Word from my agent in LA arrived yesterday afternoon: a song I co-wrote and co-produced, “Sa Sabine,” will appear this Sunday on the pilot for a new show, “The Strain,” written and directed by Guillermo del Toro for FX.
I wrote the music for the song (one of my favorites) back when I was living in Brooklyn and gigging with my then-band, Les Sans Culottes (above). It came out on our album, “Faux Realism,” in 2002 (Aeronaut).
At the time, our breakthrough song hadn’t happened yet. In 2003, we sold a song from an earlier recording to a major ad campaign by Hewlett Packard. The spot — played in primetime during the World Series that year and beyond — gave us the bandwidth and exposure that made us a nationally known act.
We were a Brooklyn favorite and we headlined regularly at venues like the Bowery Ballroom in Manhattan.
It was a crazy and crazy-fun time in my life: I had been working in New York as a freelance writer and copywriter for a few years by then and I was writing, playing, and recording music by night (and not just with the French band).
I can’t share the song here because of copyright issues. But if you want to check out the original recording (which was made on two-inch tape — yes! — in a studio in pre-gentrification Bushwick), you’ll find it on all the usual platforms (iTunes, Amazon, etc.).
When we mixed it, we used a technique developed by engineer Eddie Kramer on Jimi Hendrix’s “Axis: Bold as Love.”
After we made an initial mix of the track, we played part of it back slightly out of sync with the original, thus creating a “phaser” effect that gives that section of the song an otherworldly sound (otherwise known as the “spaceship” or “doobie” effect).
I make a decent living by writing about Italian gastronomy and culture and have nothing to complain about. Life’s been good to me so far (
je suis j’étais un rock star).
But selling one of my songs and knowing that my music is still out there is one of the greatest rewards of my professional life.
Thanks for listening.
The pilot for “The Strain” airs Sunday night at 10 p.m. EST on FX.
It runs through January 26.
La poésie, la politique, le sexe, l’amitié, le cinéma… The stuff that life is made of.
The track “Pasolini” in the slideshow comes from my band Nous Non Plus’ release Le sexe et la politique (Terrible Kids Music 2012).
Gearing up for my friend and client Tony Vallone’s sold-out Neapolitan event this week, I’ve been studying Neapolitan music and writing my own compositions.
It’s become a bit of a rabbit hole: once I started listening carefully to traditional songs from Naples, I became fascinated with the melodies and rhythms. But the thing that really grabbed me was how the arrangements always surprise the listener.
Just when you’ve settled into one phrase, the song leaps to another, unexpected place.
Here are some songs I’ve been working on at Baby P studios… Tracie P, who lived between Ischia and Naples for nearly five years, has been teasing me that my Neapolitan songs “still sound Jewish.” But I’ve been having fun with it.
One could spend a lifetime studying Italian culture, art, and history and never satiate her/his curiosity…
Above: To record the vox for this track, we built a makeshift vocal booth in our hallway, using boxes and blankets.
Here’s another preview from my new collection of songs, a departure from my band’s sexy, pumping, high-energy rock ‘n’ roll.
All the great songwriters and musicians I’ve ever met say the same thing: make the music because you love to, because you have to.
The main focus of my musical life over the last fifteen years has been our band Nous Non Plus and I’ve been overjoyed by the success we’ve had in performing live and in selling our songs to film and television.
But there’s so much more music that I love and make.
Sugaroo, the agency that represents my music in film and television, also represents the alt-country americana legends the Wagoneers, who are now in Sunday-evening residence at the Continental Club here in Austin (one of our favorite honkytonks).
Sugaroo’s founder/owner and my very old and dear friend, Michael, was in Texas this weekend for meetings and he and I caught the show last night.
It was pretty amazing: they played their first record (1988, a landmark release that launched alt-country in the U.S.) in its entirety, in sequence, and then played their new as-of-yet unreleased record in its entirety. What a show!
Michael told me that he hopes to see the new disk out sometime in 2014.
In the meantime, here’s their site.
From the department of “good girls go to heaven and bad girls go to Italy”…
Just had to share this photo, sent by one of my best friends, of the “band wives” on the night of the first of two shows that my band “the Americani” played earlier this month in the village of Cison di Valmarino in the province of Treviso (Veneto).
That’s Tracie P, second from right.
Now do you see why guys like me learn how to play guitar? ;)
My home office is also my recording studio. And when my bandmates are in town and we’re working, writing, and recording, Georgia P LOVES to come visit with us in the studio…
One of the greatest joys of my life is sharing music with our daughter and living in a home filled with melody and rhythm…