Don’t cry for me Montalcino

In an interview published this week by the Italian Sommelier Association, Ezio Rivella has called the results of the Brunello vote “a disaster.”

“I believe,” said Rivella, “that there is nothing left to do but cry for Brunello and its future!”

Click here to read my translation of an excerpt of the interview by Franco.

Don’t cry for me, Montalcino. The truth is I never left you.

New York stories

N.B. this post will be thoroughly more enjoyable, if you click the YouTube below for the post’s soundtrack.

Next week, I’ll post on the Apulian tasting that Charles Scicolone and I presented at the New York Wine Media Guild luncheon on Wednesday. In the meantime, here are some images from my quick trip to the Big Apple (well worth it if only to party in Harlem the night of the election!).

Bar Milano is my new favorite NYC hang. My buddy and colleague Jim Hutchinson and I hit it up Wednesday night. We had the 2006 Nosiola by Cesconi, which showed well and was reasonably priced, and the sardine in saor (sardines in a sweet and sour sauce), a classic Venetian dish, were the best I’ve had outside the Veneto. Owners Jason and Joe Denton just know how to do it right and they have got to be the coolest dudes — in every sense — on the NYC restaurant scene.

On Tuesday, Greg Wawro and I celebrated his milestone birthday at our favorite steakhouse Keens, always a winner in my book. I treated Greg to the 1998 Corison (yes, a Californian wine!). Keens has a slightly picked-over vertical of Corison but there are still some good ones left. I’ve always found the wine judiciously made. The 10-year-old Cabernet paired beautifully with the porterhouse (which we ordered black and blue, of course).

Before dinner on Wednesday, I visited Alice and snapped this pic of what has got to be New York City’s most talked about toilet. Alice often writes about her toilet in her blog. (Click on the link and read her NY Times Modern Love piece. I was there the night of the 1977 Monsanto but I cannot reveal the name of her admirer.)

Forget NYC: Tracie B is coming to LJ tomorrow! What music will Benoit play at the JG? Stay tuned…

Brunello vote, a different perspective, and some blogs I’ve been reading

Above: this photo of me and Gianfranco Soldera of Casse Basse appears in this month’s issue of The Tasting Panel Click the image to read my piece, “The Sun Also Rises, a dispatch from Montalcino” (photo by Ben Shapiro). The sun also rises in Montalcino…

My relief to read that Brunello producers had voted to “let Brunello be Brunello” last week was tempered when I read an editorial post authored by my friend and colleague Franco Ziliani, who pointed out — rightly — that among the “overwhelming majority” who voted not to change the appellation, there were also the same producers who, just days earlier, were calling for a more flexible appellation and “tolerance” for grapes other than Sangiovese.

“With this hypocritical vote,” wrote Franco, “I truly fear that Brunello di Montalcino will continue to have problems. A battle has been won, no doubt, but I fear that the war — even if it is an underground guerrilla war — will continue. Good luck, dear Brunello, I believe you will continue to need it desperately!”

Read my translation of his post at VinoWire.

Some other blogs I’ve been reading…

I’ve always been a fan of Eric’s blog and I really admire how he weaves literature and music into his posts. He and I are both fans of the Camilleri novels and our musical tastes are pretty much in tune, as well. I really liked this recent post on novelist Hillerman and Montepulciano d’Abruzzo (I also liked Eric’s excellent notes in the paper of record on his Montepulciano d’Abruzzo tasting).

Susannah is relatively new to the world of Italian wine blogging and I’m glad to see another Italocentric wine blogger jump into the mix. I really like her “Women in Wine” posts. Not enough attention is given to women winemakers in Italy, a country still plagued by chauvinism.

People often ask me why I blog and a lot of folks are curious as to why I do it when it doesn’t pay. Blogging has been one of the most rewarding experiences in my entire life, professionally and personally. As obsessively as I may check my blog stats (although probably considerably less than Strappo), the blog has enriched my life far beyond the immediate narcissistic reward. It is a medium for seeing the world that has transformed my life in truly wondrous ways that I never could have imagined. I really liked this post on wine blogging by Alder, a blogger whom I admire immensely for his work ethic, integrity, and palate. His sound advice should be required reading for any budding wine blogger.

Lastly but not least, proceed with caution: “Priming Stemware = Foreplay” by Benoit over at Anti Yelp.

