1979 Vino Rosso dai Vigneti di Brunello @BrunelloMaker

January 31, 2012

Tracie P and I celebrated our second wedding anniversary on Friday night with one of the most stunning bottles we have ever shared together: 1979 Vino Rosso dai Vigneti di Brunello by the Tenuta Il Poggione (our anniversary is actually today but we celebrated on Friday because Rev. and Mrs. B were in town and we had our first date night out since Georgia P was born!).

The bottle was given to me by my friends Fabrizio and Alessandro Bindocci at the winery back in October when I visited with them (I had it shipped from Siena, fearing that such a delicate bottle would not withstand travels in the trunk of my rental car and in the cargo of a commercial airliner). It had been cellared there since bottling and it had not been recorked or topped off. The shoulder was impressively high for a bottle this old.

Until 1982 when the DOC for Rosso di Montalcino was created (see Alessandro’s post here), the rosso was a vino da tavola labeled as Vino Rosso dai Vigneti di Brunello (Red Wine from Brunello Vineyards). Note the alcohol content (13.5%) and note the bottle format (720ml).

Usually when you open a bottle of wine this old (and especially in the case of a wine originally intended to be drunk in its youth), you expect it to deliver one last gasp of life: you pull the cork and pour it into your glass and you enjoy it immediately, as its vibrancy quickly fades.

Not knowing what to expect (in part because Bindocci father and son had told me that it could be past its prime), Tracie P and I were BLOWN away by its bright acidity and fruit. And as we tasted it over the course of an hour and a half, it just continued to reveal layer upon layer of ripe red and berry fruit. It paired exquisitely with a black and blue New York sirloin. I had brought the bottle to the restaurant (Trio in Austin) three days prior and it had been stored upright. I asked our sommelier Coalminer Mark not to decant it and we opened it just a few moments before our main course arrived. I’m sure it could have kept its life for many more hours had we not slurped it down!

An truly unique and special bottle of wine for a magical moment in our lives: (not so) Little Georgia P was seven weeks old yesterday. We love her so much!

Thanks again, Fabrizio and Alessandro, for sharing this experience with us — from Montalcino to Austin… BRILLIANT!


Sunrise with a Brunello master: Sangiovese is safe in Montalcino

October 21, 2010

One of the most thrilling experiences of my recent sojourn in Tuscany was a sunrise ride through the vineyards of Il Poggione with the estate’s winemaker Fabrizio Bindocci (above). I’ve known Fabrizio for seven years now and I consider him a friend and a teacher. Born and bred in Montalcino, he is one of its top winemakers and one of the appellation’s greatest defenders and protectors. In recent years, he has spoken — passionately, eloquently, and very publicly — in favor of not changing Brunello appellation regulations to allow for grapes other than Sangivoese.

And I don’t think that Fabrizio would mind me calling him a toscanaccio: he has the sharp wit and the sometimes acerbic tongue for which Tuscan men have been famous since their countryman Dante’s time and beyond. I try to visit and taste with him every year and I’ve never known him to mince words.

I love the wines he bottles, for their integrity and for their purity, for what they represent and the people who make them, and for their honest and utterly delicious aromas and flavor.

Of course, my $48K question to Fabrizio was will the modernizers of Brunello succeed in changing the appellation regulations and obtain their desired allowance of international grape varieties in the wine?

Brunello as a monovarietal wine, i.e., 100% Sangiovese, is safe, he told me. And he doesn’t fear that the new and decidedly modern-leaning regime in the Brunello producers association will attempt to change the Brunello DOCG to allow other grapes. The body, he said, is currently studying verbiage for the soon-to-be unveiled “new” appellations under the EU’s Common Market Organisation reforms. (This summer, authority to create new European wine appellations passed from the individual states to the European Commission in Brussels.)

The bottler-members of the association are evidently considering a new appellation, putatively called “Montalcino Rosso,” that would allow for more liberality in creating blends raised in Montalcino. This would seem to represent a palatable compromise — my words, not his — between traditionalists who want to preserve Brunello and Rosso di Montalcino as monovarietal wines and modernists who what to cash in on the de facto Montalcino brand (again, my words, not his).

Daybreak in the vineyards of Montalcino during harvest is a sight that everyone should see before leaving this earth. There is a light that brings a transcendent clarity to the mind and the soul.

As the sun rose over this immensely beautiful place, I couldn’t help but think of Dante and the roles that light plays in his Comedìa as metaphor of knowledge and love.

I was relieved on that morning to discover that (it seems) Brunello has emerged from its selva oscura, its dark wood. (Observers of Italian wine will appreciate my paronomasia.)

