The Grapes at Zenbu (La Jolla) Thurs. Sept. 2

August 20, 2010

Just a quick post this busy Friday morning to let ya’ll know that my band The Grapes will be playing in La Jolla at one of my favorite restaurants in the world, Zenbu.

We’ll be rocking some old-school Americana, roots, and blues, with a touch of British invasion — featuring my BFF John Yelenosky on his fav Kinks tunes and me on my fav Beatles. Justin Richert, another high school buddy, will be sitting in on lap steel (!!!).

The show is free and the sushi can’t be beat…

Hope to see you there!

Buon weekend, ya’ll!


Earthquake (!), pre-Prohibition cocktails and the Grapes perform tonight

July 8, 2010

Above: The pre-Prohibition cocktails at the newly opened Cosmopolitan Hotel in Old Town, San Diego calmed my nerves after a 5.4 magnitude quake!

The San Diego Kid (that’s me) arrived in San Diego from Austin, Texas yesterday only to be greeted by a magnitude 5.4 earthquake. Having grown up here, I’m relatively accustomed to such natural occurrences but the young man helping me at the rental car desk nearly pooped in his pants. Luckily, pre-Prohibition cocktails awaited me at the Cosmopolitan Hotel in Old Town, San Diego (where my friend and colleague @ChezSheila had just launched her newest project).

Above: The San Diego Kid fit right in with the Old Town 19th-century reenactors (no joke!). Note the first appearance of my Nudie boots.

If you happen to find yourself north of the border tonight, come check out the debut performance of The Grapes at one my favorite sushi destinations, Zenbu, tonight at 9. It should be quite a scene…

In other news…

The Do Bianchi Wine Selections Hard-to-Find Friuli Six-Pack is now available, featuring the wines of Scarpetta (Bobby Stuckey’s winery in northeastern Italy). Click here to read about why Tracie P and I like these wines, made by an American in Italy, so much…


Debut of my new band THE GRAPES (and New England giant bluefin tuna)

June 22, 2010

From the “man cannot live by wine alone” department…

Above: The Grapes, me on guitar and vox, Andrew Harvey drums, John Yelenosky guitar and vox, and Jon Erickson bass and vox. We’ll be playing our first gig in La Jolla on Thursday July 8.

We named our new country-rock band “The Grapes” after the legendary Liverpool pub where the Beatles used to hang out (Vinogirl can verify this).

We’ll be performing for the first time at one of my favorite sushi restaurants in the world, Zenbu in La Jolla on Thursday July 8.

Above: When I visited Zenbu the other night, owners Matt and Jackie Rimel (high school friends of mine) shared some lightly seared New England giant blue fin tuna belly with me. All of the fishes are fished individually by harpoon, Matt told me, so as not to harm dolphins. Matt is one of the most interesting dudes I know in the restaurant business and has hunted and fished and surfed all over the world. Zenbu is a unique sushi experience. Tracie P and me love it.

We’ll be bringing a little country music to the Pacific Coast with some tunes by Willie Nelson, Doug Sahm and the Tex Mex Trip, Gram Parsons (de rigueur), and some rockers like Tony Joe White’s Polk Salad Annie.

I hope you can join us. There might even be some interesting bottles of wine being opened that night!

In other news…

Did I mention that I’ve wanted to be a cowboy all my life? Found this photo while visiting mama Judy in La Jolla over the weekend (taken at Hebrew school in Chicago).


Solaris: disease-resistant hybrids make waves in Italy @CorriereDiVini @terrauomocielo

May 20, 2013

werner mornadell

Above: Werner Morandell netting his vineyards in the Mendel Pass (image via his Facebook).

As Giovanni notes today on his excellent blog Terra Uomo Cielo, this is the time of year when grape growers treat their vineyards with sulfur and copper to reduce the risk of fungal diseases, chiefly oidium and perenospora.

At the sound of the tractors’ motors revving up on their way to the vineyard, he is reminded that “not only do the products used to safeguard the fruit pollute. So does the movement of the tractors” belching out diesel aromas more offensive to Giovanni, he writes, than the smell of the sulfur.