Montage of a dream deferred (but now realized)

Yesterday I flew to NYC where I’m presenting an Apulian tasting at a New York Wine Media Guild luncheon today. Last night, my buddy Greg Wawro and I headed to Harlem after dinner to celebrate the election and drink it all in…

Outside the Apollo theater people gathered and cheered. Everyone was high-fiving and hugging and cheering. It was pretty awesome.

This dude performed a dance with the flag at 7th Ave. and 127th St.

We watched Obama’s acceptance speech on the big screen at Adam Clayton Powell Plaza.

Greg and I partied with revelers at the Seville Lounge on 7th Ave.

What happens to a dream deferred?

Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?

Maybe it just sags
like a heavy load.

Or does it explode?

— Langston Hughes

Yesterday’s wine: Willie Nelson at the Backyard

Miracles appear in the strangest of places…

Above: no synthesizers allowed… Willie played with a piano player, bass, drums, percussion, and harmonica. He played all the guitar himself on that same old acoustic guitar he’s used on all his albums. Man, that dude can play the guitar. I love his signature chromatic scales in his solos.

A week ago yesterday, Tracie B and I went to see Willie Nelson on the closing night of Austin’s storied concert venue, the Backyard. (Click here for a story about the closing of this legendary concert “shed.” I love what the reporter wrote: “Most folks say if the backyard does re-open elsewhere they’ll likely go, but it won’t be the same.”)

He played nearly all my favorites, including Yesterday’s Wine, one of his many greats, which was also recorded as a duet by George Jones and Merle Haggard (a great version):

    Yesterday’s wine, I’m yesterday’s wine
    Aging with time, like yesterday’s wine

I don’t know much about Willie’s palate (although I do know that he and I share a predilection for another indulgence). But, like analog wine in a digital age, his songbook has evolved gracefully over the years, with the nuanced notes of a classic American composer — just like yesterday’s wine… One of the best shows I’ve ever seen in my life.

Above: “Ain’t you glad we ain’t all California girls/Ain’t you glad there’s still a few of us left/That know how to rock your world” (Gretchen Wilson). Tracie B and Jeremy P at Willie last Sunday.

*****

In other news…

Do Bianchi is rarely a forum for political views but something I witnessed Friday compels me to ask my Californian sisters and brothers to please vote NO on Proposition 8. Drivers-by hurled insults at the woman in the photo (left) and the other protesters who lined Adams St. around the corner from Jaynes Gastropub.

Proposition 8, which would outlaw gay marriage in California, “is discrimination,” it’s un-American, and it’s just plain wrong. At the restaurant on Saturday, I waited on a super nice couple who recently got married (they drank Il Poggione 2006 Rosso di Montalcino): the vote will be close, they told me, and every vote will count.

*****

Miracles appear in the strangest of places
Fancy meeting you here
The last time I saw you was just out of Houston
Sit down, let me buy you a beer

Your presence is welcome with me and my friend here
This is a hangout of mine
We come here quite often and listen to music
Partaking of yesterday’s wine

Yesterday’s wine, I’m yesterday’s wine
Aging with time, like yesterday’s wine
Yesterday’s wine, we’re yesterday’s wine
Aging with time, like yesterday’s wine

You give the appearence of one widely travelled
I’ll bet you’ve seen things in your time
So sit down beside me and tell me your story
If you think you’ll like yesterday’s wine

Rolling with MZ at Jaynes

From the “I may not be a rock star but I get to hang out with rock stars” dept…

Above: we paired Ca’ del Bosco 2001 Annamaria Clemente — one of the greatest vintages for this wine, said Maurizio Zanella — with steamed Baja mussels at Jaynes last night. It’s a tough life, but someone’s gotta do it, right?

Flew in from Austin yesterday and rolled right into dinner with rock star winemaker Maurizio Zanella at Jaynes Gastropub last night. Friend and fellow wine rocker Robin was also in attendance.

I’ve met and tasted with Maurizio a number of times (and I recently tasted a 1979 Ca’ del Bosco disgorged à la volée at his winery). He is a true rock star among winemakers and his appetites and lust for life are stuff of legend. He’s also just a really cool guy who likes to talk about his experience as a student in Europe in 1968, about music, and about what it means to make real wine in a time when the marketing so often overshadows quality among sparkling wine producers.

I was geeked to ask Maurizio about the now legendary trip he made with Luigi Veronelli to California in 1981 (check out my post on Veronelli and new oak aging from October 2007): Veronelli wrote 1982, but Maurizio told me 1981 last night).

