An Italian werewolf in San Diego and a Seyval Blanc from Wisconsin that I loved

Above: Organizer of the San Diego International Wine Competition Robert Whitley (right) is a “larger than life” kinda guy. The best part of the event was his telling the story of almost getting his lights punched out by Joe Namath in 1969 at Broadway Joe’s NYC bar Bachelor III in 1969. Duncan Williams (left) is the senior winemaker at Fallbrook Winery in northeastern San Diego. He makes an awesome Sangiovese Rosé (no kidding, I tasted it with him a few years ago), writes a column for the San Diego Union-Tribune, and I was stoked to be on the same panel as he.

What does a guy like me feel like at the San Diego International Wine Competition? Like an Italian werewolf.

As flattered as I was to be asked to sit as a judge and as curious as I was to taste such a far-reaching sampling of American wines, I was probably the most unlikely candidate for the job. But I tried to embrace my duties with an open mind and heart: as I judged the wines with my tasting group — Duncan Williams (above) and Ron Rawilson of Ortman Wines (super cool dude) — I tried to evaluate them for the intention of the winemaker and the category for which they were created.

Above: I was psyched to catch up with fellow judges GlobalPatriot (left, author of an awesome geopolitical food and wine blog) and SF publicist extraordinaire Kimberly Charles whom I’ve known since my earliest days of food and wine writing back in NYC more than a decade ago. Nice folks…

Of the 191 Chardonnays submitted to the competition (the largest category), I was faced with the onerous task of tasting 32 of them — all of them barriqued. In the wake of the tasting, I needed a toothpick to extract the oak chips from my tongue.

I regret to report that Chardonnay and Merlot represented the two top categories submitted by the mostly American winemakers. Are we stuck in the 80s? Oops, I forgot to take down the Nagel from my living room.

Above: Linda McKee is a winemaker in Pennsylvania and very simpatica lady. It was really cool to hear her talk about Elmer Swenson, a legendary grape breeder who developed hybrids for American viticulture.

The pleasant-surprise wine for me was a Seyval Blanc (yeah, you’ve never heard of it either) grown in New York and vinified in Wisconsin: Prairie Fumé (ha!) from the Wollersheim winery in Prairie du Sac, WI.

The wine, which happened to land in one of our flights, tied for “best in show white.” It was delicious, with bright (clean, not acidified) acidity, good fruit, and balanced alcohol (11%, yes!, according to the fact sheet on the wine). I was thoroughly impressed and I am evermore convinced that hybrid grapes (Blanc du Bois in Texas, for example) are the key to making good, honest wine (that doesn’t need to be “corrected” in the cellar) in our country.

Above: Was it a sort of contrapasso that I had to taste 32 barriqued Chardonnays and 19 barriqued Merlots? And don’t forget the 17%+ Zinfandels. I think I’ve paid my dues at this point!

All in all it was a great experience — if only for the schmooze factor — and I was geeked to finally get to meet and taste with Robert, whose palate and schtick I greatly admire.

The moment that sticks out the most in my mind was when Duncan asked rhetorically, why do winemakers still make Chardonnay like this? It’s really such a neutral grape that doesn’t perform well in this style.

It led me to coin a neologism: ChardonNO!

Sangiovese Grosso: Italian grape name pronunciation project

CLICK HERE FOR ALL EPISODES.

This week’s episode of the Italian Grape Name Pronunciation Project is devoted to Sangiovese Grosso as spoken by my friend Federico Marconi who was born in Castelnuovo dell’Abate (a subzone of Montalcino) and general manager of the small estate Le Presi (click here for my post on Le Presi and a great photo IMHO of the strata of volcanic soil that define the wines raised in Castelnuovo).

Sangiovese is relatively easy to pronounce for Anglophones. But for the record, it is pronounced here by a bona fide toscano and ilcinese (ilcinese or montalcinese is the ethnonym used to denote an inhabitant of Montalcino).

