Category Archives: de musica

Vagina Panic (post tenebras lux)

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From the department of “from darkness comes light”…

Above: Girls is a new show on HBO.

As the title reveals, “Les Damnés” was a track that I wrote for my band Nous Non Plus during a dark time in my life when I was living in New York and working in the restaurant industry by day and the music industry by night. It was an extremely productive time for me but a very unhappy one…

When I brought it to my dear friend and writing partner Verena (aka Céline Dijon), she brought her own darkness to the song, writing about traitorous lovers “damned” to an unhappy existence.

Her performance on the recording, superbly produced by Dan (aka Jean-Luc Retard) who forms the troika of our writing équipe, is as stirring to me now as it was that day, many moons ago, in an Eagle Rock recording studio.

For its pathos, it’s one of the songs that I’m the most proud of and it also features an amazing drum solo by our friend Joachim Cooder (who played on the entire album, Ménagerie, Aeronaut, 2009).

To listen to it now still brings chills to my marrow but it also reminds me that from darkness can come light… post tenebras lux…

“Les Damnés” will be featured on the new HBO show Girls on Sunday, April 22, episode 2, “Vagina Panic.”

*****

“Les Damnés” from the Nous Non Plus 2009 release Ménagerie (Aeronaut) will be featured on the new HBO series Girls on April 22 (“Vagina Panic,” episode 2).

“HBO’s ‘Girls’ Is the Best New TV Show of 2012.”
—Daily Beast

she’s the one

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From the department of “yes, last night while Tracie P ate her dinner, I sang my daughter A Chorus Line in its entirety and she LOVED it”…

One singular sensation
Every little step she takes.
One thrilling combination
Every move that she makes.
One smile and suddenly nobody else will do.
You know you’ll never be lonely with you know who.
One moment in her presence
And you can forget the rest.
For the girl is second best
To none,
Son.
Ooooh! Sigh! Give her your attention.
Do… I… really have to mention?
She’s the…
She’s the…
She’s the…
One!

Arianna Occhipinti & Giorgio Grai walk into a winebar…

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From the department of “public service announcements”…

How’s this for a premise? [hipster Sicilian Natural wine producer] Arianna Occhipinti (above) and [legendary winemaker, master blender, and race car driver] Giorgio Grai walk into a winebar in Siena… The two winemakers represent the antipodes of Italian winemaking in nearly every way (including geographically!). And they are two of the nicest and most intelligent people in Italian wine today.

I probably won’t be getting up at 3 a.m. (10 a.m. Italian time) on March 16 to watch the streaming of a conversation between Arianna, Giorgio, the original Italian celebrity chef Gualtiero Marchesi, Giuseppe Vajra (one of our favorite winemakers), and a few other Italian food and wine luminaries. But I’m hoping that someone will have the good sense to post a YouTube somewhere. The icing on the cake: one of my favorite Italian food bloggers, Stefano Caffarri, curator of Appunti di Gola, will be moderating.

My good friend Francesco Bonfio, president of Vinarius (the association of Italian wine shops) is the organizer.

Here are the details.

In other news…

One of the winemakers I admire the most (for the superb wines he makes and for his honesty and soulfulness), Angiolino Maule has announced the dates of the VinNatur conference and tasting at the Villa Favorita, March 24-26.

Of all the Natural and biodynamic wine fairs in Italy, VinNatur is perhaps the one that thrills me the most and its selection process is the most rigorous. Not only are producers required to practice chemical-free farming, but they are also required to submit soil samples to ascertain whether or not “residual” chemicals are present in their vineyards (resulting from runoff from their neighbors’s vineyards).

In past years, my very close friend and jazz guitar virtuoso Ruggero Robin has performed at the event (he and Angiolino — an accomplished musician in his previous life — are good friends, as well). I don’t know yet if Ruggero will be there but I hope so!

California, I’m coming home… @SottoLA @NousNonPlus

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You can catch me as Dr. Jekyll tomorrow night (Weds. Feb. 8) at Sotto in Los Angeles where I’ll be working the floor pouring and talking about wine or you can catch me as Mr. Hyde (aka Cal d’Hommage) on guitar with Nous Non Plus on Thurs. in San Diego, Fri. in SF, or Sat. in LA.

Ever since I was a child (when I lived and grew in California), the song has had a profound meaning for me… Nostalgia and longing played out in falsetto and dulcimer… Will you take me as I am?

