has been employed. And wow, the results are fantastic — a tannic, mineral-driven wine, with rich dried fruit flavors (think apricot) and a rich orange marmelade note. N.B.: in my opinion, this wine should be served cellar temperature, not chilled. (Last night, we grabbed a bottle from the wall at Vino Vino and asked our server to bring over an ice bucket. We chilled it for just a few minutes and then served. It was perfect.)

Unfortunately, as good as the orange wine was, it didn’t help the Longhorns to push back the crimson tide.

In other news…

I was very proud to be included as a “wine influencer” in a Palate Press post entitled Thoughts on the New Year. Guess what I’m talking about: no, not wine. PASTRAMI!

The red, white, and sparkling carpet at Vini Veri 2009

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Posting hastily this morning as I head out for another day at the fair and then tasting later today at Dal Forno in Valpolicella… Here are some quick highlights from the “red, white, and sparkling carpet” at the 2009 gathering of Vini Veri, the “real wine” movement, “wines made how nature intended them,” as the group’s motto goes.

If ever there were a winemaker who looked like a movie star, it’s got to be Giampiero Bea of Paolo Bea. I finally got to taste his 2006 Arboreus, an Etruscan-trained 100% Trebbiano vinified with extended skin contact. In a later post, I’ll write more about the wine and what Giampiero had to tell me about the 2005 vs. 2006 vintages of his Santa Chiara. The 2004 Sagrantino was the best I’ve ever tasted.

Last year, I tasted Maria Teresa Mascarello’s 2005 Bartolo Mascarello Barolo out of barrel (literally, when the cellar master brought it up for her to taste for the first time). I was excited to taste it again a year later in bottle. She’s carrying on her father’s tradition of artist labels with polemical messages. Her “Langa Valley” label (left) is pretty hilarious.

I really dig Adelchi Follador’s natural Prosecco, which he ages on its lees and bottles in magnum. His winery, Coste Piane, also makes a still Prosecco. The wine is great, probably the best Prosecco you can find in America (imported by Dressner).

Franco turned me on to the Barbaresco Montestefano by Teobaldo Rivella. I tasted the 2004 and 2005 and was entirely blown away by how good this wine showed. It reminded me of Giacosa in style and caliber and its power and elegance made me think of an Arabian filly in a bottle.

Marco Arturi is a truly gifted writer who marries wine and literature. He posts often at Porthos. He is a steadfast defender and promoter of natural wine. We had never met before but we write to each and check in from time to time on Facebook: when we met in person it felt like we knew each other well. The whole Facebook thing is pretty cool.

Getting to taste with Franco Ziliani is one of the highlights of any trip to Italy for me. I admire him greatly for his writing, his integrity as a wine writer, and his palate, and I am proud to consider him my friend and colleague. When Franco point me in the direction of a wine, I know I’m not going to be disappointed.

Vini Veri without its co-founder Teobaldo Cappellano reminded me of the Lou Reed song “What’s Good”:

Life’s like a mayonnaise soda
And life’s like space without room
And life’s like bacon and ice cream
That’s what life’s like without you

Baldo was a wonderful man and even though the fair was great this year (and expanded to include the Triple A and Renaissance du Terroir tastings), it just didn’t feel the same without him.

The image of Baldo with his son Augusto (above) hovered over the room where he would have presented his wines.

I’ll write more on my experience at Vini Veri when I get home. Off to Valpolicella and then Alto Adige… Stay tuned…

*****

Life’s like a mayonnaise soda
And life’s like space without room
And life’s like bacon and ice cream
That’s what life’s like without you

Life’s like forever becoming
But life’s forever dealing in hurt
Now life’s like death without living
That’s what life’s like without you

Life’s like Sanskrit read to a pony
I see you in my mind’s eye strangling on your tongue
What good is knowing such devotion
I’ve been around, I know what makes things run

What good is seeing eye chocolate
What good’s a computerized nose
And what good was cancer in April
Why no good, no good at all