There is at least one grape grower in Italy who believes he has found a chemical-free solution to fungal disease: Werner Monrandell (above), winemaker in German-speaking South Tyrol, where his “super-organic” vineyards have no need of sulfur or copper treatments thanks to disease-resistant hybrids he has been developing since 1993, Solaris and Bronner.

The latter is named after the researcher who developed it. The former, evidently, after the 1961 novel and 1972 film.

According to a post by Corriere della Sera wine writer Luciano Ferraro, published on Saturday, the dried-grape Bronner is already available for sale in Italy and the Solaris, while not commercially available, has been offered to Italian sommeliers and viticultural research institutes where it is being studied.

Morandell is one of roughly fifteen grape growers, mostly from Trentino-Alto Adige but also Piedmont and Veneto, who are working together on this project.

“Every year in Europe,” say Morandell in an interview with Luciano, “72,000 tonnes of poison (pesticides, fungicides, insecticides, herbicides, etc.) are scattered on the fruit crop. Roughly 70% of those are employed in viticulture and they leave a residue on the grapes. It’s time to stop this [practice] because it’s possible to make fabulous wines even without chemical treatments to combat oidium and peronospora.”

Some winemakers remain skeptical, like Giovanni, who recently became a grape grower himself.

“I wonder if Solaris will have the same results if it’s planted elsewhere,” he writes.


Italy concert update, tomorrow @SottoLA, Friday @JaynesGastroPub in SD

March 13, 2013

From the department of “it was twenty years ago today”…

shawn amos

My old friend and bandmate Shawn Amos (left) and I will be fronting our band “the Americani” Friday and Saturday April 5 and 6 at the Villa Marcello Marinelli in the heart of Proseccoland.

Both shows will take place at the Villa and showtime is 10 p.m. both nights.

We’ve got a wonderful set of americana lined up (think Howlin’ Wolf and Neil Young).

If you’re attending Vinitaly this year, come up and rock out with us before the fair (a ton of my winemaker friends are planning to come as are wine folks from the U.S.).

Tomorrow night (March 14) I’ll be working the floor at Sotto in Los Angeles, where we’re launching our new spring wine list (Tintilia del Molise, anyone?).

And Friday night (March 15), I’ll be pouring wine all evening and then, on the later side, appearing with my San Diego-based band, the Grapes (think Doug Sahm and Gram Parsons), at Jaynes Gastropub in San Diego.


Upcoming events, wine and music, Texas, California, and Italy

March 6, 2013

Concerts in Proseccoland April 5 & 6

jeremy parzen shawn amos charlie george circa 1993

The biggest news is that my old American cover band is reuniting for a few shows in Proseccoland on Friday and SaturdayApril 5 and 6, the days leading up to Vinitaly.

Back in the early 1990s when I was in my 20s, my good friend, roomate, and bandmate Shawn Amos (above center) and I fronted a cover band that toured the Veneto artisanal and unpasteurized beer circuit for three summers.

I don’t have all of the details but shows will take place in Cison di Valmarino (a stone’s throw from Valdobbiadene) at the Villa Marcello Marinelli and the old Birreria in Pedavena.

Check out Shawn’s site. He’s a pretty interesting dude.

More details soon but these will be SUPER fun shows and the band is smoking…

Pouring wine at Sotto in Los Angeles
and Jaynes Gastropub in San Diego

Thursday March 14 and Friday March 15

jeremy parzen

Thursday, March 14, I’ll be at Sotto in LA (where I co-curate the wine program) for the launch of our new spring list.

Friday, March 15, I’ll be pouring a flight of wines Italian and otherwise at Jaynes Gastropub and later in the evening, our San Diego-based band The Grapes (above) will be doing a set on the back patio.

Sunset magazine just named the Jaynes Burger the “best in San Diego.” That’s what I’ll be having, paired with a glass of Cantele Salice Salentino.

Wine Dinners in Houston & Austin
March 19 and 20

seafood houston texas

I’m very geeked about the White Wine and Seafood dinner where I’m speaking at Ciao Bello in Houston on Tuesday, March 19.

