There were tears at this year’s TexSom. Tears of joy.

One of the most compelling moments of this year’s TexSom (the popular annual gathering of wine professionals in Irving, Texas near Dallas) was when speaker Julie Dalton (below, third from left) broke into tears while describing her gratitude for what she has achieved in her career.

Gratitude, she pointed out later during the session, is an emotion that wine professionals should embrace.

The theme discussed by her and her fellow panelists (below from left, Brandon Kerne, Stevie Stacionis, and Zwann Grays, far right) was “What’s a ‘Sommelier Wine’?”

The conversation began with a tasting of wines that have become popular in U.S. wine culture thanks to sommeliers’ advocacy.

Muscadet was a perfect example of this. Many wine professionals will remember the period around 2007-08 when Muscadet, with its mineral flavors and food-friendly acidity, became a favorite of top wine directors across the country. Stevie pointed out that it was also a white wine that those young professionals could afford as French and Californian whites became more and more expensive during the first decade of this century.

But the dialog veered swiftly into a lively debate over who can rightly call themselves a “sommelier” and what the title truly means.

At the end of the session, a long-time attendee raised his hand and was greeted with robust applause when he said that “this is the best seminar I’ve ever attended” at the gathering.

Since its inception in 2005, the conference has gone through some well-documented ups and downs. As it rebuilds itself in the wake of the Covid-era closures, its new cast of characters is as diverse and talented as the community it represents.

In the introduction to the two seminars I sat in on, the presenter reminded attendees that they should report any misconduct. They simply had to speak to a volunteer or could also use an anonymous online platform. The conference’s new code of conduct was shared with attendees when they registered.

It had been many years since I attended the conference (I was there to pour and talk about Abruzzo wines). I was genuinely blown away by the overall vibe of camaraderie and solidarity. It was wonderful to reconnect with so many colleagues from across the country and the state. And it felt like TexSom is fulfilling its mission to a greater degree than ever before: creating community, bolstering wine education, and supporting wine professionals along their journey, no matter what that path may be.

I cannot sing the praises of conference co-founder and director James Tidwell loudly enough. He has done a truly superb job of shepherding this extraordinary resource over the years and bringing it in line with the times.

Chapeau bas, James! Thank you for a great experience!

Taste 5 Brunello with me September 19 in Houston. A new wine club.

There’s a lot more to that deer in the photo than meets the eye.

I grabbed it from the Facebook of one of the Brunello producers that I will be presenting on September 19 in Houston, San Polino.

The folks at San Polino have been instrumental in a new movement of winemakers who are rethinking the role of biodynamics in viticulture today. Their work is so compelling that Master of Wine Jancis Robinson has published their findings on biodiversity and mycelia (fungal networks) on her site.

As cute as it may be (or as profound as the image may be for readers of ancient Italian literature),* the deer is a synecdoche for the rich biodiversity in the woods that surround the vineyards in Montalcino.

It’s part of what gives Brunello its unique and unmistakable character when the fruit is vinified with the intent of capturing the terroir — the place and its human traditions — in the bottle.

On Tuesday, September 19 in Houston, I’ll be presenting five Brunello including three by San Polino at the inaugural event of our new Vinello Wine Club.

The cost is $45 (inclusive) per person. Here’s the complete flight:

Amantis 2018
San Polino 2017
San Polino 2012 Helichrysum
San Polino 2016 Riserva
Le Potazzine 2018

Not a bad deal, right? The five glasses of wine will be accompanied by Berkel-sliced prosciutto and other light bites.

Click here to reserve.

The Vinello Wine Club is a partnership between me, the folks behind Vinello Wines, a Houston-based importer, and a veteran of Houston’s Italian wine scene. The tasting will be held at Vinello’s warehouse in Hedwig Village (on Old Katy Rd.).

This is going to be a great event and the quality-price ratio on this one is fantastic. I hope you can join us. Thank you for your support.

* For super geeks, here’s the literary reference.

How do you say “have a good harvest” in Italian? Buona vendemmia! Italian grape harvest has begun.

Above: my friend Guerino Pescara, vineyard manager for Ciavolich in Loreto Aprutino (Abruzzo), shared the above photo this week.

Grape harvest has begun in Italy!

Earlier this week, winemakers from Franciacorta to Sicily began picking their fruit. The focus right now is on white varieties and reds for the production of sparkling wine. The red wine harvest should begin in the next few weeks, around the same time it began last year, which was also marked by extreme heat.

