Pizza & Bollinger? Ummm… I think I told you so…

From the department of “ubi major minor cessat”…

Eric the Red writes today on the virtues of pairing pizza and, ahem, Champagne

Bolly is one of his top picks.

Umm, where have I heard that before?

Our good friend Charles Scicolone (above) – with whom we have shared many a pizza and great wine — also gets a nice shout out in Eric’s piece

McMalbec, my post today @EatingOurWords @HoustonPress

My editor asked me to write something about a wine from Argentina and so I just couldn’t help myself…

When my wife Tracie P and I pulled the synthetic cork out of a bottle of Terrazas de los Andes Altos del Plata Malbec on Saturday evening at a family function, we joked that we could write the tasting note without even sampling the contents: “Bright jammy fruit, with an intense blueberry note, aggressive but balanced alcohol, reluctant acidity but quaffable nonetheless, a crowd-pleaser for under $10.”

Let’s face it. Wines from Argentina are like McDonald’s. And that’s a good thing, people! No matter where you go, you know that a Big Mac will taste exactly like the Big Mac you enjoy (when hungover) at your corner franchise.

And like Mickey D’s secret sauce, the Argentine wine formula is a winner all over the world.

Click here for my post today for the Houston Press…

Lagrein: Italian Grape Name & Appelllation Pronunciation Project @EricAsimov

Eric the Red was right to “have a little fun with it” when he wrote me asking about the pronunciation of the Italian grape name Lagrein last year.

“FEW things are simple in northeastern Italy,” he wrote, “least of all lagrein, a red grape that can produce fresh, aromatic, highly seductive wines. Why, just last week, I asked a linguistically minded friend who is fluent in Italian for the proper pronunciation of lagrein. Here is his response, or part of it:”

    “Lagrein is a tough one,” he said, “in part because it’s pronounced using a Germanic, as opposed to an Italianate vowel system.” He went on to offer his preference, lah-GRAH’EEN, but allowed that lah-GRINE and lah-GREYE’NE (where greye rhymes with eye) were also acceptable. Well, linguists are nothing if not perfectionists. But even allowing for such hairsplitting, lagrein comes with ample grounds for confusion. It is grown primarily in Alto Adige, a region so far to the north in Alpine Italy that it practically touches Austria and Switzerland. There, the culture is more Tyrolean than Italian, and the first language is often German. Many wines from the region are labeled in both Italian and in German. Even the name of the region, Alto Adige, does not speak for itself; it is generally rendered bilingually with its German counterpart, Südtirol (South Tyrol, using the Germanic vowel system, of course).

Here’s the link to his profile of Lagrein and tasting panel notes.

When I headed to Italy at the end of March to attend the annual Italian wine trade fair, Lagrein was on the top of my list of new ampelonyms to capture for the Italian Grape Name and Appellation Pronunciation Project.

And so I made a beeline to the Franz Gojer stand — in my view, one of the greatest producers of Lagrein — and asked Franz’s son Florian to speak for my camera. While Florian is bilingual (and of course, we spoke in Italian), German is his first language. And as per what I told Eric above, Lagrein, linguistically speaking, is first and foremost Germanic.

Thanks for speaking Italian (grapes)!

Breakfast tacos back in the Groover’s Paradise

Had a to take a few days off to decompress, beat the nasty jetlag, catch up on my sleep, and “love on” Tracie and Georgia P this weekend.

When I travel to Europe for the trade fair, only to stay on to lead a blogger project, I hit the ground running and the pace never slows down… And then, back in Texas, where Tracie P is now a stay-at-home mom and we are a one-income household, my plate is piled high with new clients and editorial responsibilities as we try to make our business grow.

And so early Sunday morning, as baby and mamma still slumbered, I warmed some handmade flour tortillas, melted some colby jack, hard scrambled some eggs with Parmigiano Reggiano, milk, and nutmeg, and topped it all with a dollop of creamy guacamole, a tablespoon of frijoles negros (Goya, of course), and a generous splash of Herdez salsa casera.