Chef Bobby Matos has been doing amazing things with his menu there and we have a super groovy flight of white and orange wine lined up.

And on Wednesday, March 20, I’ll be presenting winemaker Tracey Brandt of Donkey & Goat at a dinner featuring her wines at Vino Vino.

Please come out and taste and rock out with me!


Natural winemakers respond to Gambero Rosso

February 18, 2013

natural wine

Above: Frank Cornelissen, who produces wine on Mt. Etna, is one of the signatories of the following open letter. On Saturday, Italian journalist and wine industry observer Jacopo Cossater noted on his personal blog that the editors of the Gambero Rosso has managed to do what no one could until now: they have united the often discordant field of Natural winemakers in Italy.

On Friday, the popular Italian-language wine blog Intravino published the following “open letter” undersigned by a confederation of “natural” winemakers in response to a series of negative (and some would say blindly and wildly pompous, misinformed, and misguided) editorials on Natural wine published by the Gambero Rosso in its January issue (click the link for my excerpted translation).

The author of the Intravino post, Jacopo Cossater, notes that the editors of the Gambero Rosso have no intention of publishing the rebuttal.

I have translated the letter in its entirety below.

*****

Open Letter to the Gambero Rosso
February 1, 2013

Dear Sirs,

We write to you in the name of hundreds of wineries — both affiliated with appellation associations and consortiums and indepedent — that produce natural wine. We were dismayed to read the editorial by Eleonora Guerini (“The Natural Obsession”) and the observations by Bettane and Desseauve (“Have We Got Natural Wine For You!”) published in the January issue of your magazine.

To be honest, we have the distinct impression that you are not really up to speed with what has been happening, for years now, in the wine world. Your tout court accusation that “natural” winemakers produce only defective, oxidized, stinky wines is absurd. Your magazine regularly reviews and often rewards wines produced by wineries widely accepted as members of the natural wine orbit.

The technical part of your argument is wholly indefensible. What are the “new, ‘natural,’ and innovative” methods utilized to stabilize natural wines? Extended lees aging (a practice used for centuries, from Mt. Etna to the Loire Valley)? In Bettane and Desseauve’s article, the authors state that with natural vinification, “all of their grape varieties and terroirs end up resembling one another because the nasty native yeasts with which they are made — yeasts that greedily cannibalize the good yeasts if the vinifier allows them to do so — are the same yeasts that you find all over the planet”! From the implicit thesis of this singular affirmation, it would follow that a “selection” of yeasts — or rather, a small part of the entire population of the yeasts themselves — generates a “variety” with greater effects. You’ll have to excuse the irony, but this would mean that we need to eliminate all the black keys from the piano (those which have been “altered”) in order to compose more complex musical pieces…

And let’s not talk about the vineyards, where — as you yourself write — the will to greatly limit or entirely exclude herbicides, pesticides, and fertilizers is a simple act of common sense.

We are the first to acknowledge that there is no wine that is completely and exclusively “natural” and that wine is a product of culture, the fruit of interaction between man and nature. Perhaps the term “artisanal” is better suited to our ideas: wine should be the fruit of choices made by those who work in the vineyards and those who transform the grapes into wine.

But we also believe that it is sensible, even fundamental, to discuss the greater or lesser “naturalness” of a given wine because the law allows winemakers to add a daunting number of substances — dozens and dozens — to wine must. If it were possible to list additives to wine labels (or even the substances that a given producer decides not to use), everyone would have all the tools necessary to effectively evaluate whether or not a wine is natural.

But guess what? This is not allowed. And no one ever mentions it.

And yet, the more substances that are added, the less the wine is spontaneous and digestible. This is what’s happening today: many wine drinkers and lovers — perhaps tired of the “obssession with the best wine there is” and the “obsession with the best vintage of the century” — shift away from the most manipulated wines and move instead toward more spontaneous products that don’t give you a headache, wines easier to digest and more food friendly.

Read the rest of this entry »


How To Not Get Things Done in Italy by @TerraUomoCielo (@Intravino)

November 30, 2012

Today’s post is devoted to my translation of an article written and published today by my good friend Giovanni Arcari on the Italian wine blog Intravino. It was edited by Alessandro Morichetti, one of Italy’s leading wine bloggers.

umberto d

Above: Umberto D.