Midway in the journey of our life
I came to myself in a dark wood,
for the straight way was lost.
Ah, how hard it is to tell
the nature of that wood, savage, dense and harsh
the very thought of it renews my fear!
It is so bitter death is hardly more so.
But to set forth the good I found
I will recount the other things I saw.


Strange hues of the Middle Ages

September 16, 2010

This morning, my last in Montalcino, I enjoyed a daybreak drive through the vineyards of Il Poggione with winemaker Fabrizio Bindocci as my guide (I’ve been staying at the estate’s farmhouse).

The vision above made me think of Dante, Inferno, 34, 132-33:

    Into that hidden passage my guide and I
    entered, to find again the world of light

I remembered my years as a grad student, often spent imagining the quality of light as perceived by humankind in the Middle Ages.

I remembered the famous passage from Burckhardt:

    In the Middle Ages both sides of human consciousness—that which was turned within as that which was turned without—lay dreaming or half awake beneath a common veil. The veil was woven of faith, illusion, and childish prepossession, through which the world and history were seen clad in strange hues.

And I realized that those strange hues often reveal truths lost on those inebriated by the glow of rationalism.


Porcini porn: how Tuscan men eat

September 15, 2010

Lunch today with the Bindocci men at Trattoria il Pozzo (Sant’Angelo in Colle)… Keep in mind they are approaching “piena vendemmia” (nearly the peak of harvest) here in Tuscany and this was a quick, working lunch… a 45 minute affair… giusto, giusto so that we could “break bread” together…

Raw porcini salad.

Pici al ragù (di manzo, beef ragù). Normally I’d have the wild boar ragù but I didn’t want to get carried away (literally).

The 2004 Brunello Riserva Paganelli (cru) by Il Poggione was INSANE! Such bright acidity, such chewy red fruit, equine tannins, indomitable but delicious nonetheless!

Normally we’d have the bistecca alla fiorentina but today it was a mere beef filet (blood rare, of course) topped with a grilled mushroom cap.

Just in case, we also had a roast mushroom cap.

Wherever I lay my hat these days, I am reminded that Texas is my home (for MELVIN CROAKER).


Harvest has begun in Tuscany and I’m heading to Montalcino

September 7, 2010

Catching up today in the wake of the holiday weekend, I read that harvest has begun in Montalcino.

I’ll be heading to Montalcino later this week: I’ll be visting and tasting with winemakers in Montalcino and Bolgheri starting this weekend and then, if all goes according to plan, I’ll be heading north for some interesting visits… but more on that later…

While in Montalcino, I’ll put my ear to the ground and try to find out what’s in store for Brunello. I’ll also be talking to winemaker Fabrizio Bindocci of Il Poggione about his role as the technical adviser to the Brunello producers association and his hopes for preserving traditional winemaking there.

And hopefully I’ll get an invite to dinner in the Bindocci’s home: remember the meal of pork glands and chestnut-flour polenta that signora Bindocci made for me and Tracie P in February?

Stay tuned…


Veraison wireless in Montalcino

August 11, 2010

My friend Ale at Il Poggione (Sant’Angelo in Colle, Montalcino) is not the only one who’s been posting about the 2010 vintage on his blog.

Another good friend, Laura, has been doing some amazing posts at the blog she authors for Il Palazzone. The photo above comes from a wonderful post she did showing the different ripening times in different growing zones of the winery’s estate.

One of things I’ve been enjoying about following Laura and Ale’s respective blogs is how it illustrates the subtle (and sometimes not so subtle) differences in the various subzones of the appellation.

In the case of Ale in the southwest subzone, the rate of ripening has accelerated slightly (80% of the grapes have changed color, he writes, catching up to the average) while Laura’s grapes are still about a week behind schedule. I love how she writes: “The ripening seems to be more than a week behind schedule, if it is appropriate to apply such concepts to nature.”

Check out Laura’s most recent post and Ale’s thread on the 2010 harvest in Montalcino.

In other news…

Another Brunello has been born with the 2010 vintage…

Over the weekend, Tracie P and I got to visit with our good friends Melanie and Noah, who have just welcomed Bruno into the world. Don’t they look angelic?

Noah and I grew up together (even attending Hebrew School together!) and luckily their stay in La Jolla overlapped with ours. Melanie has taken to calling the little one “Brunello.”

I still haven’t had a chance to pick up my copy but Melanie’s new book Eating for Beginners is now available.

Mazel tov, Melanie, Noah, and Bruno!

@Bruno I’ll be sure to put away some 2010 Brunello to drink with you when you turn 21!


The James Suckling era ends (and what we ate and drank for my birthday)

July 15, 2010

poggione

Above: We treated ourselves to a bottle of 2004 Il Poggione Brunello di Montalcino and porterhouse steak last night in celebration of my birthday. When we planned this classic Tuscan meal, I had no idea that my birthday would also deliver the news that James Suckling had left the Wine Spectator.