    “The real reason behind the trip,” Maurizio said, “was that [the great Friulian winemaker] Mario Schiopetto was suffering from back problems and had to go to Minneapolis to visit a specialist doctor. So, we decided to go with him and help him and from there we decided to California. We got off the plane in Los Angeles and headed right to Spago on Sunset Blvd. When the waiter took our order, I told him that we wanted ‘every thing on the menu.’ There were only four of us. So, Wolf[gang Puck] came out and said who are these guys? We ended up eating everything on the menu and Wolf and have been friends ever since. We asked him which was the best restaurant in Los Angeles and he sent us to Piero [Selvaggio] of Valentino. And it was Piero who organized our trip to visit all the great Napa valley wineries. I was completely amazed by the fact that the Californians were using the same winemaking practices that I studied in France [in Burgundy and then in Bordeaux]. I went back to Ca’ del Bosco and changed everything.”

Giacomo Bologna was with them, too. Bologna returned and created Bricco dell’Uccellone — probably the first and definitely the most famous barrique-aged Barbera. Maurizio made the first Italian barrique-aged Chardonnay. And Veronelli exhorted Italian winemakers to use new oak in his Catalogo dei vini d’Italia and he invited André Tchelistcheff to lecture at Palazzo Antinori in Florence.

Modernity had arrived. All because Mario Schiopetto had a bad back…

Yo, MZ, I like the way you roll…

Some how, some way, you just keep coming up with funky ass shit like every single day…

LONG LIVE BRUNELLO! LONG LIVE SANGIOVESE! PRODUCERS VOTE NOT TO CHANGE APPELLATION

Alessandro just posted the results of the voting here. Brunello will continue to be made with 100% Sangiovese grapes. Long live Brunello! Long live Sangiovese! (And nicely done, Alessandro!).

Brunello vote results expected shortly but looking good

I wish I could say I broke this story at VinoWire but I must give credit where credit is due: my buddy Alessandro Bindocci is posting on the Brunello vote results at his blog Montalcino Report. I’m glued to my seat and am keeping my fingers crossed for Brunello to remain Brunello (100% Sangiovese). Long live Sangiovese!

Sue me, Summus… Banfi proposes 3-5% “tolerance” of international varieties

That’s Cristina Mariani to the left, owner of Banfi Vintners, one of the world’s largest and most powerful winemakers. Her family’s winery is one of the largest producers of Brunello di Montalcino.

Yesterday, on the eve of the Brunello Consortium’s historic vote on whether or not to allow blending of grapes other than Sangiovese, she and her company issued a statement in which they declare their support for a 3-5% “tolerance” of other grapes and for a new “Super Tuscan” Rosso di Montalcino designation:

    “It is our strong belief that the heritage of Brunello rests solidly on the ennobled Sangiovese grape, and therein rests its future as well. This is why we dedicated our resources over the past thirty years in our ‘Pursuit of Excellence,’ collaborating with leading scholars to research, register and plant optimal clones of Sangiovese in their ideal soils on our estate. And this is why we will support the move to maintain the definition of Brunello di Montalcino as being made exclusively from the Sangiovese grape, with only a minimal (3%-5%) tolerance to be included in Brunello Appellation Rule to provide for human error in the vineyards or winery, as befitting a truly artisan production.

    At the same time, we will work with our supportive neighbors to develop Rosso di Montalcino into a broader appellation that will allow Sangiovese to contribute its special character to a blend of other varietals, and continue to pursue the expression of the region’s unique terroir in ‘Montalcino Super Tuscan’ wines.”

There’s a saying in Italian, avere la botte piena e la moglie ubriaca, to have your cask full and your wife drunk. In other words, Ms. Mariani and her company want to have their cake and eat it too.

I’m sorry, Cristina, but sue me, Summus. You write: this is why we will support the move to maintain the definition of Brunello di Montalcino as being made exclusively from the Sangiovese grape, with only a minimal (3%-5%) tolerance to be included in Brunello. There seems to be some faulty logic here. Or do I not understand the meaning of the word exclusive?

The critical theorist in me can’t decide if I should apply a Marxist or Freudian reading to your conflict. But the Lacanian me reminds me that the signifier always precedes the signified.

In the words of the great Big Joe Turner, either you is, or either you ain’t (Lipstick, Powder, and Paint).

And in the words of James Suckling, LET BRUNELLO BE BRUNELLO!