The Natural wine disconnect (the ideology and spirituality of wine and the importance of a good shit)

Above: The best things in life are free but you can’t leave them to the birds and bees. My good friend Giampaolo Venica employs chemical-free farming and vinifies his wines using ambient yeast exclusively. But he would never call his wine “Natural.” He just calls it “wine.” I took this photo of “Wasp with Ribolla Grape” at his winery in September 2010.

Who will ever know why Eric the Red (as Eric Asimov is known here) decided to write today about the “vitriol” and “hissy fits” that “Natural wine advocacy” can evoke and provoke among English-language wine bloggers and writers? Was it because he overheard some wine hipsters at The Ten Bells — my favorite wine bar in New York City — dissing someone for liking a “yeasted” wine? (Dagueneau or Bruno Giacosa, anyone?)

Or was he writing in response to top American wine blogger and marketer Tom Wark’s satire of the “denigration marketing” embraced by Natural wine proponents in a post this week entitled “Drink Natural Wine Or Get a Bad Rash”?

I like to call Eric the “Solomon” of wine writers (and am a big fan). And if he wrote today about the discord that Natural wine foments in this country, there must be a good reason.

Of course, the greatest denigrator of them all and the instigator of the Natural wine dialectic in this country — Joe Dressner — recently left our world. Joe attacked nearly everyone (myself included; click here for Eric’s pre-obit of Dressner who died in September 2011). But there are a number of people in line for his mantle, each vying — for their own self-interest, whether commercial or purely personal — to take his place as denigrator-in-chief. (Again, please read Tom’s post if you’re interested in that rigamarole.)

Above: A wine shop in peninsular Venice (Favaro Veneto), where Incrocio Manzoni and Malbech [sic] are sold for less than a handful of Euro per liter.

In my view, the misguided and misplaced vitriol of Natural wine advocacy in this country is due to a fundamental disconnect.

In North America, wine is a luxury product only recently embraced by consumerist hegemony. Many in the U.S. may see wine as a means to return to Nature but they rarely embrace it as a means of natural sustenance. Wine is a commodity, often a trophy, a conversation piece and “first world” amenity.

In Europe, wine is a daily nutriment and it remains imbued with ideological and spiritual meaning, at times visceral, at others intellectual. Its origins and roots (literal and figurative) touch the very heart of European society and ethos.

And while many English-language wine bloggers and writers (is there a difference or distinction between the two anymore?) have traveled to Europe and picked and stomped the grapes themselves, few touch upon the deep ideological and spiritual meaning and cultural value that European grape-growers and winemakers cherish so dearly.

Veneto winemaker Angiolino Maule makes Natural wine and stands apart as one of the Natural wine movement’s leading advocates because he believes that Natural wine can save the earth and our humanity by warding off the absolute denaturalization of our species through the inevitable, looming reification of our bodies through consumerism.

This is not stuff of marketing. It is a living, breathing, and often gasping attempt to fight what Marx called alienation or estrangement (please see my post Sensuous world: Marx, Gramsci, Pasolini, food and wine).

Above: The bottom line is that Natural wine helps you to shit good. Camillo Donati’s Malvasia Frizzante not only will help you take a good dump. It tastes friggin’ delicious.

The fact that it’s come to this — “vitriol,” “hissy fits,” and “denigration marketing” — is the very proof in the pudding that the English-language dialectic on Natural wine is misguided. Ultimately, the maliciousness that emerges from the English-language discourse on Natural wine is generated by commercial interests that counter the very nature of Natural wine. It’s important to note that the vitriolic exchange, btw, is unique to Anglophone vinography.

Why do Tracie P and I drink (and advocate) Natural wine? She would tell you that it’s because it aligns with the vino paesano — the country wine — that she discovered on one of her early trips to Europe after college graduation. No need to call it “natural.” To the folks who make it and drink it every day — as a nutrient, not a luxury — it’s simply wine.

Me? I drink and advocate it because it’s delicious and it helps me to shit good. Why does it make me shit good? No one really knows but it’s probably because there is still active yeast in Natural wine — a defect to some in the wine world, a miracle of nature to others.

Who doesn’t feel better after a good shit? It’s the greatest return to Nature and the best way to get the vitriol out…

One crazy ass psychedelic wine shirt

Casual was the call for attire at the wine dinner I hosted on Saturday night at Jaynes Gastropub and so I decided to don the above psychedelic vintage 70s disco shirt (recently unearthed in a box that arrived with my library from my Manhattan storage). I’ve never really been able to figure out what it means. On the back, a bunch of grapes transforms into silver balls. On the front, silver balls reveal a convex image of a wine bottle and one of the balls falls to the ground and bursts. There is an upside down dessert sunset that lines the bottom of the shirt (from the wearer’s POV, it looks like a sunset).

I’ll post more on the dinner tomorrow so stay tuned: Australian wines I like! Yes, I actually found some!

In other news…

Tom, I thought you’d never ask! Tom over at Fermentation posted my BloggerView interview yesterday. Tom’s blog is currently the number 1 most-visited wine blog in the world and I was thrilled that he asked me to do an interview. I had a lot of fun with it and was flattered by Tom’s generous words. Click here to read.

Even more thrilling was the revelation of what will become my new tag line: “Guitar slingin’ somm and scholarly scribe of vinous humanism Jeremy Parzen.” Thanks, McDuff, for the new epigram and thanks for the generous shout out.

Lastly, due to an editing error on my part, one of my favorite wine blogs ended up on the cutting room floor of Tom’s interview: Wayne Young’s blog The Buzz is most definitely one of my daily reads. Sorry about that, Wayne!

In other other news…

Check out this way cool Austin slide show and profile in The New York Times Travel mag. It features the Broken Spoke where I’ve been playing some gigs lately.

Who knew that Austin was such a great place to live? ;-)

I moved here for LOVE. :-)