Yesterday, as we were preparing for birthday and Bastille Day celebrations chez Parzen, the following news arrived via email from a colleague and friend:

    James Suckling, who joined Wine Spectator in 1981 and has served as European bureau chief since 1988, has retired from the company.

    Suckling’s tasting responsibilities have been reassigned. The wines will be reviewed in our standard blind-tastings in the company’s New York office.

    Senior editor and tasting director Bruce Sanderson will oversee coverage of Italy. Sanderson, who has been with the magazine for 18 years, currently reviews the wines of Burgundy, Champagne and Germany.

fiorentina

Above: To make a proper “bistecca alla fiorentina” at our house, we season the porterhouse generously with kosher salt, rubbing the salt into the meat, and then we char the T-bone, with the steak upright.

Neither Tracie P nor I could ignore the uncanny coincidence that we had decided to open a bottle of 2004 Brunello di Montalcino by Il Poggione, a traditional-style wine made by a family who has vehemently and vociferously opposed the modernization of its appellation. There’s no two ways about it: during James Suckling’s tenure at the Wine Spectator, the scores he gave to modern-style Brunello — with Casanova di Neri as its poster child — helped to eclipse the sale of traditional-style wines, like those made by Il Poggione. (In all fairness, Suckling also gave good scores to Il Poggione but his historic preference for dark, concentrated, oaky Brunello with higher alcohol levels, indisputably skewed his evaluations toward modernism.)

fiorentina

Above: Then you cook the steak on either side, very quickly at high heat. By cooking the steak upright first, the meat “heats through” entirely.

Another layer of irony was cast upon the news and our Brunello by the fact that Mr. Franco Ziliani — at times Mr. Suckling’s detractor — had suspended publication on his wine blog Vino al Vino, the leading Italian-language wine blog, a few days earlier. (Mr. Ziliani’s relationship with Mr. Suckling is even referenced by the author of the Wiki entry on the Italian wine writer.) “A pause for reflection,” wrote Mr. Ziliani on Monday, a search for “clarity” in his life and for a sense of purpose for the blog, he explained. “To blog or not to blog,” he asked rhetorically.

fiorentina

Above: High heat is the key to searing and caramelizing the fat on the outside of the steak while leaving the meat in the center tender and nearly raw.

The two events are certainly unrelated but their confluence is rich with meaning. We often forget that that the current economic crisis has affected both the wine industry and the publishing industry. Hawking wine is no easy tasks these days (especially when it comes to high-end, luxury wine like Brunello) and hawking newspapers and magazine is even harder.

fiorentina

Above: Traditional style Brunello and steak, one of the great gastronomic pairings in the Western Canon. (Honestly, I wish I would have used a slightly shorter cooking time. I prefer my steak “black and blue,” charred on the outside, blood rare on the inside. But it was delicious nonetheless!)

While I’ve been a devoted fan of Mr. Ziliani’s blog since I first discovered his writing more than 5 years ago, I can’t say that I’ve been such an admirer of Mr. Suckling’s take on Italian wine. In fact, I think that Suckling historically ignored and omitted the great icons of Italian wine from the canon of the Spectator’s “top wines of the world” because he was looking for wines that appealed to his idiosyncratic sensibility without viewing them in a broader scope and without consideration for the wines that Italians consider to be indicative of their winemaking tradition. At the same rate, looking back on Suckling’s legacy (however skewed) as an arbiter of Italian wine, I feel compelled to acknowledge his contribution to the world’s awareness of the overarching greatness of Italian wines.

fiorentina

Above: Potatoes, spinach, grilled onions, and steak, all dressed simply with kosher salt and extra-virgin olive oil.

And so we raised a glass of 2004 Brunello di Montalcino by Il Poggione last night, to both Mr. Suckling and Mr. Ziliani, polar opposites in their approach to Italian wine, leading voices of antithetically positioned vinous philosophies. I hope and trust that both will continue to share their impressions and palates, using whatever media they see fit, with a world ever-thirsty for Italy’s unique wines.


Jancis Robinson: “Syrah di Montalcino”

June 4, 2010

From Jancis Robinson’s blog, yesterday, “Montalcino votes for modernism”:

“After dramatic last-minute machinations, it has just been revealed that the secret ballot to elect the new president of the Brunello di Montalcino consortium revealed that arch-modernist Ezio Rivella of Banfi garnered most votes and will now direct the fortunes of this controversial wine.