This time around the song has a whole new meaning as Tracie P bundle up our “little green” Georgia P for her first trip to meet her California family and see where her daddy grew up. Just the thought of her seeing the Pacific Ocean for the first time fills my heart with a joy that I could never have imagined before she came into our lives…

California I’m coming home
I’m going to see the folks I dig
I’ll even kiss a sunset pig
California I’m coming home
…
Oh California I’m coming home
Oh make me feel good rock n roll band
I’m your biggest fan
California, I’m coming home

Will you take me as I am?

Photo by the amazing Nichols family.

1971 Monsecco (Gattinara) and Rock ‘n’ Roll Baby G

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A couple of my favorite rock stars were over on Friday night, to meet Georgia P and to share a special bottle of a wine.

The 1971 Gattinara Monsecco by Conte Ravizza was vinified the same year that David Garza was born: David (above, center) is one of the greatest musicians I’ve ever had the fortune to work with and he played on our last album “Freudian Slip.” And he’s also just a super cool dude to hang with.

Céline Dijon (right, holding Georgia) currently calls New York (not Paris anymore) her home and she was in town because we’re working on material for our new album. (BTW, our band Nous Non Plus playing in San Diego, San Francisco, and Los Angeles this week, Thurs.-Sat.; click here for the show details.)

I had saved the 1971 Monsecco for David. It had been given to me by Brooklyn Guy’s good friend Dan when we visited in Brooklyn in January 2011 (when we tasted a bottle of it together; here are my complete notes together with the research I did on the bottling).

After a Texas summer in my home cellar (the hottest on record), I wasn’t sure how the wine was going to stand up but we were all impressed with how bright the wine was, with healthy acidity and gorgeous fruit — thoroughly delicious paired with Tracie P’s risotto al radicchio veronese served all’onda. It just goes to show that even in tough vintages, great producers can make great wine (I reported Wasserman’s notes on the harvest here).

David was so sweet: he taught me how to play a new lullaby he wrote and he sang it for Georgia… too cute for words…

If you’re in California this week, come see me and Céline at one of the shows!

Here’s another shot from Georgia P’s recent photo shoot (by the amazing Nichols family):

1979 Vino Rosso dai Vigneti di Brunello @BrunelloMaker

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Tracie P and I celebrated our second wedding anniversary on Friday night with one of the most stunning bottles we have ever shared together: 1979 Vino Rosso dai Vigneti di Brunello by the Tenuta Il Poggione (our anniversary is actually today but we celebrated on Friday because Rev. and Mrs. B were in town and we had our first date night out since Georgia P was born!).

The bottle was given to me by my friends Fabrizio and Alessandro Bindocci at the winery back in October when I visited with them (I had it shipped from Siena, fearing that such a delicate bottle would not withstand travels in the trunk of my rental car and in the cargo of a commercial airliner). It had been cellared there since bottling and it had not been recorked or topped off. The shoulder was impressively high for a bottle this old.

Until 1982 when the DOC for Rosso di Montalcino was created (see Alessandro’s post here), the rosso was a vino da tavola labeled as Vino Rosso dai Vigneti di Brunello (Red Wine from Brunello Vineyards). Note the alcohol content (13.5%) and note the bottle format (720ml).

Usually when you open a bottle of wine this old (and especially in the case of a wine originally intended to be drunk in its youth), you expect it to deliver one last gasp of life: you pull the cork and pour it into your glass and you enjoy it immediately, as its vibrancy quickly fades.

Not knowing what to expect (in part because Bindocci father and son had told me that it could be past its prime), Tracie P and I were BLOWN away by its bright acidity and fruit. And as we tasted it over the course of an hour and a half, it just continued to reveal layer upon layer of ripe red and berry fruit. It paired exquisitely with a black and blue New York sirloin. I had brought the bottle to the restaurant (Trio in Austin) three days prior and it had been stored upright. I asked our sommelier Coalminer Mark not to decant it and we opened it just a few moments before our main course arrived. I’m sure it could have kept its life for many more hours had we not slurped it down!

An truly unique and special bottle of wine for a magical moment in our lives: (not so) Little Georgia P was seven weeks old yesterday. We love her so much!

Thanks again, Fabrizio and Alessandro, for sharing this experience with us — from Montalcino to Austin… BRILLIANT!