There’s a whole wide world of enogastronomic adventure out there… but there’s no place like home…

Happy Monday, yall…

Frito pie, meditations and contemplation…

There is perhaps no dish that inspires connoisseurship among Texans as much as Frito Pie.

Shrouded in mystique and lore, this mighty staple of rigorously authentic Texas gastronomy, speaks to the citizens of our state like no other in our culinary canon. By combining indigenous ingredients and formulas — Fritos, invented in San Antonio, and chili con carne, actually known simply as chili in our state, as one adoptive Texan learned dutifully when he made the mistake of calling “turkey chili” chili — this supremely Texan of victuals marries all the things we love best: Fat and spice.

Click to continue reading my post for the Houston Press today…

Vagina Panic (post tenebras lux)

From the department of “from darkness comes light”…

Above: Girls is a new show on HBO.

As the title reveals, “Les Damnés” was a track that I wrote for my band Nous Non Plus during a dark time in my life when I was living in New York and working in the restaurant industry by day and the music industry by night. It was an extremely productive time for me but a very unhappy one…

When I brought it to my dear friend and writing partner Verena (aka Céline Dijon), she brought her own darkness to the song, writing about traitorous lovers “damned” to an unhappy existence.

Her performance on the recording, superbly produced by Dan (aka Jean-Luc Retard) who forms the troika of our writing équipe, is as stirring to me now as it was that day, many moons ago, in an Eagle Rock recording studio.

For its pathos, it’s one of the songs that I’m the most proud of and it also features an amazing drum solo by our friend Joachim Cooder (who played on the entire album, Ménagerie, Aeronaut, 2009).

To listen to it now still brings chills to my marrow but it also reminds me that from darkness can come light… post tenebras lux

“Les Damnés” will be featured on the new HBO show Girls on Sunday, April 22, episode 2, “Vagina Panic.”

*****

“Les Damnés” from the Nous Non Plus 2009 release Ménagerie (Aeronaut) will be featured on the new HBO series Girls on April 22 (“Vagina Panic,” episode 2).

“HBO’s ‘Girls’ Is the Best New TV Show of 2012.”
—Daily Beast

Guado al Tasso “tasted like ass” (bottle variation reveals)

Taking a break from posting about my trip to Italy to give a huge shout out to Texas wine legend (and now wine blogger) Bear Dalton, whom I met for the first time at a small Houston wine blogger summit that I organized last night at Tony’s Ciao Bello.

As you can see in the photo above, Bear is not only a wine dude (educator and industry veteran) but he’s also a cowboy (for real). And in true Texas fashion, he shoots from the hip.

On Easter Sunday, he posted these notes on his blog from tasting roughly 90 bottles of Guado al Tasso for the Houston Rodeo Champion Wine Auction Dinner.

    About 90 bottles of each. While I found only two technically flawed bottles (one of each wine, both suffering from TCA or “cork taint”), the exercise proved to be very interesting. In both wines, there was a LOT of bottle variation. The bottles ranged form sublime to, well, frankly earthy and a bit disappointing. While I wasn’t keeping formal score, I’d say that in both cases somewhat more than third of the bottles were lovely (which is to say better than expected), about a third were perfectly acceptable (about as expected but not so good-vibrant-alive as the “lovelies”) and somewhat less than a third were (in varying degrees) frankly earthy and even a bit funky (but not technically flawed in the sense of showing TCA, TBA, oxidation, etc.) but still drinkable and for the most part enjoyable. Some of my younger friends might say that the least desirable of these “tasted like ass”. Had I ordered either of these wines in a restaurant, I would have accepted (and likely drunk) all of them except the two corked bottles. However, if my only experience with the wines were the earthy/funky bottles (and none of the “acceptables” or “lovelies”), I might never have ordered them again. While the earthier bottles showed no obvious technical flaw, they were less good and did not justify their price.