Until very recently it looked as though the most prominent woman in Montalcino, Donatello Cinelli Colombini, would win, but at the eleventh hour, in a move that took many by surprise, she withdrew her candidacy and threw her weight behind Rivella. Concerned that this would be the final nail in the Brunello coffin, and that Piemonte-born Rivella would encourage the use of grape varieties other than Brunello (Sangiovese), veteran winemaker Fabrizio Bindocci of the respected estate Il Poggione declared his own bid for the presidency yesterday. …

It seems as though the juggernaut rolling towards the likes of Syrah di Montalcino is unstoppable.”


Had any good 03s from Italy lately?

May 12, 2010

Above: Tracie P tasting at Giuseppe Mascarello with winemaker and owner Mauro Mascarello, on a crisp winter day in February 2010. We were invited to taste there with Italy’s inestimable wine blogger and wine pundit Mr. Franco Ziliani.

However lost in translation, my post on Monday led to an earthly discussion of who bottled good expressions of the 2003 vintage in Italy and a metaphysical dialectic on whether or not one should drink 2003 at all, when stellar vintages like 1999, 2001, or 2005 are within hand’s reach.

Above: Perhaps an anomaly, perhaps the child of a superior growing site and excellence in winemaking, Mauro Mascarello’s 2003 Barolo Monprivato was no fluke.

Was 2003 a forgettable vintage in Italy? Questions of taste literally aside, the wine punditry on both sides of the Atlantic has spent a lot of energy and time talking about the 2003 vintage (in part because of the controversy it stirred).

Above: Only a handful of winemakers made their top wines in 2003, but, man, what wines they were! Like this 2003 Brunello di Montalcino Paganelli by Tenuta Il Poggione (Tracie P and I tasted it over dinner with winemaker Fabrizio Bindocci in February).

Of course, 2003 was a poor vintage because of the aggressive heat that year, almost across the board throughout Europe. But that also means that many winemakers, who didn’t make their flagship wines, used their top fruit for their other wines. As Gary put it so well, “I think that 2003 presents an interesting opportunity to pick up some amazing bargains at the peak of their drinkability, but one must be very picky, and try before buy.”

I’m certainly not stocking my cellar with 03s but over the last months (and even the last few days), I have had some great 03s: like the Oddero Barolo the other night, 03 Barbaresco by Produttori del Barbaresco, 03 Barolo Monprivato by G. Mascarello, 03 Brunello di Montalcino Paganelli by Il Poggione, and 03 Barbera del Monferrato Perlydia by Valpane (the last three are all “flagship” wines, btw). While not all of these are going to cellar as well as 99, 01, and 05 (and 04 IMHO), they are by no means wines I’d turn down if someone happened to open one in my presence. In fact, they are more approachable and drinkable (as Gary points out) than their more cellar-worthy counterparts.

Have you had any good 03s lately from Italy? Please share so that I don’t have to feel so alone… ;-)


A big tree and a little tree in Montalcino

April 28, 2010

Above: Alessandro Bindocci (above) and his father are “on a roll,” wrote one of my favorite wine writers, Antonio Galloni in the April issue of The Wine Advocate published today. I took the photo of Ale in September 2008 at Tenuta il Poggione.

Alfonso does a series of posts on his blog about “big trees” and “little trees,” in other words, mothers and fathers and daughters and sons who work and live in the Italian wine industry. Alfonso’s worked in Italian wine for some time now and let’s just say that he’s seen a few big trees go and a few little trees sprout up.

One of the things that Tracie P and I thought and talked a lot about on our February trip to Italy was the relationships between mothers and fathers who make wine and their children. In some cases, the children aren’t interested in furthering the legacy of their parents, in other cases they are. Sometimes the conflict that arises thereof can lead to bitter quarrels. Other times there is a harmony — not always perfect but ultimately sturdy — that ensures the continuity of the parents’s legacy.

In March when I went back to Piedmont, I asked Enrico Rivetto’s father what he thought about his son’s newfangled blog. “I think he’s crazy,” he replied. “But, then again, my father thought I was crazy when I told him we should make a single-vineyard Barolo.” However reluctantly, the elder Rivetto supports his son’s blogging project.

My friend Alessandro Bindocci is a blogger as well. His father Fabrizio the winemaker at Tenuta Il Poggione (one of my favorite Brunello producers and my long-time friend), can’t even send an email. Alessandro can monitor vinfication using his blackberry.

I was thrilled to read Antonio Galloni’s glowing words for Fabrizio and Alessandro’s wines on Ale’s blog this morning.

As Tracie P and I talk about us making little trees ourselves, it’s a wonderful and warm thought to think that some day they may get to taste wines in the same traditional style Brunello that we love so much. By the time our putative children will be old enough to appreciate fine wine, the wines won’t be Fabrizio’s any longer. They’ll be Alessandro’s.

Mazel tov, Ale. Congrats on your superb scores from Galloni!


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