Despite widespread reports of peronospora (downy mildew) in central and southern Italy, prolonged high temperatures throughout Italy, and scattered but alarming reports of hail earlier in the year in northern Italy, growers are expecting a good and in some places great harvest. Rains in late May and early June provided water to sustain the plants through harvest and alleviated concerns that 2023 would be a repeat of the 2022 drought.

tintiliaTintilia for sparkling wine at Claudio Cipressi in Molise, photo by my fellow writer Matteo Borré.

Most trade observers are predicting diminished yields, especially in areas where peronospora has been endemic. In some cases, a 40 percent drop in production is expected. But as France suprasses Italy in terms of volume, many pundits are saying that Italy needs to make less wine because of significant quantities of unsold wine that will be distilled.

Click here to see some more early harvest photos I grabbed from social media and posted on my Instagram.

Wishing a great harvest to all my friends and colleagues in Italy! Buona vendemmia!

In other news, Italy has its second Master of Wine, Andrea Lonardi, one of the country’s most prolific winemakers. Congratulations, Andrea!

Why I’m a believer in “one glass per person.”

As fall plans and events come into focus, a number of my private tasting clients have been asking me how many glasses should we have at the tasting?

My answer is nearly always let’s plan on one glass per person with a few extra for breakage and/or unforeseen technical issues.

Just one glass? Yes, just one.

Here’s my thinking.

One glass reduces cost, reduces the amount of water expended for washing, reduces clutter, reduces waste, and keeps the taster focused on the glass before them.

But should we be rinsing the glass with water in between wines? my clients ask.

Many seasoned wine industry professionals (including me) believe that you should never rinse a wine glass with water; you should always rinse with wine.

The main two ingredients in wine are water and alcohol. When you rinse with water, the residue liquid can affect the balance, however slightly but significantly. It’s kind of like using equalization on your stereo: you’re slightly modifying the artist’s original intent.

Water also has its own flavor, which can also impact the wine.

If you rinse with wine, even a different wine from the one you are about to taste, you stay closer to that balance. And you also avoid any flavor that the water may add.

So, with just one glass, even as you shift from one wine to the next, you limit the outside factors because the glass is always primed with wine.

One glass also forces you to focus your attention on one wine at a time.

How many times have you been at a wine dinner or wine tasting with tons of glasses on the table? People, especially laypeople, often forget which wine they are tasting!

Of course, there are exceptions. The whole point of a vertical or horizontal tasting is to experience different vintages or different parcels or grape varieties side-by-side.

But as long as there are dump buckets provided, just one glass per person keeps my tastings running smoothly and with greater focus.

Taste Abruzzo with me at TexSom, Burgundy in Boulder, Brunello in Houston, Nizza in Hong Kong… what?

Wow, it’s going to be a busy fall.

I just found out that not only will I be going to Italy — not once but twice! — in November. But I will also be going to Hong Kong!

The two Italian trips are teaching gigs: my regular slot teaching wine and food communications in the grad program at Slow Food U.; and a new teaching job for the Abruzzo consortium teaching a week-long seminar on the region’s wines and subzones.

If you’re a qualified American wine professional and would like to join me for a week in Abruzzo, please send me a DM.

I’ll also be doing a dinner for the Abruzzo folks here in the States sometime before Christmas. We still haven’t chosen the city. If you’d like to be yours, please let me know. Stay tuned for that.

Sunday, Monday, and Tuesday of this and next week, I’ll also be pouring and talking about Abruzzo wines at TexSom. I’m looking forward to seeing a lot of my colleagues from across the state and country during the conference.

Next month I’ll be pouring Brunello for a new Houston wine club that has asked me to be their presenter. The tentative date for that is Wednesday, September 20. Stay tuned for that as well.

But the event I’m the most excited about this year is the Boulder Burgundy Festival (October 20-22) where I’ve been the gathering’s official blogger for more than a decade. I’ll be moderating the seminar panel (more on that later).

Tracie’s going to be joining me this year for the festival in Colorado and we’re both super stoked about that.

Boulder Burgundy will be followed by my trip to Hong Kong where I’ll be pouring my client Amistà’s Nizza at the James Suckling tasting. I still can’t believe it!

It’s going to be a busy autumn and I feel truly blessed to get to do what I do for a living. Thank you for all the support and solidarity. I’m hoping our paths will cross and we’ll taste something great together in coming months.