Chapeau bas, Bear! Not only are you a Texas original but you are a righteous man! Few in our business would have the courage to publish such a painfully frank post and I admire you for it…

The wine blogger summit included myself, Bear, Wine Thoughts (one of my favorites), VineSleuth Uncorked (also a mommy and Bible blogger), and H-Town Chow Down (one of the leading food blogs in a city where food blogging is a highly competitive and often cut-throat affair).

Bear brought a bottle of zero-sulfur Bordeaux, the Château Penin above. I brought a bottle of COS Ramì, skin-contact Inzolia.

But it was Tony’s (in season, early this year) Gulf Coast soft shell crabs that stole the show…

Schioppettino, the next big thing? (history of its revival and fortune)

Above: The folks at Ronco del Gnemiz hosted a vertical tasting of Schioppettino — stretching back to to 1989 — for the COF2012 bloggers last week. The township of San Giovanni al Natisone (where their property is located) is not the historical epicenter of the variety. But when current owner Serena’s father bought the estate in the 1950s, there were Schioppettino vines growing there — an indication of its popularity in another era. They still make one botte (large cask) of Schioppettino every year.

Anglophones love to say Schioppettino (here’s the entry for Schioppettino in the Italian Grape Name and Appellation Pronunciation Project). Perhaps it’s because of the variety’s purported onomatopoeic properties: some speculate that the name derives from the fact that the thick-skinned grape pops in the mouth when you bite into it; others believe that commonly encountered secondary fermentation and the resulting fizziness gave rise to its name (an early printed mention — 1823 — of the ampelonym is Scopp, according to Calò et alia).

As for the majority of Italian grape names, we’ll probably never know the etymon. But this lacuna doesn’t diminish our pleasure in saying Schioppettino (try it).

Above: In a tasting of roughly 15 Schioppettino producers from the township of Prepotto (the village where the grape is cultivated most famously), Pizzulin and Due Terre were standouts for me (the Due Terre entry was a blend of Schioppettino and Refosco). I also liked Petrussa and La Viarte. Here’s a link to a list of all the members of the Association of Prepotto Schioppettino Producers. The tasting was hosted by the Stanig winery in its restaurant/agriturismo and there is also an Enoteca dello Schioppettino worth visiting in Prepotto.

In many ways, Schioppettino and its revival in the late 1970s were precursors to the current renaissance of indigenous Italian grape varieties.

In 1976, the Rapuzzi family won the first-ever Nonino Prize — the Risit d’Âur or Golden Rootstock award — for its success in cultivating the forgotten grape. (Sadly, the wine they made from the 1975 vintage was never tasted because it was lost in the 1976 earthquake in Friuli, one of the many catastrophic events that shaped and defined the Friulian ethos in the twentieth century.)

In era when the great architects of the revival of “real wines,” Luigi Veronelli and Mario Soldati, were pioneering a new vinography that championed the indigenous over the international, Schioppettino was one of the earliest rallying cries. At the time, it was not authorized by the official “album” of government-sanctioned grape varieties and the Rapuzzi family risked a stiff fine and forced grubbing up. Lobbying by the Nonino family, combined with Veronelli’s patronage, helped to convince authorities to stand down. Today, the canonical rootstock for Schioppettino sold by the Rauscedo nursery is named “Rapuzzi”.

Above: In Prepotto, they pair Schioppettino with herb frittata, frico, and polenta. I think it could go with just about any type of comfort food. Photo by JC Reid.

Of all the tastings we attended in the Colli Orientali del Friuli last week, Schioppettino seemed to be the grape that excited the bloggers the most.

Was it because so little Schioppettino makes the Atlantic crossing?

Was it because the grape makes for juicy wines, with bright acidity and balanced alcohol?

Was it because of the grape’s signature spice, teetering somewhere between white pepper and cinnamon?

Maybe it’s because it’s just so fun to say Schioppettino