What good’s a war without killing
What good is rain that falls up
What good’s a disease that won’t hurt you
Why no good, I guess, no good at all

What good are these thoughts that I’m thinking
It must be better not to be thinking at all
A styrofoam lover with emotions of concrete
No not much, not much at all

What’s good is life without living
What good’s this lion that barks
You loved a life others throw away nightly
It’s not fair, not fair at all

What’s good?
Not much at all

What’s good?
Life’s good
But not fair at all

— Lou Reed

On the eve of Vinitaly, a push to create a Montalcino DOC (and reflections on a year past)

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Above: Franco Ziliani (left), my friend and co-editor of VinoWire, and Mauro Mascarello, winemaker and producer of one of the greatest expressions of Nebbiolo, Giuseppe Mascarello Barolo. We tasted at Vinitaly last year together. This year, Franco and I will be tasting together at Vini Veri.

Passover and Easter will shortly be upon us and the who’s who of Italian wine is preparing to descend on the province of Verona for our industry’s annual trade fairs: Vinitaly (the largest and most commercial), Vini Veri (a gathering of natural winemakers and the most interesting in my opinion), and VinNatur (an assembly of winemakers who broke away from Vini Veri some years back). I’m particularly excited for Vini Veri because this year’s tasting sees the unification of Vini Veri with the Nicolas Joly biodynamic and quasi-biodynamic tastings, Triple A and Renaissance du Terroir (Return to Terroir).

Above: The Banfi Castle at last year’s Vinitaly. There were rumors — unfounded and untrue — that Banfi’s wines were seized on the floor of the fair last year. I am looking forward to tasting the 2004 Brunello di Montalcino by Banfi. Charles Scicolone and Tom Hyland — whose palates I respect greatly — have both told me that it’s classic Brunello, 100% Sangiovese, and one of the best wines Banfi has ever produced.

It’s remarkable to think that at this time last year, the world of Italian wine was gripped by the breaking news of the Brunello scandal: at least five major producers were accused of adulterating their wines from the 2003 vintage. A year has passed, a large quantity of wine has reportedly been declassified, and no indictments have been issued by the Siena prosecutor who supposedly launched the investigation in September of 2007.

It’s not surprising, however, that there has been a new push — albeit weak — within the association of Brunello producers to create a Montalcino DOC. Last week, a proposal to create such an appellation was put to the floor at the consortium’s assembly. (I haven’t been able to find out the results of the vote but according to most observers, it was unlikely that it would be ratified.)

Above: I am always geeked to taste Paolo Bea Sagrantino with Giampiero Bea at Vini Veri (I snapped this photo at last year’s fair). Tracie B and I have been enjoying his Santa Chiara 2006. It’s radically different than his 2005 and I hope to ask him about the vintage variation. (Is it the result of climatic differences or differences in the cellar? I imagine — knowing Giampiero and his radical belief in natural winemaking — that the former is the case.)

Currently, Montalcino producers must label their wines as Toscana IGT or Sant’Antimo DOC if they contain grapes other than Sangiovese. If approved, a Montalcino DOC would allow them to exploit the Montalcino “brand” in their labeling of so-called Super Tuscan wines. The proposed DOC is part of a greater push to create new Italian appellations before OCM reforms take effect in August 2009 and the power to issue new DOCs shifts from Rome to Brussels.

Above: This year, the world of Italian wine mourns the loss of Teobaldo Cappellano (photo courtesy of Polaner). Baldo, as he was known fondly, was one of the founders of the Vini Veri movement and one of Italy’s most zealous defenders and promoters of terroir-driven wines and natural winemaking. He was a truly delightful man and is sorely missed.

There’s a reason why the fairs are held at this time of year: historically and traditionally, the spring marks the moment when winemakers unveil their cellared wines. Long before the hegemony of the Judeo-Christian canon, spring was observed as Mother Nature’s moment of renewal and rebirth.

The ancient allegory — and it is an allegory, not a metaphor — could not be more apt this year.

Italy Day 4: finalmente, Vini Veri!