“How To Not Get Things Done in Italy”

A case study in vineyard registration in Alta Langa.

Premise: A love for classic method wines and for the Langhe Hills inspired me to partner with a Monforte d’Alba producer who wanted to produce Alta Langa [sparkling wines]. Unfortunately, nothing is ever as easy as it seems and the story that follows is as simple as it is demoralizing. There are appellation regulations to be observed and we followed them to the letter. The producer acquired land; he planted the right grapes (7,500 Pinot Nero and Chardonnay vines in Serravalle Langhe); and then he applied for the authorization to label the vineyard “Alta Langa.” From that point forward, the process was disastrous.

A week later, a message arrived in the form of a cold shower: “registration of vineyards for the production of Alta Langa is closed,” wrote the Classic Method Alta Langa Producers Association.

We asked for an explanation and resigned ourselves to our fate.

But then, by chance, we came across this brilliant declaration on September 5 of this year: “… the association is working to expand the planted surface area intended for the production [of Alta Langa]. This process will be carried out through a ‘targeted’ authorization of new vineyards in the growing zone. Its scope is that of favoring those projects where grape production already has a specific destination that will not inflate the grape market. The goal is to have more bottles on the market that make an even greater difference.”

Well, you might call this good news, especially in the light of the fact that we were asking for authorization for a sole hectare. We already have a project and the “destination” for our roughly 100 quintals of grapes is very clear: a fine, artisanal classic method sparkling wine. Case closed.

Nothing doing! We hear nothing from the producers association but on October 24, we discover that it has been taking applications when we read an announcement on the Coldiretti website. [Coldiretti is Italy's national growers confederation.] Coldiretti isn’t exactly known for its lightening speed: the application process was opened on August 2 and today [November 30] is the last day.

But that’s not the real problem here.

Do you want to know the criteria by which surface area planted to vine will be expanded? In short, if you sell your grapes to commercial bottlers, you’ll be fine. But if you by land, plant it and sow the seeds of your dreams there, you’re screwed.

Authorization is granted on a points-based model. And it’s not entirely clear how you obtain “points, rights, and priority.” To have the maximum number of points, seven, you need to be a “professional agricultural entrepreneur who already produces and/or sells classic method sparkling wine or owner partner in a cooperative winery that already produces classic method sparkling wine.”

To obtain five points, you need to be a “professional agricultural company or entrepreneur that already owns vineyards with agricultural-environmental characteristics in conformity with the Alta Langa DOCG appellation regulations (but that are not suited for authorization) and that has an at least five-year contract for the transformation [vinification] of the fruit into Alta Langa DOCG that guarantees the total application of the grapes.”

Three points are award to a “professional agricultural company or entrepreneur who has obtained [land] rights, plants new vineyards intended for the production of Alta Langa DOCG, and who possesses an at least five-year contract for the transformation [vinification] of the fruit into Alta Langa DOCG that guarantees the total application of the grapes.”
And for a “professional agricultural company or entrepreneur different from the points above,” the association grants only one miserable point.

It sends a chill down your spine, doesn’t it?

Obviously, we were given only one point. Translation? A new winery CANNOT produce Alta Langa.

Why isn’t the grape market regulated so as to encourage the entry of new players who could enrich the appellation? Why is there such interest in Alta Langa to purchase grapes and not to have anyone else get in your way? Who profits from this?

This system stinks.

—Giovanni Arcari (via Intravino)

Giovanni Arcari

Above: Alessandro (left), Giovanni (right), and I had breakfast in Alta Langa on Sunday morning.


Declassified Dettori 06 Cannonau Renosu & carnitas at Bahia Don Bravo (La Jolla)

October 10, 2012

Last year I was lucky to pick up a case of 2006 Romangia Rosso Renosu by Dettori (Sassari, Sardinia), Alessandro Dettori’s declassified Cannonau from the “uneven” 2006 vintage there (as Antonio Galloni has called it).