Also, for the record, please see my post on the Origins of the Grape Name Sangiovese, which most probably does not mean the blood of Jove — a folkloric etymology too often repeated by wine writers who don’t do their homework (I cover all of the current theories of its origins in the post).

Above: “Due palle così!” My good friend Federico entertained the nice ladies at the famous food shop Nannetti e Bernardini in Pienza (HIGHLY recommended, especially for its legendary porchetta).

Federico is one of the most colorful and lovely people I know in Montalcino and his Ramones t-shirt is his de rigueur uniform (as you can see above). He’s one of those people, to borrow an observation by the great Montalcino winemaker Fabrizio Bindocci, who makes you smile when he walks into the room.

01 Barbaresco Pora and the best friend of my brother who died

Every five years or so, I get an email from Professor Wilkins (above) and before email, I’d get a letter or a phone call. “I want to know how you’re doing and what’s going on in your life,” he’d say. A million happy questions would follow, with him wanting to know every detail of the vicissitudes of my life, studies, work, etc.

You see Professor Wilkins — David — was the best friend of my eldest brother, ten years my senior, Aaron Louis Parzen, who died in 1972 when he was fifteen in a car accident not long after my family moved to San Diego from Chicago, where he and Aaron both attended middle school at the University of Chicago Laboratory School. Today, David — Professor Wilkins (here’s the Wiki entry devoted to him) — is one of the leading law scholars in the country, with a chair at Harvard, and he moves and works within some of the most rarefied circles of our country (“the first lady was a student of mine,” he told me last night). A celebrity in his field, he was in San Diego last night to give a private lecture to a law firm.

I hadn’t traded messages with David for some time and although I began writing about wine more than 13 years ago, he and I never made the connection to his interest in wine until he stumbled upon my blog. As it turns out, David began collecting wine in the mid-1980s, before the crush of wine culture seethed in the U.S. in the mid-1990s. “I read [Robert Parker’s] Wine Advocate when it was still a photocopied report,” he joked.

Wanting to share a special bottle with him, I reached deep into my San Diego wine locker yesterday and grabbed a bottle of 2001 Pora by Produttori del Barbaresco (above). The wine was remarkably tight for this regularly more generous cru but as it opened up and began to reveal its fruit, it sang stupendously in the glass. As much as I oppose the fetishization of old wine (and those who cry “infanticide!” when you open “young” Nebbiolo), I have to say that the wines of Produttori del Barbaresco only get better over time and this wine was still extremely youthful — like a teenager full of energy and promise and brilliance and power — however cut short by life’s vicissitudes.

My memories of Aaron are fleeting and distant. I was five when he died. I believe that I see Aaron in David the same way that David sees Aaron in me. Not that I’m as brilliant or handsome or athletic as Aaron was (and he was): we see Aaron in each other because that’s where he lives — in our memories, in our hearts, and in our dreams. When he died, I became the “middle child” and as cliché as it sounds, I have followed the path of the middle child, pursuing music and writing, while my brothers have enjoyed immensely successful careers as lawyers and now in public service. However unlikely our bond, Aaron’s memory links me to David and as it turns out, the vicissitudes of life have formed an unexpected and equally happy bond between us — through wine.

As we chatted last night over dinner and ten-year-old Nebbiolo, David told me the same stories about Aaron that he tells me every time we connect. And like every time, they brought tears to my eyes and laughter to my heart as the bitterness of the tannin and the sweetness of the fruit danced in our glasses.

Super Cocina and Franco’s editorial on the Italian Unity Bottle project

Rolled in early this morning to San Diego where I’ve been asked to sit as one of the judges of the San Diego International Wine Competition (and ya’ll thought I was kidding about drinking oaky “Napa Cab” on Facebook!).

Made a beeline to Super Cocina (above) where brother Tad hooked me up with the goods. Man, anyone who comes to San Diego and doesn’t check this place out might as well just stay home… I love it that much… The chicharrònes were super tender and swam deliciously in their tomatillo sauce.

In other news…

I just finished translating Franco’s editorial on the “Italian Unity Bottle Project.” Click here to see what he had to say.