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Above: tasters nap in the springtime sun outside Villa Boschi where the Vini Veri tasting was held again this year. I don’t know why but my day at Vini Veri made me think of the northern Italian folk song “L’uva fogarina”: “Quant’è bella l’uva fogarina, quant’è bello saperla vendemmiar!” (The Fogarina grape is so good! So good for the pickin’!). See below…

Let’s face it: we all go to Vinitaly every year because we have to: by the second day of the massive trade and consumer fair, the pavilions are a slosh of deal-making, true and otherwise would-be wine professionals, the occasional parasitic wine writer, and a sea of reveling imbibers who show up to get their drink on. Every year, the same parties, the same dinners, the same 45-minute back-and-forth drive from Verona because who can afford a $700-a-night room downtown? Well, I can’t.

But a breath of fresh air awaits those true lovers of real wine who attend the increasing number of satellite, alternative fairs. My favorite is the Vini Veri tasting, held at the Villa Boschi in the heart of the Veronese heartland (Isola della Scala township).

Above: I was captivated by Dario Princic’s whites, all of them macerated with skin contact, like this Pinot Grigio (in the photo). Few realize that Pinot Grigio is a red grape — a light red, but red nonetheless. It was the Santa Margherita white Pinot Grigio craze (which began more than 25 years ago) that made Pinot Grigio a white grape. Princic’s wines are fantastic.

Highlights:

Dario Princic (Friuli, see above, his Tocai was among the best I’ve ever tasted), Vodopivec (Friuli, I tasted some aged Vodopivec Vitovska later on in the trip and will report in an upcoming post), Coste Piane (Veneto, Prosecco aged sur lies and fermented using metodo classico – double-fermented in bottle – in magnum, freakin’ killer), Monte dall’Ora (Veneto, great Valpolicella and his top Amarone is off-the-charts good, need to taste with Brooklynguy) and, of course, Paolo Bea (the inimitable producer of Sagrantino).

But that’s not to exclude so many awesome producers who make natural, real wines: Cappellano, Trinchero, Rinaldi (Giuseppe), Cos, just to name a few (Maria Teresa Mascarello was not at Vini Veri this year).

Above: Gianpiero Bea of Paolo Bea. Gianpiero is one of the founders of Vini Veri.

Dario Princic told me that there is a movement within Vini Veri to reunite with the splinter group Vinatur and the Triple A tasting next year: the idea is that of organizing a fair at the Vicenza fair grounds with 200-250 producers, a fair that “could truly rival Vinitaly,” Dario said.

When I asked Gianpiero Bea about this, he didn’t seem too pleased.

Above: it was great to see my old friends Steve and Sita, high-school sweethearts (they met on an exchange program in Spain), married to this day, with two beautiful daughters. Sita’s friend Giovanni Baschieri got me my first gig in Padua way back in 1987!

My college roommate (from my first year at the Università di Padova) Steve Muench (above left) and his wife Sita Saviolo (above center) drove down from Padua to taste with me. I saw them a few times on this trip and they even made it up to Ljubljana to see Nous Non Plus perform there.

I can’t recommend Vini Veri enough: if you have the chance next year, be sure to make it down there. To me Vini Veri represents a mix of all the best things about Italy: real wine, real people… winemaking as ideology, winemaking that expresses place… heavily-left-leaning politics and homegrown, grassroots organizing… Vini Veri is a wine fair that even Pier Paolo Pasolini would be proud of (especially in the light of his Friulian origins, since so many great Friulian producers present their wines there). Does anyone remember Poesie a Casarsa?

Even if you don’t understand Italian (or Friulian dialect), check out the images in this short on the collection of poetry that won Pasolini fame at an early age:

There are many versions of L’uva fogarina on YouTube but I liked this one the best. Most believe the Fogarina grape to be a type of Lambrusco found near the town of Gualtieri in Emilia. Something about that beautiful spring day in the middle of the fields made me think of L’uva fogarina. I’ll leave the rest to your imagination…