The U.S. retailer and Alessandro don’t seem to be on the same page as to why the wine was declassified (possibly because of a language issue?).

According to Alessandro, he decided to bottle the wine in 2008 in the middle of a disastrous vintage for him. Normally, he would have let the wine age longer in vat before bottling. But according to one of his ever lyrical emails, the bottling was inspired by a bout of powdery mildew during the devastating summer (for Dettori) of 2008.

Maybe he was concerned the onslaught of bacteria tainted a few of his vats. Or maybe, as he suggested in an email, he remembered how previous generations bottled their wine right away. They did so because they wanted the wine to be ready for the winter and feared being without wine. But by doing so, they also avoided potential spoilage issues.

I’d seen mixed reactions to this wine in the chat rooms. But I also know that Alessandro’s wines require patience — in your cellar and at the table.

He calls his declassified wines “Renosu,” meaning sandy (from the Latin [h]arena, meaning dry, sterile sand). According to his own gloss on the term, it refers to the wines raised in the lower-lying sandy subsoils as opposed to his hillside vineyards (when in fact, the grapes used to make this wine were once intended for his flagship red wine, the Dettori Rosso).

The good news is that the only bad news is that I wish I would have bought more of it!

When opened a bottle the other night with a heaping helping of carnitas at our favorite taco stand in La Jolla, Bahia Don Bravo.

We didn’t get any of the volatile acidity that folks on the boards have talked about and the wine was fresh and bright, juicy and tasty. Had I not known it was a declassified Dettori, I would have said it was the rosso (it’s one of those wines that, if you follow the producer, you can easily pick out in a blind tasting).

I loved the wine and it was a fantastic pairing for the salty, fatty carnitas.

Georgia P had refried beans for the first time that night. I think it’s safe to say that she liked them. ;)

We were sad to say goodbye to grandma Judy, Georgia P’s cousins, and all our good friends in San Diego. But after a week on the road and away from our little house at the corner of Gro[o]ver and Alegria, it was time to get back to Texas where we belong…


The beauty of Sangiovese in Morellino di Scansano

September 28, 2012

New York-based and Italocentric wine industry publicist Susannah Gold and Morellino di Scansano growers association president Giacomo Pondini led a tasting of seven expressions of Morellino di Scansano yesterday afternoon at Tony’s in Houston. Here are my highlights from the luncheon event.

According to its back label, the 2010 Morellino di Scansano by Roccapesta is mostly Sangiovese (Morellino) with a small amount of Ciliegiolo.

I loved the wine (look at the color!). From what Giacomo told me, its a newish winery launched by a Milanese entrepreneur who recently acquired an estate in Scansano. The aging is large cask and cement (music to my ears), he said.

It wasn’t my favorite in the flight (see below), lacking the focus it needs to achieve true greatness. But Roccapesta clearly has the right stuff: the materia prima is there and the attitude and approach are 100% right on. I’m really looking forward to following this winery and winemaker as they evolve.

If you’re pouring Roccapesta, please call me!

The 2010 Morellino di Scansano Brumaio by Pietramora is 100% Sangiovese and 150% awesome and delicious, one of the best expressions of Morellino that I’ve tasted in recent memory.

Just cast your gaze upon the gorgeous color of this wine!

It really captured what — to me — is the essence of Morellino: extreme freshness and dark berry fruit combined with a gentle gamey quality that evokes the maquisla macchia — of the Maremma.

I can only wonder if the proprietary name of the wine, Brumaio, is an oblique reference to Napoleon, who spent his last years in exile on the island of Elba off the Tuscan coast.

Brumaio, from the Latin bruma, is an ancient word for the winter solstice. But it’s also the name, brumaire in French, of the second month of autumn in the French Republican calendar.

Of course, it could also be an allusion to Karl Marx’s Eighteenth Brumaire of Louis Napoleon.

But I digress…

It probably refers to the bruma (also called brumaio), the morning mist that covers the vineyards of Maremma in the fall as the grapes ripen.

Thanks again, Susannah and Giacomo, for bringing some great Morellino to Texas and for any excuse to revisit one of the greatest works by Marx!


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