Heartfelt thanks to everyone who reached out with their wishes following my trip to upstate New York last month. It was a really tough one and all those notes really mean the world to me. Thank you. Next month, I’ll be hosting a private wine tasting for my mother, who’s also turning 90 this year. We’re putting on a great party for her and the girls and Tra will be coming out to La Jolla with me for that. We can’t wait.

Saying goodbye to my father.

“How weird it is to have a sibling.” That’s what the writer said the other day. “There is this person that is the closest thing to you that you can get. But is not you. How heartbreaking that is. And how close and far away you can feel.”*

Last month my siblings and I — my two brothers, one seven years my senior, the other two years my junior — made what we all believe will be the last trip to see our 90-year-old father. The occasion was his birthday, although he had no idea why we were there.

My younger brother called our group text thread “the Brothers Parzencheski,” an allusion to a disputed variant of our last name, a patryonymic obtained through our grandmother’s second marriage.

The farcical title was also a reference to the “Brothers Karamazov,” Dostoevsky’s 19th-century novel that tells the story of three brothers each suspected of killing their father, each with a conspicuous motive. “A nice little family,” as the author calls them in the paratext.

It wasn’t that our father was actually dying. But a series of possibly countless strokes in recent years have severely impacted his mental faculties and memory, short and long term.
Continue reading

The epic story of the Italian speeding ticket. Chapter XI.

The first I heard of it, it was February 2023, nearly a year after my “infraction” had occurred.

Back in March 2022, while traveling back to Linate airport in Milan for my return to the U.S., I was clocked going 118 km/hr in a 110 km/hr zone. That means I was going 73 miles per hour in a 68 mph zone. Eight kilometers or roughly five miles over the speed limit. Five miles over the limit, people!

The routine for Italian traffic citations is not entirely new to me. The last time I got one was because I had entered a ZTL or limited traffic zone area. (The previous time I had visited the town where I teach each year, the area wasn’t off limits to non-residential traffic. Returning to the university after the Covid closures, I just assumed it was allowed there. I tried to pay that ticket in Italy but that backfired. The story here.)

First you get a notice from your rental car agency. It includes the ticket info but it doesn’t allow you to pay it. It does inform you that if you don’t pay within a certain time period, you’ll owe even more money.

By the time the actual ticket arrives, it’s already way past the payment window. Oy.

I received my rental agency notice in February. I tried to have a friend pay it from his bank account in Italy but the authorities said you can’t make the payment until the final ticket arrives.

Arrive it did, a few weeks ago.

I immediately went online and used my bank account to do an international wire transfer. But after a few days, a message from my bank arrived telling me that the wire had been rejected on the Italian side because the format of the bank account was “incorrect.”

I check too make sure that I had used the right number. I had. But when I reviewed all the paperwork, I noticed that the ticket reference code in the English version of the letter was different from the one in the Italian version. I had used the one in the Italian version.

Luckily, the bank refunded my money, including the wire transfer fee of $5.

Yesterday, I sent another wire, this time using the code in the English version of the letter.

To be continued…

Congrats to my friend @bartendingpretty on her new and wonderful @barnextdoor on the Sunset Strip!

Man, what a trip it was to roll up to my friend’s new bar on the Sunset Strip in LA!

Back in the day, the Strip was where it was all happening.

I used to live at the top of Larrabee, just up from the Whisky A Go Go and the Viper Room. I used to literally wheel my Fender Twin down the hill to go to sound check.

Tower Records, Geffen Records, Book Soup (which is still there, I think).

Hamburger Hamlet, Chin Chin (which is also still there), Coconut Teaszer, the Roxy, the Roxbury!

We used to play at the Roxy a lot and I once did a gig on the same bill as Harry Dean Stanton at the Roxbury (what a trip that was).

The Strip was the center of my life for many rock ‘n’ roll years in LA.

But today, it’s mostly a tourist attraction, with many empty storefronts and just a few of the destinations that made the Strip THE destination.

But this spring that all changed when my good friend and former colleague Brynn Smith (above) opened Bar Next Door in a building that once housed Marilyn Monroe’s first talent agency.

I know Brynn from our Sotto days together (I wrote the list there for seven years). She is one of the city’s coolest mixologists.

And now she’s leading the revival of this once magical stretch of road.

Brynn is also publishing a nifty print newsletter where she shares some of the history of Strip and the many stars who have come through that part of town (below).

I can’t wait to get back and spend a proper evening there. Check it out the next time you visit Hollywood.

Congrats, Brynn! I’m so thrilled to watch your success!

What’s going on with pizza in Italy? A new trend emerges.

What’s on this pizza? I’m not sure I even know.

One of the trends I’ve noticed in my recent trips to Italy is that Italian pizza — or should I say, pizza in Italy, since pizza is a champion among world foods — has been undergoing a radical transformation.

Increasingly, I’ve been seeing creative pizzas like the one above (with fennel and what I believe was a beet ricotta cream).

But the bigger trend I’ve noticed is that pizzaioli are adding the toppings after the pie has been fired.

Take, for example, the photo immediately above.

That’s a classic “napoli,” the kind you’d find in nearly every pizzeria in Italy in the 80s and 90s, with salt-cured anchovies and capers.

It’s the kind and style of pizza that I found when I first began studying in the country.

Now look at this pizza (immediately above). It’s a “napoli” but the ingredients have been added only after (notice how they aren’t incorporated into the mozzarella and they). The mozzarella was also added after it was fired.

Tracie and I first encountered this style of pizza at the legendary I Tigli in San Bonifacio near Verona.

At the time, about 12 years ago or so, people thought that owner and pizzaiolo Simone Padoan was either a genius or a lunatic.

As one hipster pizzaiolo explained it recently, this new approach was inspired by the fact that the toppings and crust have wildly divergent cooking times.

If all the ingredients are fired at the same time and at the same extremely high temperature (the key to a great pie), the toppings suffer at the expense of the vessel.

Notice how the prosciutto cotto (literally, cooked ham) was added only after the pie had been cooked through.

The heat of the dough is transferred to the toppings and they become — at least in my experience — more tasty as their flavors are “freed.”

Will Americans begin following this new and sometimes controverial trend of post-fired toppings? I’m not sure that we are ready for such blasphemy!

Thanks for being here. And THANK YOU to everyone who came out to our sold-out Piedmont diner last night at Rossoblu in DTLA. What a blast! Thank you Chef Steve and Dina for a truly wonderful evening!

The best bottle of wine in Orange Beach, Alabama.

Traveling across small-town country in the U.S. is always a reminder that an overwhelming number of Americans care little about fine wine.

In big and medium-sized U.S. cities today, it’s almost impossible not to find at least a handful of venues where the wine program is thoughtfully authored and managed.

But as our recent trip to Orange Beach (near Gulf Shores), Alabama revealed, even in popular tourist destinations like the pristine white beaches of the Alabama coast, wine is just another adult beverage like the tequila, vodka, and beer etc. restaurateurs use to fill their bar wells.

When Tracie and I take road trips with our girls, ages 10 and 11, we always bring a cooler filled with our own wine to drink at the hotel.

But when it comes to mealtimes, it’s highly uncommon to find restaurants that allow corkage outside our country’s great metropoles.

And as Tracie always says, if you can’t be with the Chardonnay you love, drink the Chardonnay you’re with!

Our go-to wine on this last trip was La Crema Chardonnay. Yes, you got that right. La Crema. Its fruit is cloyingly present and you can taste the oak chip treatment. But it’s not offensive or unpleasant. To me, it tastes more like a wine cooler than wine. But it’s fresh, drinkable, and ubiquitous.

One of the big surprises was how much we liked the Ferrari Carano Chardonnay, another mid-tier restaurant staple. This showed great for its class at one of our dinners, with good balance, freshness, and fruit, however unidimensional.

But we did find a compelling if modest wine program at Zeke’s in Orange Beach where we were staying.

We ended up drinking a bottle of Jermann Pinot Grigio with what was probably the best shrimp I’ve ever eaten in my life — no joke, they were that good.

Zeke’s prints and laminates its beverage list. That means when a wine is locked in, it’s there to stay.

But I was impressed with the drinkability and food-friendliness that informed the selections. There is clearly someone there who cares about wine. And we LOVED the food there.

Beyond the shrimp boil for two, I did Gulf Oysters, which were delicious, and Tracie ordered a hummus appetizer that we also enjoyed. I was tempted to the Moroccan-style pompano but had to do the crustaceans.

For the record, there is a fine dining, surf and turf venue in Orange Beach — Voyagers at the Perdido Beach resort — where there is a serious program. But this was more of a flip-flop and bathing suit vacation.

We had so much fun and the girls loved it so much that we are planning to go back next year to explore the beach — and the wine lists.

Happy summer, everyone! Hope you are staying cool. And thanks to everyone who signed up for our sold-out Piedmont dinner Wednesday night at Rossoblu in downtown Los Angeles.